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results 61-80 of 162 item(s)  page 4 of 9 : ( <<  1  2  3  4  5  6  7  8  9  >> ) :: previous : next
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61. [Bookplate for Mechanics Institute of Montreal] [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. Though difficult to decipher, the seal appears to declare ; Knowledge is Power, in a framed ring at the fess point.

62. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.

63. [Bookplate for Canadian School of Missions] [Bookplate for Canadian School of Missions] Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame.

64. [Bookplate for N. L. Campbell] [Bookplate for N. L. Campbell] Bookplate features a building and its entrance way.

65. [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner.

66. [Bookplate for Hart House Library by J. E. H. MacDonald] [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.

67. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.

68. [Bookplate for William Lyon Mackenzie Homestead] [Bookplate for William Lyon Mackenzie Homestead] Depiction of the Mackenzie homestead, a three story brick house with wrought-iron fencing.

69. [Bookplate for John Ross Robertson] [Bookplate for John Ross Robertson] Geometric/art nouveau trim. The traditional Masonic symbol of a rounded square and compass against a rectangle.

70. [Bookplate for George R. Maxwell] [Bookplate for George R. Maxwell] Heraldic bookplate. Two rampant stags support an argent shield. At the centre of the shield is a two-headed black eagle with its wings and legs spread and its heads turned to opposite sides. On the chest of the eagle is a square with a black X. "Reviresco" I flourish again.

71. [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.

72. [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.

73. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.

74. [Bookplate for W. Gordon Mills] [Bookplate for W. Gordon Mills] In black ink on cream paper. This image depicts a nighttime scene with a single star in the sky and two evergreen trees silhouetted in front of a lake and mountains. Superimposed upon this landscape, a lyre sits next to a scroll which reads "Sonata Apassionata" (sic) and has notes from the score. The initial "M" is in the lower right hand corner as a possible signature.

75. [Bookseller's Ticket for John Britnell] [Bookseller's Ticket for John Britnell] In black ink on pink paper, a ticket in the shape of an open book.

76. [Bookplate for Ecole polytechnique] [Bookplate for Ecole polytechnique] In black ink on thick pink paper with visible laid lines. Image includes a rectangular decorative border consisting of straight lines at the sides and more elaborate patterns in the corners surrounding 20 lines of text.

77. [Bookseller's Ticket for W. C. Chewett and Company] [Bookseller's Ticket for W. C. Chewett and Company] In black ink on white or yellow paper, the bookseller's ticket consists of a double border surrounding black text.

78. [Bookplate for Alexander Fawcett Reid] [Bookplate for Alexander Fawcett Reid] In black ink on white paper with visible chain and laid lines, a decorative border surrounds the image of a ship.

79. [Bookplate for Nancy Stuart Reid] [Bookplate for Nancy Stuart Reid] In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'.

80. [Bookplate by Owen Staples] [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.
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