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 Image: Title: Description:

1. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The bookplate has set after the initial text of, "THE LIBRARY," the following shield. A grey box holding the UBC shield inside. The shield is set in black in white with a grey chief within which a book running from sinister chief to dexter chief with the words 'Tuum est' inscribed. Below exist three wavy lines on an argent field. In the base is a sun with six rays issuing from it.

2. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The bookplate has set after the initial text of, "THE LIBRARY," a map of North America projected onto a globe with longitudinal and latitudinal lines. The map is framed by two bars at the top and bottom of the map. The two major oceans are also identified.

3. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The bookplate has set after the initial text of, "THE LIBRARY," a map of North America projected onto a globe with longitudinal and latitudinal lines. The map is framed by two bars at the top and bottom of the map. The two major oceans are also identified.

4. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of three snow capped white mountains with black and grey bases. The foremost of the mountains starts at the right half of the image and moves backwards towards the left. Rapping around the image of the closest mountain near the separation between black, grey and white colours is the image of a green asian dragon with orange wings.

5. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The classical image of a cat puppet or doll is central to the image. It has green and blue coverings with white kanji script, blue/black eyes and black patches on its forepaws. Its foreground is placed at the right and it moves backwards towards the left part of the bookplate.

6. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of a brown horse or cow with a black and orange head. It is carrying two round blue cylinders on its back and is mounted on a brown wooden platform support. It is drawn to appear a toy or a nicknack. Its foreground is at the left and it moves backwards towards the right.

7. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A tall gailly blue, beige, and red stripped ceremonial pole is the central image. There is a small blue and orange bag mounted a third of the way from the bottom of the pole, a black and orange ribboned head-dress to the pole and a green and yellow arc is at the bottom of the pole. The pole leans from the upper left towards the lower right position.

8. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] An image of a Japanese festival paper lantern is shown. The three (Hirigana/Katakana) symbols written on the lantern are pronounced, "Se-ro-hi". The lantern has a black top and bottom rim with a carrying handle at the top. An orange tassel emerges from the bottom of the lantern. The lantern is sitting at the center of the page. The symbols start at the lower left of the lantern and move towards the upper right.

9. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is one of the best known of Japanese castles, Himeiji Castle, to the west of Osaka. The central donjon is shown with a low building in the forefront. The castle is shown with a green background and two grey rumpled outlined beige images are present at the top and bottom of the bookplate. Within these two images are the text identifying the bookplate. The foreground of the castle starts at the center and moves back towards the upper right.

10. [Bookplate for Eiichi Hirose by J. Lee] [Bookplate for Eiichi Hirose by J. Lee] The central image, on a square yellow background, is of a red four-winged butterfly sitting at the base of a yellow flower. The butterfly is located at the left side of the image.

11. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is a view from overtop of a grey can sitting on a blue and white chequered background. The can has an inner and an outer ring with 8 red and green strawberries sitting at the centre of the can.

12. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A grey postage stamp ridge surrounds the central black outlined rectangle that contains the central image. The central image is of a brown roofed Shinto/Buddhist shrine with a blue road leading beneath twin orange pillars with a black crossbeam at the top. Two blue stone lanterns sit next to the outwards side of each pillar. The image is set on a yellow field.

13. [Bookplate for Jac Balfour Paul Ado] [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap.

14. [Bookplate for Annie M. Angus by Lionel Haweis] [Bookplate for Annie M. Angus by Lionel Haweis] A combination of textual and pictorial bookplate created with black ink on ivory paper. Image consists of a stained glass background framed (from inside out) in a thin light frame, dark medium frame, and a light ribbon frame. A candlestick with a large lit candle is overlaid with a large stylised letter A. Midway on the candlestick rests an open book, which overlays the monogrammed A. On the left page of the book is a stylised letter A and on the right page of the book is the letter M. At the bottom of the image is a shelf of books.

15. [Bookplate by G. P. V. Akrigg] [Bookplate by G. P. V. Akrigg] Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."

16. [Bookplate for Amelia Alexis Alvey by Eva Alvey Richards] [Bookplate for Amelia Alexis Alvey by Eva Alvey Richards] This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.

17. [Bookplate for Henry Forbes Angus by Jack Macdonald] [Bookplate for Henry Forbes Angus by Jack Macdonald] An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.

18. [Bookplate for Archer Martin] [Bookplate for Archer Martin] Heraldic bookplate created with black ink on white paper. Within two circles is a Norman pointed azure shield with a white cross of Calvary rising from the precise middle base to the precise middle chief. A sun in its splendour is in the dexter chief and a decressant (half) moon is in the sinister chief. Below the shield is a banner reading "sic itur ad astra" [Thus going/departing to glory/immortality]. A closed helmet (usually indicative of an esquire or gentleman) facing sinister is crowned with a wreathe and leaves. At the top of the circles is a star with six points and at the bottom of the circles is a flower.

19. [Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie] [Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie] Textual and pictorial bookplate created using burgundy ink on ivory paper. The image and text are within a thin frame ; at the top centre is a standing dragon holding a ball below which is a banner.

20. [Bookplate for Roderick J. Barman by Margaret Noble] [Bookplate for Roderick J. Barman by Margaret Noble] This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
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results 1-20 of 871 item(s)  page 1 of 44 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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