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	Search results for ON    Refine your search Creator 24 () 17 () 10 () 6 () 5 () Show more... results 341-360 of 966 item(s)  page 18 of 49 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 341. [Bookplate for Lionel Damer] In black ink, this bookplate consists of an escutcheon, divided barry of six pieces, nebule, argent (silver) and gules (red), and a bend, engrailed, azure (blue). At the precise middle chief is a crescent, the symbol of the second son. The escutcheon also contains an inescutcheon, divided per cross. The first quadrant, argent, contains an unknown symbol, possibly a garbe, sable (black). The fourth quadrant, also argent, contains two of the same symbol. The second quadrant, divided per fess, or (gold) and azure (blue), contains two swans with wings displayed. The third quadrant is the same, except it contains only a single swan. The crest is an oval frame containing a talbot's head in a crown. Above the crest is floral mantling which extends down both sides of the escutcheon. Below the escutcheon is a banner containing the Latin motto. 342. [Bookplate for Linnu Eerme by A. Lee] In black and brown ink, an image of two birds, flowers, trees, and a bird feeder are portrayed on ivory paper. 343. [Bookplate for Lilian Guest Cape] Black ink on cream paper. A crest features a lion passant with a sword in its right paw standing on a torse. A motto is printed on a small ribbon in capitalized, sans serif, black font. Bolder capitalized, sans serif, black font is below the motto. A larger ribbon with elaborated curled ends features capitalized, serif, black fond. Many lines of text follow below in a roughly diamond shape. The text is printed in capitalized, bold, serif, black font. There one final ribbon at the bottom of the bookplate featuring the owner’s name in thinner, sans serif, black font. 344. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 345. [Bookplate for Lieutenant Colonel E. L. Caldwell] A simple line border surrounds the text. There are small circles framing each corner. 346. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font. 347. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font. 348. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font. 349. [Bookplate for Library of Diocesan Theological College] Black ink on cream paper. In the upper-portion rests the Library of Diocesan Theological College seal. Within the oval-shaped seal are two shields (one in front of the other) with an anchor on the front of the more forward shield. Above the shield is a Western-style mitre. On the perimeter of the seal is Latin phrasing. Directly under the seal is an information line, followed by the title of the library and location city in English text. At the very bottom are two additional unfilled information lines. 350. [Bookplate for Library of Diocesan Theological College] Black ink on white paper. There is italicized black text with a dotted line at the top of the bookplate. There is an almond shaped design with double lined black borders. The border contains capitalized black sans serif font. In the center are two shields. A white shield with an anchor partially covers a black shield. A bishop’s hat sits atop the shield. A motto is printed in the banner. Below more italicized text is printed with a dotted line. There are several lines of stylized black gothic fond, one line of sans serif capitalized black font, and then one final line of italicized text with a dotted line. 351. [Bookplate for Lewis] Brown ink on cream paper. Crest features a dog’s head on a crest-wreath. Below the crest is an esquires helm with elaborate mantling extending out in multiple layers. The shield is divided with a horizontal black line in the center. Above the line, the shield is charged with three dogs, the same breed featured in the crest. Below the line, the shield is charged with a single flower with five round petals and a black center. Underneath the shield, a motto is printed in capitalized, block serif black font on a horizontal ribbon with curling ends and a bend in the center. Below the motto, the bookplate owner’s name is printed in large, black, stylized gothic block font in sentence case. 352. [Bookplate for Lewis] Brown ink on cream paper. Crest features a dog’s head on a crest-wreath. Below the crest is an esquires helm with elaborate mantling extending out in multiple layers. The shield is divided with a horizontal black line in the center. Above the line, the shield is charged with three dogs, the same breed featured in the crest. Below the line, the shield is charged with a single flower with five round petals and a black center. Underneath the shield, a motto is printed in capitalized, block serif black font on a horizontal ribbon with curling ends and a bend in the center. Below the motto, the bookplate owner’s name is printed in large, black, stylized gothic block font in sentence case. 353. [Bookplate for Lewis Harcourt] There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century. 354. [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk. 355. [Bookplate for Les Religieuses de Sœurs des Saints Noms de Jésus et Marie] The pre-formatted plate for awards is printed in black ink and multiple fonts, and filled in with a single hand. Above the text sits a cross entwined in daffodils with the motto of the religious order on scrolls above and below the cross, all encircled with a border. The text and insignia are enclosed in a thick, detailed decorative border. 356. [Bookplate for Leopold Bauer, Elsa Bauer, and J. E. Horvath] Black ink on tan paper. Monumental fountain sorrounded by vegetation and neoclasical architectural elements. 357. [Bookplate for Leipziger Stadtbibliothek and Michael B. Kunze] Black ink on grey paper. Library coat of arms surrounded by an ornate border surmound picture of a library. Three men in late 18th century dress are looking at books. 358. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border. 359. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In black and blue ink, an image of a butterfly in the centre, and a flower in the bottom right corner. Curving black lines border the four corners. Text is written vertically on the wings of the butterfly. 360. [Bookplate for Laurence A. Waldron by Waller] In red ink. This bookplate displays a classical theme. A neoclassical urn, draped with a laurel garland serves as the back-drop for the escutcheon. The escutcheon, argent (silver), is charged with three bull's heads caboshed, situated two over one. Above the escutcheon is a straight wreath, charged with a heraldic tyger sejant. This component is encircled by the originator's Latin motto. The urn is set upon a pedestal with an oval background, framed by a garland. At the base, between the oval background and laurel garland frame, appears the name and location of the creator. select all : clear all : add to favorites results 341-360 of 966 item(s)  page 18 of 49 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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