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	Search results for '    Refine your search Creator 12 () 6 () 5 () 5 () 5 () Show more... results 321-340 of 728 item(s)  page 17 of 37 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 321. [Bookplate for Hart House] This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third. 322. [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag. 323. [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume. 324. [Bookplate for Henry Augustus Sims] In red ink on white paper, a border that contains red and black text and black decorative designs. Within the border, in black ink, there is an angled Escutcheon parted per pale. The dexter side is gules (red), containing a chevronel or (gold) with two mullets of six points, pierced, in chief, and one battle axe in base. The sinister side is quartered per cross by a cross argent (silver), with the dexter chief and sinister base quarters in azure (blue) and the sinister chief and dexter base quarters in gules. In each quarter save the sinister base there is a pheon proper. Above the Esctucheon, the mantling is topped by a wreath, from which a lion emerges, holding a battle axe. Below the Escutcheon is a banner bearing the motto, 'Ferio Tego.'. 325. [Bookplate for Henry Christopher Wise] In black ink. No escutcheon. A straight crest wreath charged with a demi-lion, rampant, holding a damask rose, stalked leaved and seeded, in the mouth a snake that is entwined about the body. 326. [Bookplate for Henry Flitcroft] In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin. 327. [Bookplate for Henry Forbes Angus by Jack Macdonald] An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M. 328. [Bookplate for Henry James Grasett] Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends. 329. [Bookplate for Henry Lloyd] This heraldic bookplate consists of an escutcheon, gules (red), with a bordure bezant (or, gold) engrailed. The shield is charged with a lion rampant, or. Above the escutcheon is a straight wreath, charged with a 'pelican in her piety' (a pelican feeding her young). Below the straight wreath hangs a banded scarf, as well as a garland of leaves, which hang about the escutcheon. Below the escutcheon are two branches tied together which frame the lower half of the crest. 330. [Bookplate for Henry Mott by J. E. H. MacDonald] Black ink. Azure (blue) escutcheon charged with a argent (silver) crescent. Above the escutcheon is a straight wreath, an eight-point star and the originator's name. Below a waving banner displays the originator's Latin motto. All of the elements cited above are framed by a shield shaped border. Additionally, the paper is cut at skewed angles, causing the image to appear lopsided. 331. [Bookplate for Henry Torre] In black ink. This bookplate consists of an escutcheon which is slightly askew, being tilted from the central vertical axis of the image. The escutcheon is parted per fess. In dexter chief sable (black), charged with a crescent above and a tower below, a bordure vair. In middle chief, azure (blue), embattled and counter-embattled, argent, with three sable roundlets. Above the partition charged with two stags proper tripping, and below with one stag proper, tripping. In sinister chief, argent, two bars, gules (red), in canton gules, charged with cross Moline, or (gold). In dexter base, barry of six pieces, or and azure, in canton, argent, charged with a chaplet. In middle base, sable (black), lion rampant. In sinister base, argent, sable with three lozenges, gules above, and four below. The rococo vegetative mantling above the escutcheon finishes on either side with a tassel and includes, at its center, a straight wreath charged with a gryphon passant situated atop a peer helmet. Below the escutcheon is a banner containing the originator's Latin motto, with his name printed below. 332. [Bookplate for Henry Young and Alice Young by Joseph Winfred Spenceley] In black ink on beige paper. In the centre, standing on the name plate, is the image of knight crusader, holding with outstretched arms a broad ribbon inscribed with the word "Credo." His Norman pointed shield hangs in front of his sword from a strap at his left hip ; the charges, untinctured, are: barry of five, in canton a leopard contournd. At either side of him rises a large acanthus-like scroll surmounted by a leopard's head ; behind him hangs an arras curtain, draped and knotted at the top. Across the base ripples a ribbon, inscribed "Ex libris Henry and Alice Young." The whole is enclosed in a narrow, formal frame. 333. [Bookplate for High School of Quebec] Printed in black ink on blue paper, the book plate features a decorative border around the text. 334. [Bookplate for High School of Quebec] Printed in black ink on cream paper, a simple geometric border of diamonds surrounds the text printed in multiple fonts. 335. [Bookplate for Hilda Shibley] Printed in black ink on white paper, the words 'EX LIBRIS' appear at the top of the bookplate, below which sits a winged stag facing left or a stag sitting on a winged cloud. Below the stag appear the words HILDA / SHIBLEY.'. 336. [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font. 337. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 338. [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned. 339. [Bookplate for Hillfield School] In green ink. This textual print consists of letterpress type and handwritten script. There is a straight wreath crested by a boar's head, above a banner with Latin motto, at the top of the print. 340. [Bookplate for Holford Walker] Pictured in black ink on white paper, is a bird close enclosed within a serpent ouroboros on a crest wreath with mantling extending from it, above a shield argent (silver) ; a bordure, argent ; with eleven quaterings. select all : clear all : add to favorites results 321-340 of 728 item(s)  page 17 of 37 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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