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	Search results for Case    Refine your search Creator 3 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () results 41-60 of 65 item(s)  page 3 of 4 : ( <<  1  2  3  4  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 41. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font. 42. [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font. 43. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 44. [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. 45. [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. Though difficult to decipher, the seal appears to declare ; Knowledge is Power, in a framed ring at the fess point. 46. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font. 47. [Bookplate for Lewis] Brown ink on cream paper. Crest features a dog’s head on a crest-wreath. Below the crest is an esquires helm with elaborate mantling extending out in multiple layers. The shield is divided with a horizontal black line in the center. Above the line, the shield is charged with three dogs, the same breed featured in the crest. Below the line, the shield is charged with a single flower with five round petals and a black center. Underneath the shield, a motto is printed in capitalized, block serif black font on a horizontal ribbon with curling ends and a bend in the center. Below the motto, the bookplate owner’s name is printed in large, black, stylized gothic block font in sentence case. 48. [Bookplate for Lewis] Brown ink on cream paper. Crest features a dog’s head on a crest-wreath. Below the crest is an esquires helm with elaborate mantling extending out in multiple layers. The shield is divided with a horizontal black line in the center. Above the line, the shield is charged with three dogs, the same breed featured in the crest. Below the line, the shield is charged with a single flower with five round petals and a black center. Underneath the shield, a motto is printed in capitalized, block serif black font on a horizontal ribbon with curling ends and a bend in the center. Below the motto, the bookplate owner’s name is printed in large, black, stylized gothic block font in sentence case. 49. [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner. 50. [Bookplate for Ernest Fawcett by British Columbia Department of Education] Executed in black ink, this pre-printed textual bookplate is framed by a triple-lined border. The dotted lines have been filled in by hand in what was originally black ink but which is now green where the ink bled into the paper. 51. [Bookplate for Manitoba Legislative Library] Framed by a double line border, this textual bookplate contains the coat of arms of the province of Manitoba. 52. [Bookplate for Évêché de St. Hyacinthe] Handwritten note in black ink above the bookplate. Black ink on pale grey paper with some discolouration. Solid border surrounded externally and internally by thin outlines inside an intertwined double-lined spiral border. Text written in capital and sentence case bold letters. 53. [Bookplate by Colonist Lithography] In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer. 54. [Bookplate for Ecole polytechnique] In black ink on thick pink paper with visible laid lines. Image includes a rectangular decorative border consisting of straight lines at the sides and more elaborate patterns in the corners surrounding 20 lines of text. 55. [Bookplate for National Prison Reform Association] In black ink on white paper. Image includes a rectangular decorative border in a repetitive pattern. Within the border all of the text is in a capitalized sans serif font, except the owner's name, which consists of upper and lower case letters in a serif font. 56. [Bookplate for James Bryce Allan] In black ink. Escutcheon parted per bend, dancetty. Bordure, azure [blue]. Above field, argent [white] and ermine, a stag, gules [red], erased, antlers, or [gold], and an annulet, or. Below field, gules, a crescent. Helm has mantling around a tilting helmet on top of which is a curved crest wreath with a dog, erased. Below the escutcheon is a banner containing the Latin motto. 57. [Bookplate for Mechanics Institute of Montreal] In black ink. The seal of the Mechanics' Institute of Montreal is located above with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever, the dexter quarter a telescope. At the fess point the institution's motto appears. 58. [Bookplate for Mechanics Institute of Montreal] In black ink. The seal of the Mechanics' Institute of Montreal is located above with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever, the dexter quarter a telescope. At the fess point the institution's motto appears. 59. [Bookplate for Mechanics Institute of Montreal] In black ink. The seal of the Mechanics' Institute of Montreal is located above with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever, the dexter quarter a telescope. At the fess point the institution's motto appears. 60. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. select all : clear all : add to favorites results 41-60 of 65 item(s)  page 3 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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