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CONTENTdm Collection
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Vol. 6. No. 5
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61.
[Bookplate for Christopher Tower]
In black ink. This bookplate consists of an escutcheon sable (black), a tower with two windows. Above the escutcheon is a straight crest wreath topped with a gryphon, passant. Below the escutcheon is a banner containing the English motto.
62.
[Bookplate for George Wilbraham]
In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto.
63.
[Bookplate for Henry Christopher Wise]
In black ink. No escutcheon. A straight crest wreath charged with a demi-lion, rampant, holding a damask rose, stalked leaved and seeded, in the mouth a snake that is entwined about the body.
64.
[Bookplate for Henry Gilbert Wintle]
In black ink. No escutcheon. Straight crest wreath charged with a stag, lodged, proper, on grass, with a three-leaved twig in its mouth.
65.
[Bookplate for Thomas Jenings]
In black ink. Argent, a chevron, gules (red), three cages two over one. Gryphon, couped, atop straight crest wreath, wings addorsed and elevated, cage hanging from open beak. On the dexter and sinister sides, two figures, nude, outside hands hold flowered mantling, inside hands point to chevron. Below the escutcheon is a banner containing the Latin motto.
66.
[Bookplate for Basil Thomas Woodd by Benjamin Warwick]
In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted).
67.
[Bookplate for Thomas Taylor by James Cole]
In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.
68.
[Bookplate for George Wilkins]
In black ink. This bookplate consists of an escutcheon, gules (red), charged with two swords saltier, and on a chief argent (silver) are three mullets pierced, sable (black). Above the escutcheon is a straight wreath charged with a demi-gryphon, rampant, regardant, segreant, gules, holding aloft a sword. Below the escutcheon is a banner displaying the originator's Latin motto.
69.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
70.
[Bookplate for Benjamin Gott]
In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed.
71.
[Bookplate for E. C. Bangs]
Bookplate design consists of text contained within artistic border. In black ink.
72.
[Bookplate for Edward Brown Lees and Dorothy Livesey Lees]
Bookplate design is circular, with an escutcheon divided per pale. Primary charges are a lion rampant and falcons. Above the shield is an esquire helmet and a straight wreath charged with another falcon. Circular banner surrounding escutcheon contains bookplate owner's names.
73.
[Bookplate for Charles Carroll]
Bookplate consists of an escutcheon, in a scalloped chippendale style, charged with two lions rampant, between which is a sword. Escutcheon is charged with a straight wreath and an eagle with wings elevated. Cherub also stands beside the escutcheon.
74.
[Bookplate for E. May Craig]
Bookplate features a tall ship sailing on rough seas. Design contained within border, with bookplate owner name at base.
75.
[Bookplate for James Bryce Allan]
In black ink. Escutcheon parted per bend, dancetty. Bordure, azure [blue]. Above field, argent [white] and ermine, a stag, gules [red], erased, antlers, or [gold], and an annulet, or. Below field, gules, a crescent. Helm has mantling around a tilting helmet on top of which is a curved crest wreath with a dog, erased. Below the escutcheon is a banner containing the Latin motto.
76.
[Bookplate for J. Fred. Aspolen]
In black ink. A dark room with an open door decoratively molded with busts above the doorway leading into a well-lit room containing bookshelves.
77.
[Bookplate for James Phinney Baxter]
In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."
78.
[Bookplate for Catherine Aishton]
In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.
79.
[Bookplate for Academy of Medicine]
In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto.
80.
[Bookplate for R. J. A. Boreman]
In black ink. This bookplate displays a bespectacled man, presumably the originator, reading a book by candle-light. With no tonal variation, he is set-off against a black background, framed with a thin, asymmetrical, ornate border. Above the profile-portrait is the originator's name, and below, his Latin motto and a separate component in which a book number has been stamped in red.
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