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21.
[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]
This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].
22.
[Bookplate for Steve Borden by Larry Reynolds]
This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature.
23.
[Bookplate for Roderick J. Barman by Margaret Noble]
This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
24.
[Bookplate for Dickens Fellowship]
This pictorial bookplate features green ink on green paper. Morning-glories create a floral frame to the text, at the bottom of which is a picture of Dickens.
25.
[Bookplate for Frederick Epplen by F.]
This pictorial bookplate (created with black ink on white paper) portrays in the foreground Chiron (a centaur) and his pupil Asclepius (the Greek god of healing who is here portrayed holding a caduceus) ; these two figures overlook the ocean, a ship, and a temple.
26.
[Bookplate for Aemila Mailiake by F. M.]
This pictorial bookplate (blank ink on white paper) portrays a displayed [wings expanded and legs spread] eagle with tongue protruding ; on its chest is an argent shield with "M" on it. Below the eagle is a bushel of wheat, to the right and left of which is "F" "M" [the artist's initials]. Flowers blossom from the upper right and left corners.
27.
[Bookplate for George T. Turner by H. L. Peckmore]
This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials.
28.
[Bookplate for Joseph Bewley]
This non-traditional heraldic bookplate consists of a tilted argent (silver) escutcheon with a sable (black) chevron. On the escutcheon are three bird heads, erased, two over one. Atop the shield is an unusually large helmet in profile, topped by a twig with leaves, a crest wreath, and a stag head, erased. From the helmet flows mantling. Above and below the image are banners containing the text. The image and banners are set upon a designed background and framed by a double border.
29.
[Bookplate]
This mysterious bookplate consists of a large'V' surrounded by mantling and topped by a crown, or coronet.
30.
[Bookplate for George H. Beans]
This is simple black and white monogram design. Within a shield-shaped border is a simple plant growing from three mounds. The text is outside the border at the top and bottom.
31.
[Bookplate for Henry Neville Gladstone]
This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin.
32.
[Bookplate for George Macaulay Booth]
This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription.
33.
[Bookplate for Amelia Alexis Alvey by Eva Alvey Richards]
This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.
34.
[Bookplate for J. W. Eastham]
This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat.
35.
[Bookplate for Mary Katharine Black and F. Black]
This is a commercial, pictorial bookplate displaying, in vivid colours, an antiquated ship sailing over the horizon. The names of the originators have been hand written onto a banner above the ship.
36.
[Bookplate for Geoffrey Christian and Michael B. Kunze]
This image portrays, in black ink, on white paper, three books, one open and two lying stacked on their sides in front of the open book. In front of the three books is a large black inkwell containing a quill. The inkwell sits upon a manuscript. The manuscript has a seal on it. The image is set on a black background, with a curved top.
37.
[Bookplate for Georgian Club and Michael B. Kunze by Beatrice J. Ennie]
This image portrays, in black ink, on white paper, a young woman, clothed in Victorian fashion including headpiece. She is reading a book which is resting on the back of a chair. Upon the seat of the chair are two closed books. To the woman's left is a grandfather clock, and on the floor, at the base of the clock are two more closed books. The entire image, including the text, is bordered by a picture frame.
38.
[Bookplate for James G. J. Penderel Brodhurst by M. Soane]
This highly detailed bookplate contains an escutcheon quartered per cross, with a label (symbolizing an heir, first son) at the precise middle chief. The first and fourth quarters are argent (silver) with fretty of twelve pieces, embattled. The second and third quarters are argent, with a tree proper and a fess, argent with sable (black) fillet, containing three royal crowns. Upon the escutcheon rests a large coronet, resembling that of an earl. Above the coronet are two straight crest wreaths. On the dexter wreath is a nested swan, wings displayed argent and elevated, with fretty of twelve pieces, sable and embattled. On the belly of the swan is an argent mullet. On the sinister wreath are a crossed sceptre and sword. Above them is a royal crown. In between and on either side of the wreath symbols are what appear to be leaves. Above the wreath symbols is a banner containing the Latin motto. The escutcheon is accompanied by two supporters. The dexter supporter is a dragon with an argent mullet on its chest, while the sinister supporter is a griffin, also with a mullet on its chest. Below the escutcheon and the supporters is an additional banner.
39.
[Bookplate for Marcel Godfrey Isaacs by W. P. B.]
This heraldric bookplate consists of an escutcheon, sable (black), with a bend, or (gold), and a square charged with the head of a cougar at sinister chief. Above the escutcheon is an esquire helmet, which is charged with a straight wreath and an arm embowed fessways, holding a dagger piercing the head of a cougar. Bookplate owner's name at base.
40.
[Bookplate for Thomas H. Smallman by F. Durrant]
This heraldric bookplate consists of an escutcheon, gules (red), with a chevron, or (gold), charge dwith three falcons, addorsed and inverted, two over one. Above the escutcheon is an esquire helmet, charged with a straight wreath and a heraldric antelope. Motto is contained within banner beneath escutcheon.
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