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Description:
1.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
2.
[Bookplate for A. C. Jones by Clare Victor Dwiggins]
Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.
3.
[Bookplate for Albert Prince by Dempsey and Carroll]
This heraldic bookplate consists of an escutcheon, divided per cross, with quarters one and four also divided per cross. Within quarters one and four, the sub-quarters one and four are gules (red), charged with three lions passant guardant (for England). Sub-quarter two is or (gold), with a tressure-flory-counter -flory, charged with a lion rampant (for Scotland). Subquarter three is azure (blue), charged with a harp decorated with harpy figure features, stringed (for Ireland). The entire escutcheon is charged with a bar dovetailed, or a label, a cadency mark indicating being the eldest son (during his father's lifetime). Quarters two and three have a barry of ten, or and sable (black), with a bend in the shape of a ducal crown (without the cap). Surrounding the escutcheon is a garter, with first French motto within. Above the escutcheon is a royal crown. Supporting the escutcheon at dexter is a lion guardant, charged with a label. At sinister is a unicorn rampant, also charged with a label, as well as a royal crown without the cap as a collar. Below the escutcheon is a ribbon, with second German motto within. The entire achievement is surrounded by very fine lines, giving the impression of shadow.
4.
[Bookplate for Alexander Fawcett Reid]
In black ink on white paper with visible chain and laid lines, a decorative border surrounds the image of a ship.
5.
[Bookplate for Alfred C. Harmsworth]
Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.
6.
[Bookplate for Almeric Hugh Paget]
This heraldic bookplate consists of an escutcheon, sable (black), charged with a cross, argent (silver), between four eagles displayed. The cross is charged with five lions passant guardant. Above the escutcheon is a capless-crown denoting baron status, and above the crown is a peer helmet, positioned three-quarters, with mantling radiation from it and surrounding the escutcheon. Above the helmet is a straight wreath, charged with a heraldic tyger, rampant. At dexter and sinister are two men, each holding a flag charged with a cross patee. Below the escutcheon is a banner, with Latin motto within. Below entire arms is another banner, with bookplate owner's name and title.
7.
[Bookplate for Alton Goldbloom]
Black and gold ink on cream paper. Art deco stylized capitalized font printed a top an image of a baby emerging from the torso up out of a gold, three-petal flower. Black stripes of alternating thick and thin width appear behind the baby. The vertical stem of the flower has a gold centre and two leaves, one on each side of the stem, that are half black and half gold. The stem expands in width at the base and capitalized font is written in the non-printed space at the black base. Black ink capitalized font is written below.
8.
[Bookplate for Andrew Allan]
In black ink on red paper, this bookplate features an ornate border surrounding text in the center.
9.
[Bookplate for Arnold William Thomas]
In black ink on white paper. Shield: Or (gold), on a fesse dancette sable (black), coticed gules (red), between three birds sable perched, addorsed and elevated. Crest: a bird sable perched, addorsed and elevated, atop an open book argent (silver) and a crest wreath, argent and vert (green) with mantling.
10.
[Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society]
This bookplate is in two parts: One to show ownership by the library, the other to show who made the presentation of the book to the library. 1) In black ink on white or cream paper. The bookplate consists of lines for recording location information, the seal of the institute [two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text], and other lines for noting the number and receipt date of the book surrounding the library name.
2) In black ink on white or cream paper, the bookplate consists of a thin border surrounding black text.
11.
[Bookplate for Berenice Skinner by Bank B. Gordon]
A large galleon on rough seas is framed above a bookshelf holding books, a quill, and a lit candle.
12.
[Bookplate for Brockville Library Association]
In black ink on grey or white paper, the bookplate consists of a decorative fan border surrounding black text.
13.
[Bookplate for Brockville Library Association]
In black ink on beige or white paper, the bookplate consists of a decorative border surrounding black text.
14.
[Bookplate for Brockville Library]
In black ink on white paper, the bookplate consists of a thin black border close to the edge of the paper, surrounding a title above a decorative rule or bar, below which is the main text in black ink.
15.
[Bookplate for Brockville Library]
In black ink on tan paper, the bookplate consists of a double zigzag border surrounding black text. The library name at the top is flanked by two rosettes and separated from the remaining text by a decorative rule.
16.
[Bookplate for Brockville Public Library]
In black ink on white paper, the bookplate consists of the seal of Brockville, incorporating scenes of ships, trains, beehives, and a beaver, in the upper right corner and black text.
17.
[Bookplate for Canadian School of Missions]
Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame.
18.
[Bookplate for Catherine Aishton]
In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.
19.
[Bookplate for Catholic University of Lublin by Kazimierz Wiszniewski]
Woodcut for the University Library of the Catholic University of Lubin, Poland with an eagle displayed and crown above the head of the eagle.
20.
[Bookplate for Cavalry Church]
Printed in black ink, an ornate border surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.
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