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161.
[Bookplate for Frechette's Library]
A decorative top and bottom border centers the text printed in black ink and multiple fonts.
162.
[Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald]
Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.
163.
[Bookplate for J. H. Hagarty]
Black ink on cream paper. Crest features an armoured arm holding on to a sabre. The arm is coming out of a crest-wreath. The shield is argent with a sable chief. The chief is charged with three white birds trussed. The bottom section of the shield is argent and charged with a tall, leafy tree. The tree has three roots extending out. Below the shield, the motto is printed on a curling ribbon in capitalized, block, sans serif white letters. Below the motto, the bookplate owner’s name is printed in large, black, sentence case, cursive font.
164.
[Bookplate for A. C. Jones by Clare Victor Dwiggins]
Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.
165.
[Bookplate for John Hamilton by Francis Adams Sc.]
Black ink on cream paper. One motto is printed on a ribbon with ends that extend to two points at the top of the bookplate. Motto is printed in capitalized, serif block letters. Below that motto is a crest featuring a leafy tree growing out of a crown. The crown’s points are rounded and leafy. The base of the crown is decorated with horizontal diamonds. The tree trunk grows through a picture frame with a saw attached to the center. The free is growing through this frame/saw object and has extensive, dense foliage. The entire crest sits atop a twisted wreath. The shield has extended points to the top left and right and the bottom curls to a point. The shield is sable and argent, divided per quarterly. The top left and bottom right sections are sable and charged with three white flowers, two over one. The flowers have distinct round centers and five individual, separate petals. The top right and bottom left section are argent and charged with a Viking-style ship with three oars, a flag pointing to the left at the front and rear of the ship, and a tall mast. The sail is rolled up on the mast in a horizontal line. Four lines extend from the sail down to the ship. There is a flag at the top of the mast, with two lines extending down to the sail. Curlicue mantling decorates the shield from the base upwards. A second motto is printed on a ribbon with two pointed ends at the base of the shield. The text is printed in capitalized, serif, black font. The name of the bookplate owner is printed below this motto in thin, sentence case, cursive font. In the bottom right corner the name of the bookplate creator is printed in small, italicized, sentence case black font.
166.
[Bookplate for John William Griffin by Leslie Victor Smith]
Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation.
167.
[Bookplate for Arthur Lowndes]
Black ink on white paper. The bookplate features an oval shape with a thin, pale black border. At the top of the bookplate is a rounded section with a base that goes down a point towards the middle of the bookplate. The image depicts a procession of men entering what appears to be a brick church. The man at the front of the procession is carrying a cross. There is foliage growing on the church exterior. The men are entering an arched doorway and there are windows above and to the right of the doorway. To the right of a procession is a small metal fence with a brick pillar, behind which is a tall, leafy tree. Other trees are silhouetted in black on the far horizon. The base of the image is decorated with leaves and flowers with many petals. Below, the background is a speckled grey wall and there are two crests, one of the left and one on the right. On the left, the crest features a tall leafy tree on a crest-wreath. To the right of the tree is an argent shield charged with three sable fleurs-de-lis, two over one. At the base of the tree trunk, a ribbon billows out to the right with text printed in capitalized, black, sans serif font. The shield is argent with a bend. The bend has a border of two thin sable lines and is charged with three argent leaves. Below the shield, the mottos is printed on a curling ribbon in capitalized, black, sans serif font. On the right, the crest features a sable erased dragon’s head floating above a crest-wreath. The shield is all argent with a lozengy field. There is an argent canton in the upper left corner of the shield charged with a smaller version of the sable erased dragon’s head from the crest. Below the shield, the motto is printed on a curling ribbon in capitalized, black, sans serif font. Below the crests is a large fireplace. The mantle is covered with books. There is a lamp on the left side of the mantle and a vase filled with plants on the right side of the mantle. Alongside the fireplace, books are stacked on shelves on the left and right-hand side. The mantle itself is decorated with simple vertical black lines. There is a simple iron grate in front of a roaring wood fire. On the left and right hand side of the fireplace itself are square shaped decorative features. There are also fireplace implements on either side of the fireplace. On the floor in front of the fire are a dog and cat. The dog is black and white and is lying down on the left side of the bookplate. The cat is also black and white and is sitting on the right side of the bookplate. Below the cat and dog, the bottom portion of the bookplate features a dense floral decoration. On top of the decoration is a banner with curling ends upon which the bookplate owner’s name is printed in capitalized, serif, black font.
168.
[Bookplate for G. P. Girdwood]
Oval-shaped circular border with legend containing a motto printed in capital block letters across the top half. Bottom half of the border has shading, decorate circles, and a decorative end. Border made to look like a ribbon, one end of which loops over the bottom of the oval. End of the ribbon has thin borders, circular decorations, and almost tapers to a point with decorative curls at the end. In the center of the oval is a demi-lion rampant guardant. In its right paw, the lion holds a tree with round foliage at the top and sprawling roots at its base. Below the image is text written in stylized sentence-case serif font.
169.
[Bookplate for L. Emile Grothé by Aimé Dufesne]
Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.
170.
[Bookplate for Frank John Joseph]
Black ink on cream paper. The crest features a bushel of wheat tied with a ribbon around the center atop a crest-wreath. Shield is divided per chevron. The background is black and it is charged with five smaller bushels three over two. The three bushels are above the chevron and the remaining two are below. The shield is decorated with an elaborate white border. Below the shield, the motto is printed in black, capitalized, block sans serif font on a curling ribbon with decorative ends. Underneath the motto, the bookplate owner’s name is printed in black, sentence case gothic font.
171.
[Bookplate for Francis J. Audet]
Black ink on white paper. The shield is black at the top with an open book in the center and a fleur-de-lis on either side. The main part of the shield is charged with a lion rampant. Below the lion is a branch with three give-pointed leaves. The motto is printed on a banner below the shield in capitalized, black font. Underneath the motto is cursive black font in various sizes.
172.
[Bookplate for University of British Columbia and Alice Ravenhill]
Black ink on white paper. The bookplate features a border consisting of several black lines with X designs in the corners. There is the University of British Columbia crest. The chief has a dark background and features an open book with its straps lying out. The university motto is printed in stylized black font on the book’s open pages. The bottom section of the map was alternating black and white lines. From the bottom of the shield is part of a sun with its rays extending upwards. The sun is charged with black dots. To the right of the shield is stylized gothic text in large, black font. Below it is text printed in smaller, cursive, black font. At the bottom of the bookplate is smaller text printed in the gothic, black font with dotted lines next to the words.
173.
[Bookplate by University of British Columbia]
The bookplate has after the initial Text a picture based on a woodcut engraving of Vesalius, a classical anatomist. The picture is in an azure ink and shows a man pointing out various anatomical points of a human arm.
This bookplate identifies books purchased as a collection by UBC Library from Dr. Hugh Macdonald Sinclair with funds provided by Harvey Reginald "H.R." MacMillan.
174.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
175.
[Bookplate for Henry Forbes Angus by Jack Macdonald]
An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.
176.
[Bookplate]
Textual bookplate with black ink stamped on ivory paper.
177.
[Bookplate for Peter Courchesne]
The small image on this bookplate is located to the right and is merely a small opened book with, what looks like, a antiquarian writing on it.
178.
[Bookplate for Ivan Glen Campbell]
The central image is a portrait shaped frame with banners along the top and bottom of the frame. Between the banners and contained by the frame is the central image of an open book behind a metal lamp with a black shade shedding light onto the book and everything else in the image. In front of the lamp on the left side is an ink jar and spare nibs and on the right is an ashtray and smouldering cigarette with the smoke drifting upwards and surrounding the lamp and book from above. While the two banners have statements within them the lower one also has four maple leaves, 2 on the right, and 2 on the left.
179.
[Bookplate for Arthur Coburn by L. J. R.]
The image is of a man standing between two deciduous trees. The man has black hair and is wearing antique garments from the Italian Renaissance and white tights. He is also reading a large black book and has a small black leather belt and pouch. The whole image is surrounded by a double filleted black border.
180.
[Bookplate for M. J. Freie]
Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes.
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