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results 281-300 of 399 item(s)

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	Title:	Description:

281.	[Bookplate for James M. Wishart by Leslie Victor Smith]	Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner.

282.	[Bookplate for Lesslie M. Sweetnam by F. F. H.]	Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.

283.	[Bookplate for Curtis Henry Remy]	Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.

284.	[Bookplate for Thomas Troughton]	Printed in black ink on white paper, in the upper left of the ex libris appears the crest of a lion erased issuing from a straight wreath. At the base of the lion's head is a veil sable with two pellet over one plate. To the right is the crest of a stag statant issuing from a straight wreath. Below the two crests appears a banner bearing the motto 'CARPE DIEM.' At the bottom of the ex libris appears the name of the owner, 'The Revd. Thomas Tronghton.'.

285.	[Bookplate for Hilda Shibley]	Printed in black ink on white paper, the words 'EX LIBRIS' appear at the top of the bookplate, below which sits a winged stag facing left or a stag sitting on a winged cloud. Below the stag appear the words HILDA / SHIBLEY.'.

286.	[Bookplate for Frederick Styles Lyman]	Printed in black ink on white paper. Family of birds atop a shield, quartered per cross. Quarters 2 and 3 feature five crosses, and quarters 1 and 4 feature three fish-like creatures. Below, a banner of Latin text.

287.	[Bookplate for J. Rumsey]	Printed in black ink, a simple linear border with sparsely set flowers surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.

288.	[Bookplate for Cavalry Church]	Printed in black ink, an ornate border surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.

289.	[Bookplate for J. Harry Smith by William Walker Alexander]	Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

290.	[Bookplate for Emily Ogden Wheeler]	Printed in brown ink on white or cream paper the bookplate consists of a border of four thin branches bearing leaves and buds. Wrapped around the top and bottom branches are banners bearing the quotation 'DREAMS BOOKS ARE EACH A WORLD AND BOOKS / WE KNOW ARE A SUB-STANTIAL WORLD.' In the center of the border appears the name of the owner.

291.	[Bookplate for George T. Irving]	Printed in brown ink, the bookplate depicts a rigged wooden ship, with full sails, on water. A bird soars into the foreground. “Ex Libris” half-circles the image, while a literary quote from Emily Dickinson, and the bookplate owner’s name, are printed below.

292.	[Bookplate for Dufferin School John Frothingham Library]	Printed in navy ink, a geometric border surrounds the text printed in three fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.

293.	[Bookplate for Dufferin School John Frothingham Library]	Printed in navy ink, a geometric border surrounds the text printed in three fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.

294.	[Bookplate for Dufferin School John Frothingham Library]	Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in blue with accompanying banners. The shield is topped with a crown and features a red saltire with four different charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark. Beneath the coat of arms is a blank space with a number handwritten in grey ink, followed by the title of the school and a note on the school’s history.

295.	[Bookplate for Dufferin School John Frothingham Library]	Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.

296.	[Bookplate for Imperial Order Daughters of the Empire]	Purple ink on white paper. Seal of IODE at top. Text below. Border consists of three fine lines at top and bottom and a single fine line at the sides.

297.	[Bookplate for York University]	Red ink of white paper. York University shield at centre. Text at top and bottom. The shield is charged with a leaved tudor rose, and has a chief charged with two lions passant guardant.

298.	[Bookplate for Alfred Hawksworth]	Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate.

299.	[Bookplate for Stanley Harrod]	Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

300.	[Bookplate for Hôpital Général d’Ottawa No. 6]	Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.

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results 281-300 of 399 item(s)

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