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21.
[Bookplate for Edith Dair and Carl Dair]
A man, bare-chested stands on a rocky outcropping, holding a book in his hand, balanced against his thigh. Light streams from above. Chestnut coloured ink on cream background. Originators' names in black type.
22.
[Bookplate for E. W. Neville by Marjorie Sankey]
In black ink on yellow/brown paper. The elaborate façade of a building is held up by a large tree with many roots. The owner’s name is featured in the gate entrance. The thick paper features chain and laid lines.
23.
[Bookplate for E. F. Webb]
In black ink. Decorative escutcheon, or [gold], parted per cross, gules [red] and sable [black]. In the first quarter, an eagle, displayed, sable.
24.
[Bookplate for Dundas Mechanics’ Institute]
Black ink on grey paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.
25.
[Bookplate for Dundas Mechanics’ Institute]
Black ink on cream paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.
26.
[Bookplate for Douglas Battersby]
In black ink on yellow paper, the bookplate consists of an ornate decorative border surrounding the text. The text is a Gothic typeface, except for the city. There are significant stains around the edges of the bookplate.
27.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
28.
[Bookplate for David Bond and Elizabeth Bond]
Bookplate design features an eagle in flight in foreground, with compass in background. Bookplate owner names at base.
29.
[Bookplate for Cercle Cremazie]
Printed in black ink on tan paper, a very ornate scrollwork border surrounds the text.
30.
[Bookplate for Alfred B. Wiener by Antioch Bookplate Company]
This bookplate is printed in black ink in an art deco style with Broadway font (c. 1928) for the owner's name. It shows a man in formal wear reading a book.
31.
[Bookplate for Alexander Millar]
In black ink, this bookplate consists of a curved crest wreath and dexter cubit arm, holding an open faced book. Above the crest is a banner containing the Latin motto.
32.
[Bookplate for Alexander Fawcett Reid]
In black ink on white paper with visible chain and laid lines, a decorative border surrounds the image of a ship.
33.
[Bookplate for Academie Marie-Rose]
A cross entwined in daffodils with the name of the religious order on a scroll above the cross ; scroll below the cross is inscribed with the school's motto. The name of the school is at the base of the plate.
34.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
35.
[Bookbinder's Tickets for Zephirin Chapeleau and J.M. Lamothe]
1) In black ink on gray paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
2) In black ink on yellow paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
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