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1. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

2. [Bookplate for Octavius Wigram by Suffield] [Bookplate for Octavius Wigram by Suffield] In black ink. Argent, a pallet, gules, charged with three escallops, one over two divided by a chevronnel, engrailed, countercharged, gules (red). A chief, argent (silver), a ship representing an English vessel of war of the 16th century, with four masts, sails furled proper, and a flag, azure (blue), sitting on the water. Above the escutcheon is a straight crest wreath on which is a mount supporting a hand in armour, in fess, couped at the wrist proper, charged with an escallop and holding a fleur-de-lis erect. Below the escutcheon is a banner containing the Latin motto.

3. [Bookplate for UC Berkeley Library] [Bookplate for UC Berkeley Library] Brown ink on white paper. Plate is divided into three sections. The top section contains the name of the library. The middle section contains a circular crest with a book in the centre. The bottom section contains text created with a rubber stamp.

4. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

5. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

6. [Bookplate for Frechette's Library] [Bookplate for Frechette's Library] A decorative top and bottom border centers the text printed in black ink and multiple fonts.

7. [Bookplate for Hermes Circulating Library] [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.

8. [Bookbinder's Tickets for Joseph Fortier] [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.

9. [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.
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