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	Search results for Into    Refine your search Creator 3 () 2 () 1 () 1 () 1 () Show more... results 81-99 of 99 item(s)  page 5 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for George T. Irving] Printed in brown ink, the bookplate depicts a rigged wooden ship, with full sails, on water. A bird soars into the foreground. “Ex Libris” half-circles the image, while a literary quote from Emily Dickinson, and the bookplate owner’s name, are printed below. 82. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 83. [Bookplate for Frederick Starr] Small square woodblock print in four colours. In black, pink, red, and light khaki ink. Bookplate is sectioned into three, with the left and bottom sections with Japanese characters. Primary images featured are three Okame masks. 84. [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto. 85. [Bookplate for Pierre Louis Deschenaux] The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics. 86. [Bookplate for Sibyl MacDonald] The bookplate is divided into two sections. The first section shows an unpaved road winding through a wooded scene with mountains in the background. In the second section is printed Sybil MacDonald's name in red ink. 87. [Bookplate] The bookplate is printed in navy blue ink. The name, address, telephone number and hours are printed at the top. Underneath this block of text is a line, and the remainder of the bookplate is split into two halves. The headings 'terms' 'time limit' 'renewal notice' and 'care' are printed on the left-hand side of the split, and the corresponding information is printed on the right-hand side. Underneath this block is a line, the words 'Please protect your book in wet weather' and another solid line. 88. [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858. 89. [Bookplate for A. W. Robertson] This bookplate consists of a pictorial image of men in a rowboat in the foreground with the image of a large sailboat in the background. Between the two primary images is the shape of a whale, the ocean, and three small rowboats. It is designed to replicate the style of stained glass, and is therefore divided into sections which are executed in varying colours such as blue, green, yellow, brown, and purple. Each section is delineated in black ink and is bordered in black ink. The bookplate is on white paper. 90. [Bookplate for Castle-Freke Library by Griffiths and Weigall] This bookplate consists of an escutcheon divided per pale, with the dexter half divided into six, each with unique charges, and the sinister half, gules (red), charged with a simple fess or (gold). The dexter half is charged with three cross crosslet fitched, two over one. The escutcheon is supported by two lions, rampand reguardant. Above the escutcheon are two crests, both straight wreaths charged with an ox's head couped and a lion rampant reguardant holding another beast's head. Above the crests is a baron coronet. Below the escutcheon is a banner, with Latin motto within. Bookplate is cut to border, which has blunted corners. 91. [Bookplate for Lloyd E. Roscoe] This bookplate is executed in brown ink on cream paper. The image depicted in the center of the bookplate is of thirteen books above which is a shelf holding a vase with flowers and an open book. A large, open window is placed above the shelf which looks out into a peaceful garden that contains trees and a sundial. The heading on the window contains the words "Ex-Libris." Surrounding the image is a thick border in which a ribbon circles around a leafy vine. The ribbon is imprinted with the phrase "A book is like a good friend ; my friends I would forever keep." 92. [Bookplate for A. W. Robertson by Tom Eaglin] This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin. 93. [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back. 94. [Bookplate for P. I. P. Sherburne by Elvey] This bookplate, in black ink, consists of an escutcheon divided quarterly. The first and fourth quadrants, vert (green), are charged with an eagle, displayed. The second and third quadrants, argent (silver), are charged with a lion, rampant. Above the escutcheon is a straight crest wreath, topped by a unicorn's head, horned and couped. Below the escutcheon is a banner containing the French motto. 95. [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name. 96. [Bookplate for United Service Club] This bookplate's design features a royal crown above a thistle, clovers, a rose, and two surrounding branches. 97. [Bookplate for Hart House] This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third. 98. [Bookplate for John Wingfield Larking] This heraldic bookplate consists of an escutcheon, ermine, charged with three heads of wildcats, possibly lions. Above the escutcheon is a closed helmet, placed in profile, denoting the rank of an esquire or a gentleman, from which, elaborate mantling flows. Upon the helmet is a curved wreath, with a crest of a bird, wings elevated and displayed, holding a branch in its beak. 99. [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials. select all : clear all : add to favorites results 81-99 of 99 item(s)  page 5 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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