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CONTENTdm Collection


Search results for E.H.

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	Title:	Description:

1.	[Bookplate for Hart House Library by J. E. H. MacDonald]	Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.

2.	[Bookplate for Toronto Public Library by J. E. H. MacDonald]	In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

3.	[Bookplate for Hart House]	This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third.

4.	[Bookplate for E. R. Hunter by Thoreau MacDonald]	Printed in black ink on cream paper. The image shows a loon facing left, in profile, with its beak open. It is framed by ripples of water above and below. In the background, two islands are reflected in the water. The island on the left is larger than the one on the right. At the bottom of the bookplate, the personal name and geographic location are provided in an all-caps, serif font. This is framed by two squares containing mirror images of a closed pine cone on an evergreen sprig.

5.	[Bookplate for William Lawson Grant by J. E. H. MacDonald]	This bookplate features a wind-blown tree set upon a waving banner containing the originator's motto. It is surrounded with flora, which contains Scottish thistles, maple leaves, a fleur de lis, the number 59, two portraits of men, and the artist's initials. At the top of the design are three escutcheons, all argent (silver) and charged with various elements.

6.	[Bookplate for Mary Katharine Black by Thoreau MacDonald]	This pictorial engraving was created using black ink on white paper and portrays an island with two wind-swept trees with a rising/setting sun on the horizon.

7.	[Bookplate]	This bookplate's design consists of a vista of a tree.

8.	[Bookplate for Vancouver Medical Association]	Text surrounded by a simple double border. Donor information is typewritten.

9.	[Bookplate for Gordon Elliott]	In blue ink on white paper, text within a single blue line border.

10.	[Bookplate for Hope Holmested by Thoreau MacDonald]	This bookplate's design features a rising/setting sun on the horizon line of a body of water. Hovering above the water is an angel with hands in prayer, surrounded by several pairs of feathered wings. Stars appear in the heavens above and a fully risen sun or holy light glows from behind the angel's wings.

11.	[Bookplate for Henry Mott by J. E. H. MacDonald]	Black ink. Azure (blue) escutcheon charged with a argent (silver) crescent. Above the escutcheon is a straight wreath, an eight-point star and the originator's name. Below a waving banner displays the originator's Latin motto. All of the elements cited above are framed by a shield shaped border. Additionally, the paper is cut at skewed angles, causing the image to appear lopsided.

12.	[Bookplate for George H. Fensom by Thoreau MacDonald]	In black ink. Landscape featuring a cabin overlooking a lake.

13.	[Bookplate for National Gallery of Canada Library by Alfred H. Howard]	Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.

14.	[Bookplate for Edmund Murton Walker by Thoreau MacDonald]	In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.

15.	[Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald]	Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.

16.	[Bookplate by Eiichi Hirose]	The central image is of two roosters facing to the left. The smaller of the two is superimposed onto the hind portion of the larger one which is to the rear of the image. The roosters have orange crests, black tail feathers, and orange/brown coloured feathers over the rest of their bodies. The smaller of the two chickens is located towards the right, while the larger one is located on the left. Both roosters are facing towards the left.

17.	[Bookplate by Eiichi Hirose]	The image is of a brown and white stripped wooden toy boar. There are blue hooves and nose, as well as white tusks, a red mouth and ear, and white eyes. The boar is facing towards the left and the rear portion of the boar is in the right forefront.

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