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1. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of a wooden brown Japanese fan with grey paper. The image on the surface of the fan is of several curled lines suggesting possibly jellyfish with several bubbles around them. A blue fish is following behind them. The paper fan has irregular jagged edges. The fan is oriented with the outward side of it facing towards the upper left.

2. [Bookplate for Alfred C. Harmsworth] [Bookplate for Alfred C. Harmsworth] Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.

3. [Bookplate by Colonist Lithography] [Bookplate by Colonist Lithography] In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.

4. [Bookplate for Alpha Delta Phi] [Bookplate for Alpha Delta Phi] In black ink. Rectangle border with four molets and crescents, one at each corner. In the middle of the border at the top is a coat-of-arms, parted per fess, indented, with six unidentifiable charges, three over three. In the middle of the border on the sides are two identical obelisks with a rapier and a broadsword crossed in front of them. Within the bordure, "EX LIBRIS" is boxed at the top and "ALPHA DELTA PHI" is boxed at the bottom. In between them is a cropped etching of a building with trees in front of it. The year "1832" is in the middle of the border at the bottom.

5. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

6. [Bookplate for Joseph Jopling] [Bookplate for Joseph Jopling] Black ink on cream paper. Paper has some damage and discolouration. The crest features a forearm and hand holding onto a shell atop a crest-wreath. The shield is charged with white stars two over one. The stars have shading and have black spots on them. In the center of the shield between the stars is a black crescent moon facing to the left. In the inner curve of the moon is half a human face looking outward. Below the shield, the motto is printed on a curling ribbon in capitalized, black, serif font.

7. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is surrounded by a grey rectangular frame within which is a yellow background. The image is a sideways fan shaped segway onto several pink flowers with a dragonfly hovering over them. The larger side of the fan is facing the left.

8. [Bookplate for Hans Hjordis Hygen by E. B.] [Bookplate for Hans Hjordis Hygen by E. B.] The bookplate's central image is done in relief of a house with a walkway and trees of to the sides of the house. The house appears to be a prosperous house with two chimneys and several floors. A mountain with whitcaps sits in the background and several stars are seen above them.

9. [Bookplate for Christ Church S.S. Library] [Bookplate for Christ Church S.S. Library] Black ink on white paper. Text surrounded by thin border.

10. [Bookplate for Joseph Berreth and Michael B. Kunze] [Bookplate for Joseph Berreth and Michael B. Kunze] In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image.

11. [Bookplate] [Bookplate] In black ink. This bookplate consists of an escutcheon tilted from a central vertical axis. The escutcheon is gules (red), charged with an ornate vegetative design, vert (green), and a chief, or (gold), are three cross-crosslets fitchy, gules. Above the escutcheon is a collar, wrapped with a pair of stirrups and set upon a backdrop of two intersecting laurel garlands. The garlands form an 'x' pattern wrapping around the escutcheon and the charges above it, partially framing them. The collar is charged with a straight wreath, which in turn, is charged with a courtly-styled woman, clutching two stag antlers. Below the escutcheon is a manner displaying the originators Latin motto.

12. [Bookplate for James Phinney Baxter] [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."

13. [Bookplate for Sisterhood of St. John the Divine] [Bookplate for Sisterhood of St. John the Divine] A bird encircled by the convent's motto with the name of the convent library written above and below.

14. [Bookplate for Cercle Cremazie] [Bookplate for Cercle Cremazie] Printed in black ink on tan paper, a very ornate scrollwork border surrounds the text.

15. [Bookplate for Congregational College of British North America] [Bookplate for Congregational College of British North America] The bookplate has a geometric border with elaborate corner designs. The border is a simple 'X' interwoven pattern, and the corners have small crosses or 'X' on them. Within the border, the text 'Congregational College' is in a slightly more elaborate typeface than the remaining text, which is a simple serif font.

16. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

17. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

18. [Bookplate] [Bookplate] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

19. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back.
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