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101.
[Bookplate for J. W. Longley by Francis Adams Sc.]
Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.
102.
[Bookplate for R. A. A. Jones]
Black ink on white paper. The crest features an armoured arm extending straight out of a crest-wreath. The hand is clutching a spear with points on either end. Droplets are falling from the right spear point. The shield is black with a white chevron. The chevron has a thin white border along its top and bottom edges. The shield is charged with three white double-ended spears, the same style as that in the crest, two over one. The spears have a more elaborate top tip with a line down the middle, with the bottom tip being a simple, undecorated triangle shape. Below the shield, the motto is printed in black, capitalized, serif font. The ribbon has curling ends that split into two with rounds on each end. Underneath the motto, the bookplate owner’s name is printed in large, sentence case, black cursive font.
103.
[Bookplate for Military Institute of Vancouver]
Black ink on white paper. Thin border surrounds text. Arms and monogram of Military Institute at centre. Name of donor typed at bottom. Corrected typo in name.
104.
[Bookplate for B. Hallé by L. P.]
Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
105.
[Bookplate for Andrew Jack]
Black ink on yellow paper. An ornate border consists of two parts: an inner border of thick black line with rounded corners, outlined with thin black lines on each side and punctuated with evenly spaced scrolls ; an outer border of a repeated fan design with small pairs of circles between each fan. All four corners of the border have a trefoil on the inner edge and a diamond on the outer edge. Border houses the name, location, and date of the bookplate.
106.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.
107.
[Bookplate for Ruth Goodell by Alexander Scott Carter]
Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.
108.
[Bookplate for Juliette Hauply]
Black ink on yellowed paper. This pictorial bookplate depicts an animal, possibly a dog, prancing in a field. Surrounding the animal are flowers and leaves. Decorative borders, illustrated with vines, separate the bookplate owner's name from the illustration.
109.
[Bookplate for Marguerite H. Powter by Clare Victor Dwiggins]
Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.
110.
[Bookplate for Henry Mott by J. E. H. MacDonald]
Black ink. Azure (blue) escutcheon charged with a argent (silver) crescent. Above the escutcheon is a straight wreath, an eight-point star and the originator's name. Below a waving banner displays the originator's Latin motto. All of the elements cited above are framed by a shield shaped border. Additionally, the paper is cut at skewed angles, causing the image to appear lopsided.
111.
[Bookplate for Mechanics Institute of Montreal]
Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope.
112.
[Bookplate for Mechanics Institute of Montreal]
Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. Though difficult to decipher, the seal appears to declare ; Knowledge is Power, in a framed ring at the fess point.
113.
[Bookplate]
Black on beige paper, a decorative border surrounds text. Manuscript notation in purple ink in upper right.
114.
[Bookplate for David Finlay]
Black on cream paper ; A beaded border surrounds the name of the owner and the town.
115.
[Bookplate]
Black on light gray paper, a decorative border surrounds text.
116.
[Bookplate]
Black on light gray paper, a decorative border surrounds text. Handwritten text at top and bottom.
117.
[Bookplate for David Finlay]
Black on yellow paper ; A beaded border surrounds the name of the owner and the town.
118.
[Bookplate for Art Gallery of Toronto by Alexander Scott Carter]
Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.
119.
[Bookplate for K. M. Fenwick]
Blue ink on cream paper. A printed ribbon border houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.
120.
[Bookplate for Gertrude Elliott by Rustcraft USA]
Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name.
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