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	Title:	Description:

561.	[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]	This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].

562.	[Bookplate for University of British Columbia]	The bookplate has an image of garden gates below a hedge with the image of a cony set at the top of the gate. An image of the Lion's Gate bridge is placed below the gate and an image of the Lion's mountains is above the gate. The picture is representative of "Q" house owned in West Vancouver.

563.	[Bookplate for W.H. Smith & Son]	Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.

564.	[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]	Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border.

565.	[Bookplate for Crease Clinic of Psychological Medicine]	Black ink on white paper. British Columbia coat of arms at top. Text below. Other text in blue rubber stamp ink.

566.	[Bookplate for Victor Werheimstein and J. E. Horvath]	Black ink on tan paper. A female figure wearing long hooded robe reads a book on an ornate stand. The figure stands infront of a woven fence with vegetation. This image is surranded by a decorated frame with the text on a wide ribbon at the bottom.

567.	[Bookplate for Dr. Bruggaier and Michael B. Kunze]	In black ink, the greater part of the area of the image is taken up by a large capital E, which forms the 'e' in 'ex libris'. Within the upper and lower horizontals of the E is an image of a cross on a triangular shape, which symbolizes a steeple. Surrounding the upper part of the cross are lines which indicate light radiating from the cross.

568.	[Bookplate for Familie Mezler and Michael B. Kunze]	In black ink, an unusual heraldic symbol with a helmet in the centre of the image. Protruding from the top of the helm are what appear to be two horns. Between the horns is the figure of a woman whose hands grasp the horns. From both side of the helm, and from below, flows extensive mantling flowing out and down framing another image of a woman, identical to the first, except that her skirt is now visible.

569.	[Bookplate for Georgian Club and Michael B. Kunze by Beatrice J. Ennie]	This image portrays, in black ink, on white paper, a young woman, clothed in Victorian fashion including headpiece. She is reading a book which is resting on the back of a chair. Upon the seat of the chair are two closed books. To the woman's left is a grandfather clock, and on the floor, at the base of the clock are two more closed books. The entire image, including the text, is bordered by a picture frame.

570.	[Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath]	Blue ink on light blue paper. The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Over the shield sits a crowned helm with another rampant lion queue fourché leaning on a lyre. There is some mantling surrounding the shield and an ownership panel at the bottom with lion heads on its sides.

571.	[Bookplate for Arnin Neuensundschen]	In black ink, this bookplate consists of a round wreathed textual area in the centre. Behind it is a hearth-type frame with a ring hanger on the left and right side. There is a curtain strung up through the left ring, across and through to the right ring. At the centre-top of the image is the face of an angel. At the base of the image is a globe, partially covered by a clothe, and next to it are a book and a bust.

572.	[Bookplate for Robert Cochrane Barclay]	This bookplate consists of a gules (red) escutcheon with an argent (silver) chevron. On it are three cross formy, two over one. Atop the shield is a helmet in profile, beaver down, topped by a crest wreath on which is a sword, or possibly a dagger. From the sides of the helmet flows elaborate mantling which curls up towards the sword and down to the base of the shield. Below the shield is a banner containing the Latin motto.

573.	[Bookplate for George J. Campbell]	This bookplate consists of an escutcheon bearing the arms of the ancient Scottish family Campbell, presented as a Gyronny of eight, or (gold) and sable (black). The escutcheon is bordered in gules (red) with 7 escallopes. The escutcheon contains a canton, also Gyronny of eight, gules and ermine (white powdered fur with black tufts). The crest, atop a curved wreath, is an eagles head, erased. Over the shield is a banner containing the Latin motto. Below the shield are two oak branches tied together by a ribbon.

574.	[Bookplate for William Craig]	This bookplate consists of a gules (red) bordered escutcheon with a single bar, azure (blue), on an ermine (white powdered fur with black tufts) background. The bar is charged with three crescents. Atop the shield is a helm, and mantling which surrounds the entire shield. The helm is crested by a curved wreath and knight on horseback, with broken lance. A broken lance represents the celebration of winning a point during a jousting tournament.

575.	[Bookplate for Gladys Granger]	This heraldic bookplate is a much stylized form which echoes common features of a traditional heraldic shield. The escutcheon is an oblong round shape in Chippendale style, gules (red), charged with a pomegranate. Upon the escutcheon is a crest of an arm embowed fessways, clutching three stocks of wheat or corn. Surrounding the escutcheon is an ornate border, surrounded by leaves and flowers. Below the escutcheon is a banner styled the same way as the escutcheon, with owner's name within.

576.	[Bookplate for James Maitland Hunt]	In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border.

577.	[Bookplate for George Short by R. Silvester]	In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806.

578.	[Bookplate for E. Rolfe by R. B. Hughes]	In black ink, this bookplate consists of an escutcheon, gyronny of eight pieces, or (gold) and argent (silver) and a chief, or. The chief is charged with three annulets. At the centre of the escutcheon is an inescutcheon, divided quarterly. The first quadrant is divided per pale, vert (green) and gules (red), and is charged with a fleur-de-lis. The second quadrant is divided per fess, dancetty, sable (black) and ermine (powdered white fur with black tufts) ; the upper sable half is charged with two escallopes on either side of a baron's coronet. The third quadrant, or, contains a fess checky, argent and azure (blue). The fourth quadrant, sable, is charged with a crescent. Above the escutcheon is a curved crest wreath and a garbe.

579.	[Bookplate for Franklin Billner]	In black ink. Escutcheon tilted to the left and parted per pale. The dexter half, or [gold], with a lion, gules [red], coward, holding a fan-like object between its front paws. The sinister half parted per fess, sable [black], on a field, or, with decorative patterns not typically seen in heraldry. Escutcheon surrounded by leafy mantling. Above is a tilting helmet on top of which sits an unidentifiable crown. On top of the crown is a lion, gules, coward, holding a fan-like object in its front paws. Wings, displayed, fan out from the top of the crown surrounding the lion.

580.	[Bookplate for Geo. Campbell]	In black ink. Escutcheon parted per cross. First and fourth quarters, gyrony of eight pieces, argent [white] and sable [black]. Second and third quarters, argent, a ship with three oars, furled sails, and two flags, gules [red]. Supporters, lioncels combatant. Above the escutcheon is a marquess coronet. The crest consists of a straight crest wreath and a boar, couped close.

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