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results 81-100 of 106 item(s)  page 5 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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 Image: Title: Description:

81. [Bookplate for George H. Fensom by Thoreau MacDonald] [Bookplate for George H. Fensom by Thoreau MacDonald] In black ink. Landscape featuring a cabin overlooking a lake.

82. [Bookplate] [Bookplate] In black ink. The escutcheon, argent (silver), is charged with a mullet, pierced, azure (blue), at the fess point, surrounded by three cross crosslets, fitched, gules (red), two over one. The shield itself is constructed from rococo scrolls and is surrounded by elaborate vegetative mantling, finishing in a pair of tassels. Above the escutcheon is a peer helmet, charged with a straight wreath, and a cubit arm, clutching a cross crosslet fitchy. Below the escutcheon is a banner displaying the originators Latin motto.

83. [Bookplate for James Phinney Baxter] [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."

84. [Bookplate for Heinrich Teuscher by K. Kleindienst] [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag.

85. [Bookplate for Frederic Lumb Wanklyn] [Bookplate for Frederic Lumb Wanklyn] In brown ink on white paper, a flying duck within a darkened circle is at the centre of the bookplate. It appears to be affixed to a post, on top of which there is a sign that reads 'Ex Libris F.L. Wanklyn.' The post is standing in a marsh.

86. [Bookplate for Charles Hubert Bruyere] [Bookplate for Charles Hubert Bruyere] In red ochre ink, an open book in front of a bee skep with seventeen bees flying within the border.

87. [Bookplate for Charles Hubert Bruyere] [Bookplate for Charles Hubert Bruyere] In red ochre ink, two books laying flat with a vase of flowers on top of them beside a third book leaning against the border.

88. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

89. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on beige paper, with a glued back. The image is a version of the crest of the Arms of Canada. It shows a crowned lion atop a larger crown, with mouth open and tongue extended. The lion stands firm with his rear right leg forward as if indicating an intent to pounce. This position, with all four paws on the ground and head turned to face the viewer, is known as statant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

90. [Bookplate for Curtis Henry Remy] [Bookplate for Curtis Henry Remy] Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.

91. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on white paper, with a peel and stick feature. The image is a version of the crest of the Arms of Canada. It shows a crowned lion standing on a wreath, with mouth open and tongue extended. The lion holds aloft the maple leaf and looks out from his frame which is surrounded by more maple leaves in a double frame. The lion's position, with the dexter forepaw raised and head turned to face the viewer, is known as passant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

92. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

93. [Bookplate for Hermes Circulating Library] [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.

94. [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto.

95. [Bookplate for Pierre Louis Deschenaux] [Bookplate for Pierre Louis Deschenaux] The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics.

96. [Bookplate for Theodore A. Jackson by Franklin Bittner] [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.

97. [Bookplate for J. G. Chilcott] [Bookplate for J. G. Chilcott] The text is in the centre of the bookplate, surrounded by a vine-like border. Four small flowers are in each corner of the border. The text 'TRURO' is bolded.

98. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

99. [Bookplate for Academie Commerciale Catholique] [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.

100. [Bookplate] [Bookplate] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
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results 81-100 of 106 item(s)  page 5 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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