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	Search results for (Created    Refine your search Creator 4 () 2 () 2 () 2 () 2 () Show more... results 41-60 of 98 item(s)  page 3 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 41. [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools. 42. [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library." 43. [Bookplate for Royal College of Dental Surgeons of Ontario] In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands. 44. [Bookplate for George H. Fensom by Thoreau MacDonald] In black ink. Landscape featuring a cabin overlooking a lake. 45. [Bookplate for E. F. Webb] In black ink. Decorative escutcheon, or [gold], parted per cross, gules [red] and sable [black]. In the first quarter, an eagle, displayed, sable. 46. [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one. 47. [Bookplate for Montreal Catholic School Commission] In black ink. A decorative oval border, inside border contains the name of the institution. An escutcheon, parted per cross. First quarter, azure [blue] with crossed keys. Second quarter, argent [white] with two fleur-de-lis. Third quarter, gules [red] with an open book. Fourth quarter, argent, a saltier, gules, fimbriated, argent. Inescutcheon, argent, a mullet, argent. Leafy mantling above the escutcheon, a banner below. 48. [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner. 49. [Bookplate for George Grey] In black ink, this bookplate contains an escutcheon with a barry of six pieces, argent (silver) and azure (blue), and a bend gules (red). On the bend are three roundlets bezant (gold). A diadem crest containing a swan rising with wings addorsed and elevated, and a trefoil on its breast. Below the escutcheon is a banner containing the French motto. 50. [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue). 51. [Bookplate for Foley] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a fess, sable (black) and engrailed, and three cinquefoil, two over one. The escutcheon is within a bordure, sable. The escutcheon is crested by a baron's coronet, on top of which is a straight crest wreath and a lion, rampant, holding a miniture of the same escutcheon. On either side of the central escutcheon are lion supporters, charged with five cinquefoil each. Below the escutcheon is a banner containing the Latin motto. 52. [Bookplate for I. L. Rankin by H. W. P.] In black ink on white paper, a ship is pictured at sea with a flying bird to its left. There is a sea monster on either side of the signature at the bottom. Very faint pink marks are present throughout the plate, and there's a smudge mark (likely ink) in the bottom left corner. 53. [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it. 54. [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom. 55. [Bookplate for Nancy Stuart Reid] In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'. 56. [Bookplate for Alexander Fawcett Reid] In black ink on white paper with visible chain and laid lines, a decorative border surrounds the image of a ship. 57. [Bookplate for William C. Hawes by Alfred Adlard] In black ink on white paper a large building is shown surrounded by a fence, smaller buildings, and trees. 58. [Bookplate for Andrew Allan] In black ink on red paper, this bookplate features an ornate border surrounding text in the center. 59. [Bookplate by Herbert Raine] In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses. 60. [Bookplate by Colonist Lithography] In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer. select all : clear all : add to favorites results 41-60 of 98 item(s)  page 3 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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