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CONTENTdm Collection
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(Philadelphia).
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Image:
Title:
Description:
121.
[Bookplate for J. W. Eastham]
This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat.
122.
[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]
This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].
123.
[Bookplate for Aemila Mailiake by F. M.]
This pictorial bookplate (blank ink on white paper) portrays a displayed [wings expanded and legs spread] eagle with tongue protruding ; on its chest is an argent shield with "M" on it. Below the eagle is a bushel of wheat, to the right and left of which is "F" "M" [the artist's initials]. Flowers blossom from the upper right and left corners.
124.
[Bookplate for Frederick Epplen by F.]
This pictorial bookplate (created with black ink on white paper) portrays in the foreground Chiron (a centaur) and his pupil Asclepius (the Greek god of healing who is here portrayed holding a caduceus) ; these two figures overlook the ocean, a ship, and a temple.
125.
[Bookplate for Blythe Eagles by A. W.]
Armorial bookplate created with black ink on white paper. In the precise middle chief is an eagle (created in a First Nations' design) clutching a fish. A purpure chevron with three dogwood flowers is also portrayed. Three university shields are featured: University of Toronto (dexter chief), Yale University (sinister chief), University of British Columbia (nombril point). Below the University of British Columbia's crest are two aulns (single pieces of wheat).
126.
[Bookplate for Linnu Eerme by A. Lee]
In black and brown ink, an image of two birds, flowers, trees, and a bird feeder are portrayed on ivory paper.
127.
[Bookplate for M. J. Freie]
Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes.
128.
[Bookplate for Cynthia Gabriel and William Gabriel by R. W. G.]
Pictorial bookplate (black ink on ivory paper) portraying a home surrounded by pine trees. In the immediate forefront is a rather oversized squirrel.
129.
[Bookplate for H. P.]
Pictorial bookplate created with black ink on white paper. At the centre of the bookplate is the monogram HP behind which text is written. A wreathe surrounds the text.
130.
[Bookplate for Henry Neville Gladstone]
This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin.
131.
[Bookplate for Elwyn B. Gould]
Pictorial bookplate, created with black ink on white paper, which portrays books and sheaves of paper.
132.
[Bookplate for Kevin Michael Grace by Lou DuHamel]
This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).
133.
[Bookplate for Kevin Michael Grace by Lou DuHamel]
This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).
134.
[Bookplate for Kevin Michael Grace by Lou DuHamel]
This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).
135.
[Bookplate for Kevin Michael Grace by Lou DuHamel]
This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).
136.
[Bookplate for Herbert Wilson Greene]
Heraldic bookplate in black ink on white paper. At the top of the shield is mantling above which are an erased dragon on a wreathe. Below the dragon is a closed helmet in profile facing sinister. The per pale shield is or (sinister) and azure (dexter) with three trippant stags. Below the shield is the following motto: "Nescia Fallere Vita."
137.
[Bookplate for J. S. H. Guest]
Textual bookplate with black ink on white paper.
138.
[Bookplate for K. H. Ingalls by Ralph Fletcher Seymour]
A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace.
139.
[Bookplate for James Hazen Hyde]
The bookplate central image is of several interwoven banners with flowers and leaves hanging from them in three cascades. The owner was an enormous Francophone who lived around the turn of the 20th century.
140.
[Bookplate for John Hurley]
The central image is of a man facing to the left wearing 16th century Tudor clothing, shoes and haircut. He is carrying a tray with an inkwell and a feather pen standing upright from it.
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