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	Search results for 17(1)    Refine your search Creator 5 () 5 () 5 () 5 () 5 () 3 () 3 () 3 () 3 () 2 () results 261-280 of 678 item(s)  page 14 of 34 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 261. [Bookplate for George Grote] This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements. 262. [Bookplate for George H. Beans] This is simple black and white monogram design. Within a shield-shaped border is a simple plant growing from three mounds. The text is outside the border at the top and bottom. 263. [Bookplate for George H. Fensom by Thoreau MacDonald] In black ink. Landscape featuring a cabin overlooking a lake. 264. [Bookplate for George H. Fensom by Walter Lohse] Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window. 265. [Bookplate for George Herbert Wailes] This bookplate consists of a combination of heraldic and pictorial elements. At the centre, is an ovular frame containing an image of a nude woman in a crouching position, and holding a flower pot in her open hands. From the pot, stands a single flower. Above the frame is a small escutcheon, argent (silver), charged with a crane. The crest is a dexter helm, itself topped by a straight wreath, and a horseman's spur and strap, accompanied on either side by a pair of wings erect. Behind the crest is a banner containing the Latin motto. 266. [Bookplate for George Macaulay Booth] This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription. 267. [Bookplate for George Murray Humphry] Bookplate design consists of text with lined border surrounding. 268. [Bookplate for George Paget] This heraldic bookplate consists of an escutcheon, parted per cross. Quarters one and four are sable (black) and charged with a cross, argent (silver), between four eagles displayed. The cross is charged with five lions passant guardant. Quarters two and three are azure (blue), with a chevron or (gold) between three lion heads, erased, two over one. Above the escutcheon is a closed esquire helmet, positioned en profile, with mantling radiating from it, surrounding theescutcheon. Above the helmet is a straight wreath, charged with a heraldic tyger, rampant. Below the escutcheon is a banner, with Latin motto within. 269. [Bookplate for George R. Alexander] This heraldic bookplate consists of an or (gold) escutcheon with a galley at its centre. A galley is an ancient vessel propelled by oars, and is frequently used in the heraldry of naval officers. Also on the escutcheon are three cross crosslets fitchy sable -- one in dexter chief, one in sinister chief, and one in precise middle base. Atop the escutcheon is a half-visored helm in profile. Within the helm, one can see what appears to be the face of a cat. The helm is topped by a crest wreath and a horse's head, proper, couped and gules (red). From the helm flows extensive or and gules mantling. Below the escutcheon is a banner containing the latin motto. 270. [Bookplate for George R. Maxwell] Heraldic bookplate. Two rampant stags support an argent shield. At the centre of the shield is a two-headed black eagle with its wings and legs spread and its heads turned to opposite sides. On the chest of the eagle is a square with a black X. "Reviresco" I flourish again. 271. [Bookplate for George Roe Lockwood] Black ink on white paper. The image depicts two figures in a living room or study. The young woman wears an off-the-shoulder dress with a shawl and is leaning toward the older male with a fan in hand. The older male sits with his feet tucked up in the chair and an open book in his lap. 272. [Bookplate for George Short by R. Silvester] In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806. 273. [Bookplate for George T. Irving] Printed in brown ink, the bookplate depicts a rigged wooden ship, with full sails, on water. A bird soars into the foreground. “Ex Libris” half-circles the image, while a literary quote from Emily Dickinson, and the bookplate owner’s name, are printed below. 274. [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials. 275. [Bookplate for George Wilbraham] In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto. 276. [Bookplate for George Wilkins] In black ink. This bookplate consists of an escutcheon, gules (red), charged with two swords saltier, and on a chief argent (silver) are three mullets pierced, sable (black). Above the escutcheon is a straight wreath charged with a demi-gryphon, rampant, regardant, segreant, gules, holding aloft a sword. Below the escutcheon is a banner displaying the originator's Latin motto. 277. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 278. [Bookplate for Gerald Lynham Porte Grant-Suttie] In black ink on white paper, this bookplate consists of a shield Azure (blue), three eagles displayed two over one, a chief, Or (gold), a demi-lion rampant queue fourche. Issuing out of a Crown Vallary, the crest of a demi-lion rampant queue fourche and holding in the forepaws a star of seven points. Below the escutcheon, a banner bears the motto 'VINCIT QUI POSSE CREDIT' [Latin = He who believes that he can, succeeds]. 279. [Bookplate for Gertrude Elliott by Rustcraft USA] Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name. 280. [Bookplate for Gilbert Finlay Girdwood] Black ink on white paper. Argent and sable with a straight line down the middle. Left hand side is sable and argent per pale charged with three castle towers, two over one. Right hand side is argent, with a chevron engrailed sable. Chevron surrounded by three roundlets sable, two over one. Shield is wrapped in stylized bordure. At the top, is a crest featuring a demi-lion rampant guardant, tail extended holding a tree in its right paw. Lion sits on a crest-wreath. Below is a motto on a stylized banner with decorative ends. The bottom of the bookplate has typed cursive fond followed by serif font. select all : clear all : add to favorites results 261-280 of 678 item(s)  page 14 of 34 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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