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results 1-20 of 66 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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1. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.
2. [Bookplate] [Bookplate] A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper.
3. [Bookplate for Winifred Baker] [Bookplate for Winifred Baker] This bookplate, black ink on ivory paper, consists of a number of books standing up right on a flat surface. In front of the standing books is a book left open, and a candle stick with candle alight. From the candle's flame, light radiates out in all directions. Running along the left border are a series of vertical lines of varying widths, and along the right border are a series of ten small symbols.
4. [Bookplate for William Molesworth] [Bookplate for William Molesworth] In black ink, this bookplate consists of an annexed escutcheon, vair (argent [silver] and azure [blue]), with a martlet at the honour point ; and an inescutcheon, argent with a sinister hand, couped and gules (red) at the fess point. Baronets of the United Kingdom bear the red hand of Ulster. The escutcheon's bordure is gules, and contains eight cross crosslets, or (gold), three over two over three. Atop the escutcheon is a helmet of a baronet, front facing with beaver open. The helmet is crested by a curved wreath and a a sinister arm, vambraced, and holding a cross crosslet, or. Below the escutcheon is a banner containing the Latin motto.
5. [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order.
6. [Bookplate for W. Gordon Mills] [Bookplate for W. Gordon Mills] In black ink on cream paper. This image depicts a nighttime scene with a single star in the sky and two evergreen trees silhouetted in front of a lake and mountains. Superimposed upon this landscape, a lyre sits next to a scroll which reads "Sonata Apassionata" (sic) and has notes from the score. The initial "M" is in the lower right hand corner as a possible signature.
7. [Bookplate for University of British Columbia] [Bookplate for University of British Columbia] An image of the Main Library of UBC and the Clock tower in front of it. The image appears to be the result of work with a photographic negative. The image is presented in black and white.
8. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.
9. [Bookplate for Steve Borden by Larry Reynolds] [Bookplate for Steve Borden by Larry Reynolds] This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature.
10. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
11. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.
12. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.
13. [Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel] [Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel] In black ink: Sable, an argent eagle displayed, an argent bordure engrailed ; at the precise middle chief, the inesceutcheon of a baronet (argent, a hand gules) ; surmounted by a wreath of argent and sable, the crest a demi-globe or hemisphere ['semi-terrestrial globe of the northern hemisphere'], an eagle rousant, wings displayed and elevated ; motto on a ribbon below the shield. The bottom right corner of the bookplate was torn away and has been replaced with a light paper.
14. [Bookplate for Schuyler Merritt] [Bookplate for Schuyler Merritt] This heraldic bookplate consists of an escutcheon, a barry of six, or (gold) and sable (black), with a bend, ermine (white powdered fur, black tufts). Above the escutcheon is a helmet in profile (denoting status of esquire and gentleman). Above the helmet is a curved wreath charged with a chained beast passant. Surrounding the escutcheon is a circular banner, with Latin motto within. The entire crest is situated in a rectangular frame filled with foliage-like mantling in the upper half and a row of books directly below the escutcheon. An open book, three open flowers, and a banner with "EX LIBRIS" are situated in the foreground in front of the volumes.
15. [Bookplate for Roderick J. Barman by Margaret Noble] [Bookplate for Roderick J. Barman by Margaret Noble] This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
16. [Bookplate for Rev. Wm. Hamilton] [Bookplate for Rev. Wm. Hamilton] Black ink on pink paper. The bookplate depicts a heraldic shield placed at an angle in a nature scene. A leafy tree trunk extends up alongside the right side of the shield and leafy branches arch over the top of the bookplate to the left. At the base of the tree trunk is a globe in a stand. Two closed books are placed in front of the globe on grassy ground. There is some foliage next to the bottom left of the shield as well. Regarding the heraldry, the crest features a tree growing from a crown with leafy points and a diamond pattern on the base. The tree trunk grows through a saw like rectangle, upon which a motto is printed in capitalized, serif, block font. The tree extends upwards into a dense leafy top. The shield has sable stripes, charged with three flowers, two over one. The flowers are stylized with four elaborate petals around a round center. There are some decorative curlicue elements on the side borders of the bookplate. Curling, curving lines extend from the left side of the bookplate like mantling. A white cloth is draped over the top right corner of the shield and pools onto the ground below. At the base of the shield, another motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in curling, sentence case cursive.
17. [Bookplate for Paul Hahn by J. M.] [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border.
18. [Bookplate for Paul Gouin] [Bookplate for Paul Gouin] Black ink on cream paper. Border consisting of two thin black lines with solid black squares in the corners. Capitalized black serif-font written inside the border around an image. Image depicts a wooden house with a road in front. There are several clouds in the sky. There is a large tree in front of the side of the house, with the branches of another tree in the top right corner. The house has a wooden fence. In the foreground in the bottom right corner is grass.
19. [Bookplate for P Kelly] [Bookplate for P Kelly] In black ink. This bookplate consists of an escutcheon, azure (blue), a tower triple towered with three crosses couped, two over one on the tower, supporters, two lioncels combatant. Vizored helm of an esquire or gentleman above the escutcheon, with mantling. Above the helm is a curved crest wreath topped with an unidentifiable beast with the head of a bird, front feet cloven, and hindquarters of a dog, statant. Below the escutcheon is a banner containing the Latin motto.
20. [Bookplate for Marcus Brown Westhead] [Bookplate for Marcus Brown Westhead] In black ink on white paper, this bookplate consists of a shield quartered. First and fourth quarter, argent, two barrulets dancette sable, between three Saracens' heads couped at the shoulders proper, wreathed round the temples, of the first and second. Second and third quarter, azure, on a fesse argent, between three martlets in chief, and the Roman fasces erect surmounting two swords in saltire, and encircled by a chaplet in base or, three chess-rooks sable. Center inescutcheon, party per chevron or and azure, in chief a mullet of six points lies between two crosses pattée of the last, and in base the front elevation of a chapel argent, the whole being charged with a crescent for difference. First crest, on a wreath of the colors, within a fetterlock or, a Saracen's head couped proper, wreathed round the temples argent and sable. Second crest, on a wreath of the colours, a demi-eagle displayed with two heads azure, charged on the breast with the fasces, swords, and chaplet, as in the arms. The escutcheon is surrounded by mantling and below a banner bears the motto 'ORA ET LABORA.'.
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