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Description:
61.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
62.
[Bookplate for Aylwin Library]
In blue ink. An oval containing the text with an outer scalloped edge.
63.
[Bookplate for Louis Berger by Rene de Brem]
In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus.
64.
[Bookplate for James Bruce MacKinnon]
Black ink. A straight wreath is charged with a boar's head, erased, holding a deer's shank bone in its mouth. Below the boar's head waves a banner containing the MacKinnon family motto.
65.
[Bookplate for Gertrude Elliott by Rustcraft USA]
Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name.
66.
[Bookplate by Herbert Raine]
In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses.
67.
[Bookplate for Curtis Henry Remy]
Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.
68.
[Bookplate for J. Harry Smith by William Walker Alexander]
Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.
69.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
70.
[Bookseller's Tickets for Charles-Odilon Beauchemin]
1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field.
2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field.
3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text.
4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text.
5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book.
6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center.
7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image.
71.
[Bookplate for Arnold William Thomas]
In black ink on white paper. Shield: Or (gold), on a fesse dancette sable (black), coticed gules (red), between three birds sable perched, addorsed and elevated. Crest: a bird sable perched, addorsed and elevated, atop an open book argent (silver) and a crest wreath, argent and vert (green) with mantling.
72.
[Bookbinder's Ticket]
In black ink on white paper, the bookbinder's ticket consists of a border made up of joined circles surrounding black text of various sizes and fonts. The word 'Carswell' begins with a decorative letter 'C'. A decorative element in the shape of a water drop or a flame is found in the lower middle of the bookbinder's ticket.
73.
[Bookplate for Arena Concessions]
In blue ink on ivory paper. Preprinted dotted and solid lines are present between the text. A red imprint, caused by prolonged contact with another bookplate, is clearly visible on the back and bleeds through to the front of the ivory paper.
74.
[Bookplate for Pierre Louis Deschenaux]
The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics.
75.
[Bookplate]
Black ink on paper. This bookplate is surrounded by a simple border. It states "This Book Belongs to The Citizen's Public Library of Sydney C.B. 1898" which places the bookplate on Cape Breton in Nova Scotia, Canada.
76.
[Bookplate for Henry James Grasett]
Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends.
77.
[Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald]
Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.
78.
[Bookplate for James Scott Howard]
Black ink on cream paper. Crest features a ship’s steering wheel with stringy foliage extending from the left and leafy foliage extending from the right atop a crest-wreath. Shield is sable and party per fess. Top section is charged with a white cross in the center with a fleur-de-lis on either side. The bottom section is charged with a white ship steering wheel that is identical to the one in the crest. The motto is printed on curling ribbon below the shield in capitalized, serif, white block font with black outline. Below the motto, the bookplate owner’s name Is printed in sentence case, black, serif font.
79.
[Bookplate for John Hamilton by Francis Adams Sc.]
Black ink on cream paper. One motto is printed on a ribbon with ends that extend to two points at the top of the bookplate. Motto is printed in capitalized, serif block letters. Below that motto is a crest featuring a leafy tree growing out of a crown. The crown’s points are rounded and leafy. The base of the crown is decorated with horizontal diamonds. The tree trunk grows through a picture frame with a saw attached to the center. The free is growing through this frame/saw object and has extensive, dense foliage. The entire crest sits atop a twisted wreath. The shield has extended points to the top left and right and the bottom curls to a point. The shield is sable and argent, divided per quarterly. The top left and bottom right sections are sable and charged with three white flowers, two over one. The flowers have distinct round centers and five individual, separate petals. The top right and bottom left section are argent and charged with a Viking-style ship with three oars, a flag pointing to the left at the front and rear of the ship, and a tall mast. The sail is rolled up on the mast in a horizontal line. Four lines extend from the sail down to the ship. There is a flag at the top of the mast, with two lines extending down to the sail. Curlicue mantling decorates the shield from the base upwards. A second motto is printed on a ribbon with two pointed ends at the base of the shield. The text is printed in capitalized, serif, black font. The name of the bookplate owner is printed below this motto in thin, sentence case, cursive font. In the bottom right corner the name of the bookplate creator is printed in small, italicized, sentence case black font.
80.
[Bookplate for Imperial Cotton Co. by R&M]
Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co.
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