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	Search results for (He    Refine your search Creator 5 () 5 () 5 () 4 () 3 () Show more... results 201-220 of 355 item(s)  page 11 of 18 : ( <<  11  12  13  14  15  16  17  18  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 201. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border. 202. [Bookplate by Herbert Raine] In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses. 203. [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right. 204. [Bookplate for Sisterhood of St. John the Divine] A bird encircled by the convent's motto with the name of the convent library written above and below. 205. [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools. 206. [Bookbinder's Ticket for Hector Bossang and Denis-Benjamin Papineau] An ovular ticket, black ink on green paper within a border. 207. [Bookseller's Tickets for Zephirin Chapeleau] 1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text. 2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text. 3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 208. [Bookseller's Ticket for John Mercier McMullen] In black ink on blue paper, the bookseller's ticket consists of a triple border with decorative corners surrounding black text in roman and italic type. The bottom right corner of the bookseller's ticket has been ripped away and replaced with white paper. 209. [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number. 2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text. 210. [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text. 211. [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text. 212. [Bookplate for Edward Hilton Chaloner by Rust Craft Publishers] A thin border surrounds the text ; the top of the border is in the shape of a bookshelf with curved backing. Depicted on it are several books, with one open in the middle. A candle sits in front of the open book. At the bottom left and right corners of the border are images of the globe. The bottom line of the border contains oak leaves and acorns in the centre. The creator of the bookplate is listed as Rust Craft, Boston U. S. A. 213. [Bookplate for Wilfrid Boucher] In black ink on red round paper with serrated edges, starburst. 214. [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script. 215. [Bookplate for Academie Commerciale Catholique] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script. 216. [Bookplate] The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script. 217. [Bookplate for D. Guthrie] The owner’s name, occupation, and city are centered and printed in black ink, surrounded by a decorative scroll and floral border. 218. [Bookplate for Ludger Gravel] Printed in blue ink, surrounded by a border composed of three wavy lines, the bookplate features a coat of arms. The Jerusalem Cross is borne in red on a gold field in the chief. The lower shield features Hermes and the Caduceus on a red field. It is topped by a closed helm of gold, in profile. A banner is beneath the coat of arms, as well as the owner’s name. 219. [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size. 220. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. select all : clear all : add to favorites results 201-220 of 355 item(s)  page 11 of 18 : ( <<  11  12  13  14  15  16  17  18  >> ) :: previous : next
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