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	Title:	Description:

1.	[Bookplate for E. F. Webb]	In black ink. Decorative escutcheon, or [gold], parted per cross, gules [red] and sable [black]. In the first quarter, an eagle, displayed, sable.

2.	[Bookplate for George G. Campbell]	Bookplate consists of text in both hand script and letterpress.

3.	[Bookplate for Catherine Aishton]	In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

4.	[Bookplate for John A. Macdonald]	Black ink on cream paper. Above the escutcheon sits a dexter hand, erased, holding a cross crosslet, gules (red), on a vizored helm with mantling. Escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant, gules, and near sinister chief, or (gold), is a dexter hand, erased, holding cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green), and near the dexter base, argent, is a lymphad in sable (black), azure (blue), and gules.

5.	[Bookplate for James Macdonald]	Black ink on cream paper. Above the escutcheon sits a dexter hand, erased, holding a cross crosslet, gules (red), on a straight wreath. The escutcheon is divided per quarter. The quarterly field near dexter chief is or (gold) with a lion rampant, gules and near sinister chief, or, is a dexter hand, erased, holding cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green), and near the dexter base, or, is a lymphad in sable (black) and gules. The motto is written on a scroll above the crest.

6.	[Bookplate for Hugh John Macdonald]	Black ink on white paper. Above the escutcheon on a straight wreath, sits a dexter hand, erased, holding a cross crosslet. Below the wreath a vizored helm with mantling appears. The escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant and near sinister chief, or (gold), is a dexter hand, erased, holding a cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green) and a lymphad in the dexter base, argent. Below the escutcheon is a banner displaying the originator's Latin motto.

7.	[Bookplate for McIntosh Art Gallery by Leslie Victor Smith]	Black ink on cream paper. White ivy border over stippled black background. Names of John Gordon McIntosh and Wilhelmina Morris McIntosh inscribed on facing pages of book, behind which is a lit torch whose rays span out from the center of the plate. The text of the plate is on a scroll which is woven around a lyre, a symbol of harmony.

8.	[Bookplate for Susie Maria Denton Massey]	The image of a large house sitting above a wooded riverbank is possibly that of Dentonia Park Farm, the estate and working farm that Hart Massey built for his wife Susie in 1889. Massey's name is flanked by two lions bearing shields.

9.	[Bookplate for Arthur Richard Springett]	In black ink on white paper, this bookplate consists of a shield or escutcheon Gules (red) party per fess wavy with three crescents, two over one, Argent (silver). The closed, barred helm in profile toward the dexter half bears a crest of a displayed eagle upon a nowed snake in a figure eight and a straight wreath. The helm is surrounded by mantling. Below the escutcheon, a banner bears the motto 'MEMOR ET FIDELIS' [Latin: Mindful and Faithful].

10.	[Bookseller's Ticket for J. T. Brousseau]	A rectangular ticket, in black ink on blue paper.

11.	[Bookseller's Ticket for J. T. Brousseau]	Printed in black in on blue paper, this bookplate has an ornate border surrounding the text.

12.	[Bookplate for J.G. Grieve by William Walker Alexander]	Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

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