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results 361-380 of 432 item(s)  page 19 of 22 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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361. [Bookplate for Ruth Goodell by Alexander Scott Carter] [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.

362. [Bookplate for F. E. Gilman] [Bookplate for F. E. Gilman] Black ink on pink paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font.

363. [Bookplate for D. Girouard] [Bookplate for D. Girouard] Black ink on cream paper. Crest features right arm bent at elbow holding the top half of a spear on crest-wreath. Shield has sable and argent stripes, charged with three two-pointed flags two speckled sable on argent flags over one argent flag facing left. The top two flags are speckled, sable on argent, and the bottom flag is argent. Below the shield, the motto is printed in capital letters on ribbon with curling ends. Name typewritten in cursive sentence font.

364. [Bookplate for F. E. Gilman] [Bookplate for F. E. Gilman] Black ink on blue paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font.

365. [Bookplate for F. E. Gilman] [Bookplate for F. E. Gilman] Black ink on off-white paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font.

366. [Bookplate for C. Haight] [Bookplate for C. Haight] A decorative border surrounds the text that features two quotes.

367. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

368. [Bookplate for Gamble Geddes] [Bookplate for Gamble Geddes] Black ink on cream paper. Crest features half a fish hauriant showing a fin, gills, and a head with teeth atop a crest-wreath. Sable shield charged with three of the aforementioned fish heads two over one and an argent insecutcheon. There is a ribbon-like banner with the motto below the shield with curling ends. Each side of the ribbon is angled towards a downward point. On the left side is text in capitalized black serif-font. The right side of the ribbon overlaps the left and has text in the same font. Below the motto, the owner’s name is written in curling sentence-case font.

369. [Bookplate for Nicholas Garry] [Bookplate for Nicholas Garry] Printed in black ink on off-white paper. In the centre is a family shield, decorated with with a chevron pattern in solid black and white ground with a spotted pattern. A ‘V’ shape in the centre of the shield intercepts and counterchanges the chevron colours. Above this is an extended arm in armor holding a circular disc that repeats the pattern on the shield.

370. [Bookplate for Robert A. Harrison] [Bookplate for Robert A. Harrison] Black ink on cream paper. Crest features a demi-lion rampant on the top part of a castle tower. The lion is wearing a crown and holding a floral wreath in its paws. There is a gentlemen and esquire’s helm surrounded by elaborately curling sable and argent mantling that extends out to each side and tapers down to the base of the bookplate. Shield is sable and charged with three demi-lions rampant, two over one. The lions are wearing crowns. The motto is below the shield printed in capitalized block white letters on a banner with curling ends. The bookplate owner’s name is printed in black, gothic sentence-case font at the bottom of the bookplate.

371. [Bookplate for Glazebrook] [Bookplate for Glazebrook] Black ink on cream paper. Design has some heraldic features. At the top of the bookplate is a banner featuring black, serif, capitalized font. The banner sits atop a stylized castle with multiple towers and a circular wall. Behind the castle to the left and right extend wing-like features. In front of the castle is a shield argent with sable dots charged with a sable lion passant. Shield has a sable chief charged with three argent fleurs-des-lis. Armorial helm with mantling is topped with a sable demi-lion rampant wearing a crown atop a crest-wreath. The bottom of the bookplate features a rectangle designed to look like stylized wooden panels. It features large, capitalized, bold black serif font. The words are separated with floral decorations, each of a varying design. The first flower is found with six more pointed petals, a black centre, and two leaves. The second flower is smaller and rounder, but of similar design to the previous one also with two leaves. The last floral decoration looks like a maple leaf with a simple stem.

372. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

373. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

374. [Bookplate for Margaret M. Howard by Leslie Victor Smith] [Bookplate for Margaret M. Howard by Leslie Victor Smith] Black ink on textured cream colored paper. The image depicts a tall ship at sea with all sails unfurled, listing to the right in a swell of water. The ship is contained within a circular border containing four quatrefoil points. Above, the phrase ‘Ex Libris’ is displayed within a scrolled banner across the top of the bookplate and the circle is framed by hanging garlands of varied types of flowers and ribbons. Below, a shelf depicts a row of bound books that part at the middle, with a blank sheet of paper and a feather quill resting in an inkwell. Below this, ‘Margaret M. Howard’ is written within a large scroll banner that is framed by thorny vines of roses.

375. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

376. [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.

377. [Bookplate for Harry Hereford by J. B. C.] [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one.

378. [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner.

379. [Bookplate for William Ralph Howard by Leslie Victor Smith] [Bookplate for William Ralph Howard by Leslie Victor Smith] Black ink on cream colored paper. The image depicts a tall ship at sea with all sails unfurled, in a swell of water, with a large cumulous cloud in the background. The image is framed by a length of rope that circles the entire bookplate. Below, a heraldic device is displayed in a circular frame. A broken ionic order column is in the center, with the top half of the column resting on the right side of the base and an oval shield with a flower on it leaning on the left side of the base. At the bottom of the bookplate, the owner’s name is presented in a solid-colored shield. The rope frame meets at both sides of the shield: on the left, the rope holds an anchor and on the right it holds a ship lantern.

380. [Bookplate for Hugel] [Bookplate for Hugel] Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.
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