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Title:
Description:
21.
[Bookplate for David Bond and Elizabeth Bond]
Bookplate design features an eagle in flight in foreground, with compass in background. Bookplate owner names at base.
22.
[Bookplate for David Bond]
Bookplate design features a woodland scene, of a brook and foliage at foreground and trees at back. Bookplate text contained within banner at top.
23.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
24.
[Bookplate for Dundas Mechanics’ Institute and Library Association]
Black ink on cream paper. A border of small circles surrounds the title of the library, its classification information, its opening hours, and its borrowing policies. Beneath the title of the library is a vertical dividing line. The classification row contains several hand-written notes in black ink. Above the borrowing policy is short, curvy dividing line.
25.
[Bookplate for Dundas Mechanics’ Institute]
Black ink on grey paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.
26.
[Bookplate for Dundas Mechanics’ Institute]
Black ink on cream paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.
27.
[Bookplate for E. Bibl. Radcl.]
This heraldic bookplate consists of an escutcheon, in the shape of a Victorian shield, argent (silver), and a bend engrailed, sable. Surrounding the escutcheon is a circular border, with embellishments within. Below the circular border is bookplate text.
28.
[Bookplate for Francis J. Audet]
Black ink on white paper. The shield is black at the top with an open book in the center and a fleur-de-lis on either side. The main part of the shield is charged with a lion rampant. Below the lion is a branch with three give-pointed leaves. The motto is printed on a banner below the shield in capitalized, black font. Underneath the motto is cursive black font in various sizes.
29.
[Bookplate for G. P. Girdwood]
Oval-shaped circular border with legend containing a motto printed in capital block letters across the top half. Bottom half of the border has shading, decorate circles, and a decorative end. Border made to look like a ribbon, one end of which loops over the bottom of the oval. End of the ribbon has thin borders, circular decorations, and almost tapers to a point with decorative curls at the end. In the center of the oval is a demi-lion rampant guardant. In its right paw, the lion holds a tree with round foliage at the top and sprawling roots at its base. Below the image is text written in stylized sentence-case serif font.
30.
[Bookplate for George Francis Steele by E. J. W.]
In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.
31.
[Bookplate for George H. Fensom by Thoreau MacDonald]
In black ink. Landscape featuring a cabin overlooking a lake.
32.
[Bookplate for George H. Fensom by Walter Lohse]
Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window.
33.
[Bookplate for George Murray Humphry]
Bookplate design consists of text with lined border surrounding.
34.
[Bookplate for George Wilkins]
In black ink. This bookplate consists of an escutcheon, gules (red), charged with two swords saltier, and on a chief argent (silver) are three mullets pierced, sable (black). Above the escutcheon is a straight wreath charged with a demi-gryphon, rampant, regardant, segreant, gules, holding aloft a sword. Below the escutcheon is a banner displaying the originator's Latin motto.
35.
[Bookplate for Henry James Grasett]
Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends.
36.
[Bookplate for Hugh John Macdonald]
Black ink on white paper. Above the escutcheon on a straight wreath, sits a dexter hand, erased, holding a cross crosslet. Below the wreath a vizored helm with mantling appears. The escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant and near sinister chief, or (gold), is a dexter hand, erased, holding a cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green) and a lymphad in the dexter base, argent. Below the escutcheon is a banner displaying the originator's Latin motto.
37.
[Bookplate for Iser Steiman M.D. by A. N. T.]
Black ink on cream paper. Man, no shoes, chest bare, book hugged against torso with left arm, while right arm holds open a book held at eye level. Sunlight illuminates the man. Deciduous tree in foreground. Hills in background.
38.
[Bookplate for J.G. Grieve by William Walker Alexander]
Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.
39.
[Bookplate for James M. Wishart by Leslie Victor Smith]
Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner.
40.
[Bookplate for James Phinney Baxter]
In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."
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