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	Search results for There-    Refine your search Creator 5 () 3 () 3 () 2 () 2 () Show more... results 61-80 of 204 item(s)  page 4 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 61. [Bookplate for M. Howard] Black ink on cream paper. Crest features a lion statant guardant standing atop a ledge decorated with a white ribbon and five black diamond shapes. The lion has a collar with two black geometric decorations. There is a Gentlemen and Esquires helm with mantling. There is no shield. The motto is printed on a curling ribbon in lower case, black, gothic font. The name of the bookplate owner is written below in sentence case cursive. 62. [Bookplate for Lyman Tower Sargent] This bookplate is executed in brown ink on white paper. In the background is a framed picture of a ship. There is also a globe and a range of books supported at each end by bookends of monks sitting and reading. In the foreground is an open book with a ink well and quill. 63. [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus. 64. [Bookplate for Lilian Guest Cape] Black ink on cream paper. A crest features a lion passant with a sword in its right paw standing on a torse. A motto is printed on a small ribbon in capitalized, sans serif, black font. Bolder capitalized, sans serif, black font is below the motto. A larger ribbon with elaborated curled ends features capitalized, serif, black fond. Many lines of text follow below in a roughly diamond shape. The text is printed in capitalized, bold, serif, black font. There one final ribbon at the bottom of the bookplate featuring the owner’s name in thinner, sans serif, black font. 65. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 66. [Bookplate for Lieutenant Colonel E. L. Caldwell] A simple line border surrounds the text. There are small circles framing each corner. 67. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font. 68. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font. 69. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font. 70. [Bookplate for Library of Diocesan Theological College] Black ink on white paper. There is italicized black text with a dotted line at the top of the bookplate. There is an almond shaped design with double lined black borders. The border contains capitalized black sans serif font. In the center are two shields. A white shield with an anchor partially covers a black shield. A bishop’s hat sits atop the shield. A motto is printed in the banner. Below more italicized text is printed with a dotted line. There are several lines of stylized black gothic fond, one line of sans serif capitalized black font, and then one final line of italicized text with a dotted line. 71. [Bookplate for Lewis Harcourt] There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century. 72. [Bookplate for Lachlan Gibb] In black ink. This bookplate's design features an escutcheon with or (gold), azure (blue), and sable (black) designs, parted per cross and charged at the fess point with an additional coat of arms. The escutcheon is outlined by an ornate border and situated in the center of a rectangular frame, divided into quadrants. These sections feature a domed building, topped with a cross, a ship, three battle-axes and three beavers, respectively. The originator's Latin motto and name appear along the base of the frame. Above the rectangular design are two straight wreaths charged with a dexter arm vambraced couped, holding aloft a battle-axe and an eagle bearing a tilting spear. 73. [Bookplate for L’Institut Canadien] Printed in black ink, a thick decorative border surrounds the text. 74. [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font. 75. [Bookplate for Klara Weiss and J. E. Horvath] Black and dark pink ink on tan paper. On the bottom left corner of the image there is an open book with pink flowers that continue in to ocean waves receding in the background. 76. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 77. [Bookplate for Karl Heinz Orbach and Michael B. Kunze by F. W.] Brown ink on yellow paper. Nude woman with a cup in her left hand stands on top of a skull which rests on a book. Initials in the background. There is a flower watermark in the paper. 78. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font. 79. [Bookplate for Joseph Berreth and Michael B. Kunze] In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image. 80. [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation. select all : clear all : add to favorites results 61-80 of 204 item(s)  page 4 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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