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results 121-140 of 206 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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121. [Bookplate for Lachlan Gibb] [Bookplate for Lachlan Gibb] In black ink. This bookplate's design features an escutcheon with or (gold), azure (blue), and sable (black) designs, parted per cross and charged at the fess point with an additional coat of arms. The escutcheon is outlined by an ornate border and situated in the center of a rectangular frame, divided into quadrants. These sections feature a domed building, topped with a cross, a ship, three battle-axes and three beavers, respectively. The originator's Latin motto and name appear along the base of the frame. Above the rectangular design are two straight wreaths charged with a dexter arm vambraced couped, holding aloft a battle-axe and an eagle bearing a tilting spear.

122. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black, forest scene done in watercolour, bordered on sides and base by ruled lines.

123. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] In blue and red ink, abstract image of what appears to be an eye-like shape projecting, from the iris, a beam downwards through two empty eye-like shapes and a third eye-like shape that seems to represent the eyelashes. The beam moves downward beyond these shapes and appears to illuminate a tree-like shape at the bottom. Text appears vertically along left border.

124. [Bookplate for Gordon Elliott] [Bookplate for Gordon Elliott] In blue ink on white paper, text within a single blue line border.

125. [Bookplate] [Bookplate] In brown ink on white or cream paper, the bookplate consists of a thin border surrounding brown text, with the name of the company/library in a Roman-style font.

126. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

127. [Bookplate for Lipot Kecskemeti and J. E. Horvath] [Bookplate for Lipot Kecskemeti and J. E. Horvath] In brown ink, this elaborate bookplate depicts an artistic representation of the light of ten candles radiating through what appears to be the shape of the ten commandment tablets. The light energy streams up between a floral arrangement of roses and another flower through an encircled Star of David and into the heavens represented by stars and a cresent moon.

128. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In green and black ink, abstract image of what appears to be a highway interchange network.

129. [Bookplate for Hillfield School] [Bookplate for Hillfield School] In green ink. This textual print consists of letterpress type and handwritten script. There is a straight wreath crested by a boar's head, above a banner with Latin motto, at the top of the print.

130. [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx.

131. [Bookplate for Henry Augustus Sims] [Bookplate for Henry Augustus Sims] In red ink on white paper, a border that contains red and black text and black decorative designs. Within the border, in black ink, there is an angled Escutcheon parted per pale. The dexter side is gules (red), containing a chevronel or (gold) with two mullets of six points, pierced, in chief, and one battle axe in base. The sinister side is quartered per cross by a cross argent (silver), with the dexter chief and sinister base quarters in azure (blue) and the sinister chief and dexter base quarters in gules. In each quarter save the sinister base there is a pheon proper. Above the Esctucheon, the mantling is topped by a wreath, from which a lion emerges, holding a battle axe. Below the Escutcheon is a banner bearing the motto, 'Ferio Tego.'.

132. [Bookplate for Claude Ernest Dolman] [Bookplate for Claude Ernest Dolman] Laurel frames a compound optical microscope. Bookplate is on its original adhesive backing.

133. [Bookplate for A. Gedeon and J. E. Horvath by M. B.] [Bookplate for A. Gedeon and J. E. Horvath by M. B.] Light green, blue and blank ink. Wolf howling at a crescent moon.

134. [Bookplate for L. Farkas and J. E. Horvath by K. J.] [Bookplate for L. Farkas and J. E. Horvath by K. J.] Line drawing done in black ink on tan paper. Two plant pots with thorny vines at the at bottom of the image, one is standing and one is laying down. The vine from the standing pot, a rose vine, extends to the upper edge where it forms a frame around an open book with the letters A B C and children toys. The middle of the drawing displays a book with a rosary and flowers behind it. The text starts above the flowers, continues between the book and the plant pots, ending under the plant pots. A small round seal with the initals RS is displayed at the bottom left corner of te bookplate.

135. [Bookplate for Thomas Venables Scudamore] [Bookplate for Thomas Venables Scudamore] Lion's gamb from a crest-coronet. Helm is Gentlemen and Esquires. Three stirrups. Motto of scuto amoris divini is possibly a play on the family name scut + amor = Scudamor.

136. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

137. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border.

138. [Bookplate for J. E. Morsh] [Bookplate for J. E. Morsh] Pictorial bookplate showing a night scene with a single elderly person standing under a tree.

139. [Bookplate for David King by B.] [Bookplate for David King by B.] Pictorial bookplate. A floral border (in blue, red, and gold) surrounds the bookplate text. At the bottom are both the creator's initial "B" and publishing information (Ludgate Circus House, H.V. Capsey, London, E.C.4).

140. [Bookplate for H. R. N. Flyne by E. F.] [Bookplate for H. R. N. Flyne by E. F.] Pictorial bookplate. A man seated in a chair, reading and smoking, with piles of books (and a martini) around him. The artist's name and year are inscribed on one of the books in the lower right corner.
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results 121-140 of 206 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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