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	Search results for (At    Refine your search Creator 9 () 4 () 4 () 4 () 4 () Show more... results 461-480 of 645 item(s)  page 24 of 33 : ( <<  21  22  23  24  25  26  27  28  29  30  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 461. [Bookplate for Alfred Hawksworth] Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate. 462. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 463. [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right. 464. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 465. [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners. 466. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E. 467. [Bookplate for Hervé Grignon] Text centered at the top of the bookplate, printed in black ink, single font, on yellow paper. 468. [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain. 469. [Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie] Textual and pictorial bookplate created using burgundy ink on ivory paper. The image and text are within a thin frame ; at the top centre is a standing dragon holding a ball below which is a banner. 470. [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink. 471. [Bookplate for Jean-Pierre Benoit Lacombe] Textual bookplate with border at the corners of which are four clusters of roundettes. 472. [Bookplate for Francis Marion Smith by Warren Stannard] The "crest" is the profile of a blacksmith from the waist up holding with outstretched arms a hammer and tongs is before an anvil. Below the blacksmith is the text Ex Libris on a ribbon. A laurel wreath acts as supporters for the shield. On the shield, a printing press appears on the dexter side ; a cube with human faces and bold letters appears on the sinister chief ; and an anatomical human heart appears on the middle base. At the base of the shield, and behind it, a burst appears. 473. [Bookplate for Charles Alan Crawley] The armorial begins with a bird (possibly a crane) facing dexter and armed with a small argent X. It stands on a small upraised mound separated from the top of a healm by a wreath. The helm is closed and also facing to the dexter. It stands above an ermine shield. The shield begins with an ermine chief with a bend across it holding three comets. The dexter chief and sinister chief positions are occupied by marlets. The honor point has two cranes, one at the dexter and one at the sinister points. The fess point is covered with an argent banner with a pair of crosses at the sinister and dexter point and an argent X at the center point. The base of the shield has a crane in the center point. Below the shield is a banner with the latin motto: "ESSE QUAM VIDERI". This translates to mean: "To be rather than to seem." 474. [Bookplate for James Hazen Hyde] The bookplate central image is of several interwoven banners with flowers and leaves hanging from them in three cascades. The owner was an enormous Francophone who lived around the turn of the 20th century. 475. [Bookplate by F.A.C.] The bookplate depicts a lakeside scene in which a hotel is set among trees at the edge of the water. Prominent hills also give a sense of the surrounding landscape. This picturesque scene is framed by a border of trees. Amongst the leaves at the top of image is a scroll that reads 'Ex-Libris.' At the bottom of the image, an open book displays the words 'Rogers Rock.'. 476. [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a printing press ; a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; an outline of Australia and a kangaroo ; and gardening tools. Below this series is an ancient Chinese character (Odlum's chop) and books. 477. [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; and an outline of Australia and a kangaroo. Below this series is an ancient Chinese character (Odlum's chop), a printing press ; and gardening tools, and books on shelves. 478. [Bookplate for Pierre Louis Deschenaux] The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics. 479. [Bookplate for Congregational College of British North America] The bookplate has a geometric border with elaborate corner designs. The border is a simple 'X' interwoven pattern, and the corners have small crosses or 'X' on them. Within the border, the text 'Congregational College' is in a slightly more elaborate typeface than the remaining text, which is a simple serif font. 480. [Bookplate for Congregational College of British North America] The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif. select all : clear all : add to favorites results 461-480 of 645 item(s)  page 24 of 33 : ( <<  21  22  23  24  25  26  27  28  29  30  >> ) :: previous : next
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