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CONTENTdm Collection
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201.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
202.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
203.
[Bookplate by William Walker Alexander]
Black ink on cream paper, depicting a man holding a book and sitting beneath a large tree, with more trees in the background.
204.
[Bookplate by William Walker Alexander]
Black ink on cream paper. Depiction of a sloped road, an inn, and Brock’s Monument, a 56-metre column dedicated to Major General Sir Isaac Brock, a Canadian war hero from the War of 1812.
205.
[Bookplate by William Walker Alexander]
Black ink on cream paper, depicting a satyr playing reed pipes in a field with some flowers, surrounded by wildlife (moose, rabbit, squirrel, beaver, birds). There is a forest and water nearby, and signs of human life (tent, canoe). Pictured within a circular frame, with ribbon and text, and a crow standing on a branch at the very top looking down.
206.
[Bookplate by Owen Staples]
In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.
207.
[Bookplate by Herbert Raine]
In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses.
208.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
209.
[Bookbinder's Tickets for Joseph Fortier]
1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.
210.
[Bookbinder's Ticket for Leger Brousseau]
A rectangular ticket, black ink on faded blue or grey paper.
211.
[Bookbinder's Ticket for Hector Bossang and Denis-Benjamin Papineau]
An ovular ticket, black ink on green paper within a border.
212.
[Bookbinder's Ticket for G.A. Roedde Ltd.]
Blue ink on white paper. Decorative border surrounds text.
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