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results 401-420 of 430 item(s)  page 21 of 22 : ( <<  21  22  >> ) :: previous : next
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 Image: Title: Description:

401. [Bookplate for Ágoston Tamás-György and J. E. Horvath by K. M. S.] [Bookplate for Ágoston Tamás-György and J. E. Horvath by K. M. S.] This bookplate uses some architectural features to create a grid with nine cells. The centre of the image has a panel with the ownership information. The top of this panel serves as the floor for two figures practicing fencing that are framed with an arch. This arch is supported on two square boxes at the top corners of the image. There is a flower vase on top and books inside each box. Similar boxes with apple branches mark the bottom corners. The spaces between these boxes are supported by columns that flank two sportive figures, a hockey player on the left and a hunter on the right. In the bottom central area a small row boat sits in water.

402. [Bookplate for Academie Marie-Rose] [Bookplate for Academie Marie-Rose] A cross entwined in daffodils with the name of the religious order on a scroll above the cross ; scroll below the cross is inscribed with the school's motto. The name of the school is at the base of the plate.

403. [Bookplate for A. W. Robertson] [Bookplate for A. W. Robertson] This bookplate consists of a pictorial image of men in a rowboat in the foreground with the image of a large sailboat in the background. Between the two primary images is the shape of a whale, the ocean, and three small rowboats. It is designed to replicate the style of stained glass, and is therefore divided into sections which are executed in varying colours such as blue, green, yellow, brown, and purple. Each section is delineated in black ink and is bordered in black ink. The bookplate is on white paper.

404. [Bookplate for A. T. Higginson] [Bookplate for A. T. Higginson] Black ink on white paper. The crest features a knight’s armoured right arm extending from a crown. The crown is decorated with black ermines and wraps around a black top that looks like cloth. The ends of the crown do not meet, but instead extend out to a point to the right. The arm has a twisted rope with dangling ends hanging from the hand and the hand clutches a weapon that is a spear on one end and has two prongs on the other end. The shield is argent with sable dots and a sable pale. The dexter and sinister portions of the shield are surrounded by a white border marked off with a thin black line. The pale is charged with a stone castle tower with a door and three windows. The pale is also charged with two white circles, one above and one below the tower. The bottom and right hand side of the shield is shaded with black. Below the shield, a ribbon with curling ends features the motto printed in capitalized, black, sans serif font. Underneath the ribbon, the bookplate owner’s name is printed in larger, sentence case, black, Gothic font.

405. [Bookplate for A. Renand and U.E. Archambault] [Bookplate for A. Renand and U.E. Archambault] Black ink on white paper. Border consists of two intertwined braided strands with elaborate corners. Decorative gothic font at the top of the bookplate is surrounded by lines with geometric accents. Smaller, sans serif, capitalized, black font is below surrounded by matching lines. There are three rows of dotted lines. Between the lines, smaller text is printed in serif, capitalized, black font. Underneath is italicized, black font in various sizes. At the bottom of the bookplate is larger, black, cursive font with small, italicized black font in the bottom right corner.

406. [Bookplate for A. Merritt] [Bookplate for A. Merritt] Textual bookplate. The initials A.M. are surrounded by a decorative border.

407. [Bookplate for A. L. Beverly] [Bookplate for A. L. Beverly] Black ink on white paper. Text in center surrounded by border. Handwriting on the back of the bookplate.

408. [Bookplate for A. C. Jones by Clare Victor Dwiggins] [Bookplate for A. C. Jones by Clare Victor Dwiggins] Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.

409. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The text of the bookplate is framed by 3 black fillets in a rectangular form. On the left and right sides of the frame there are 6 palmetes and on the header and footer of the frame there are 9 palmetes. There are no colors or other decorations on the bookplate.

410. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] A plain bookplate framed by two black fillets in a double rectangular frame. There are three seashells on the left and right side of the frame and six seashells on the top and bottom of the frame.

411. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The bookplate has set after the initial text of, "THE LIBRARY," a map of North America projected onto a globe with longitudinal and latitudinal lines. The map is framed by two bars at the top and bottom of the map. The two major oceans are also identified.

412. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The bookplate has set after the initial text of, "THE LIBRARY," a map of North America projected onto a globe with longitudinal and latitudinal lines. The map is framed by two bars at the top and bottom of the map. The two major oceans are also identified.

413. [Bookplate by Owen Staples] [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.

414. [Bookplate by M. Trinque] [Bookplate by M. Trinque] This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank.

415. [Bookplate by James Gourlay Gray] [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.

416. [Bookplate by G. P. V. Akrigg] [Bookplate by G. P. V. Akrigg] Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."

417. [Bookplate by Francis Adams Sc.] [Bookplate by Francis Adams Sc.] In black ink. Escutcheon parted per cross. First quarter, or, a lion, gules, rampant. Second quarter, argent, an arm embowed fessways holding an axe shaped like a cross formy. Third quarter, argent, a lymphad, sails furled, on water. Fourth quarter, argent, a fish on water. Shield supporters, two horse-like beasts with short tails, combatant. Helm, a diadem topped with a lion, couped. Below the escutcheon is a banner with mantling containing the Latin motto.

418. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A blue rectangular border surrounds the central image. The central image of a blue side view of Mt. Fuji above a number of green rice patti stalks blowing in the wind towards the right. Hovering above them are a pair of dragonflies done in red flying towards the left.

419. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A green rectangular border surrounds the central image and writing. Three Japanese Umeboshi (Sour plums) are present with the red and green ones standing upright while the yellow one sits on its side.

420. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] An image of a Japanese festival paper lantern is shown. The three (Hirigana/Katakana) symbols written on the lantern are pronounced, "Se-ro-hi". The lantern has a black top and bottom rim with a carrying handle at the top. An orange tassel emerges from the bottom of the lantern. The lantern is sitting at the center of the page. The symbols start at the lower left of the lantern and move towards the upper right.
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