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Description:
41.
[Bookplate]
This heraldic bookplate is printed on cream paper with dark brown ink, and consists of an escutcheon, sable (black), charged with three church bells, two over one. Above the escutcheon is a helmet at three quarters profile in esquire form, with mantling radiating from it. Above the helmet is a straight wreath crested by the head of a lion in profile. Below the crest is a banner, with Latin motto within.
42.
[Bookplate]
A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper.
43.
[Bookplate for James Henry Browning]
Centered text with multiple fonts in black ink.
44.
[Bookplate for J. G. Chilcott]
The text is in the centre of the bookplate, surrounded by a vine-like border. Four small flowers are in each corner of the border. The text 'TRURO' is bolded.
45.
[Bookplate for Alfred C. Harmsworth]
Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.
46.
[Bookplate for Robert E. Harris by W.A. Ives]
The bookplate features an ornate border surrounding a coat of arms, motto, and illustration of books and the lamp of knowledge. The coat of arms features three silver crescents on a sable field. The shield is topped with a helmet and eagle with wings spread. The ribbon below contains the motto. The artist’s name appears under the books.
47.
[Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats]
Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
48.
[Bookplate for Annie M. Angus by Lionel Haweis]
A combination of textual and pictorial bookplate created with black ink on ivory paper. Image consists of a stained glass background framed (from inside out) in a thin light frame, dark medium frame, and a light ribbon frame. A candlestick with a large lit candle is overlaid with a large stylised letter A. Midway on the candlestick rests an open book, which overlays the monogrammed A. On the left page of the book is a stylised letter A and on the right page of the book is the letter M. At the bottom of the image is a shelf of books.
49.
[Bookplate for Henry Forbes Angus by Jack Macdonald]
An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.
50.
[Bookplate for Mae Burke Craft by A. H.]
Central image is of a window with gables to the left and right above a large number of deciduous and coniferous plants and shrubs. The window looks onto a scene with an empty fireplace and a roman mantle above it holding a mounted mirror on top of it. There are various other pictures and bookcases/books held within the room in addition to an open book sitting on an antique armchair partly facing towards the open window. Hanging from the mantlepiece above the fire is a family crest, but it is too small to discern more than general details. The whole image is surrounded by a triple filleted black border.
51.
[Bookplate by Eiichi Hirose]
A blue frame surrounds a yellow plaque with a black cow facing to the right in a riclining position on it. A green tie sits on the top and a Japanese family Hanko sits over the hind part of the cow.
52.
[Bookplate for Henry Neville Gladstone]
This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin.
53.
[Bookplate for Charles Philip Huntington by P. B. W.]
The central image is a family armorial. The image begins with a horse head erased facing to the dexter. A rose sits on its throat and the head sits atop a wreath. The wreath sits atop a helm face open and centred signifying a baron. Below the helm is a shield and mantling sits to either side of the entire image. The shield has a small escutcheon placed in the dexter chief position and the escutcheon bears a gules left hand on a field of argent. Two roses sit on the main argent shield between a gules pile with a horse head erased.
54.
[Bookplate for Thomas Venables Scudamore]
Lion's gamb from a crest-coronet. Helm is Gentlemen and Esquires. Three stirrups. Motto of scuto amoris divini is possibly a play on the family name scut + amor = Scudamor.
55.
[Bookplate for Hotchkiss School]
Black ink on white paper. Thin border made up of very small parallel lines surrounds text.
56.
[Bookplate for Christ Church S.S. Library]
Black ink on white paper. Text surrounded by thin border.
57.
[Bookplate for Hart House Library by J. E. H. MacDonald]
Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.
58.
[Bookbinder's Ticket for G.A. Roedde Ltd.]
Blue ink on white paper. Decorative border surrounds text.
59.
[Bookplate for University of British Columbia Library]
Grey ink on cream paper. Text appears above and below university shield which is set on a dark background.
60.
[Bookplate for University of British Columbia Library]
Grey ink on cream paper. Text appears above and below university shield which is set on a dark background.
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