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CONTENTdm Collection
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1963
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1.
[Bookplate by University of British Columbia]
The bookplate has set after the initial text of, "THE LIBRARY," the following shield. A grey box holding the UBC shield inside. The shield is set in black in white with a grey chief within which a book running from sinister chief to dexter chief with the words 'Tuum est' inscribed. Below exist three wavy lines on an argent field. In the base is a sun with six rays issuing from it.
2.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border.
3.
[Bookplate for Leida Eerme and A. Lavdovsky by A. Lee]
In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border.
4.
[Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski]
In green and black ink, abstract image of what appears to be a highway interchange network.
5.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.
6.
[Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski]
In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.
7.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black, forest scene done in watercolour, bordered on sides and base by ruled lines.
8.
[Bookplate for Library of Diocesan Theological College]
Black ink on white paper. There is italicized black text with a dotted line at the top of the bookplate. There is an almond shaped design with double lined black borders. The border contains capitalized black sans serif font. In the center are two shields. A white shield with an anchor partially covers a black shield. A bishop’s hat sits atop the shield. A motto is printed in the banner. Below more italicized text is printed with a dotted line. There are several lines of stylized black gothic fond, one line of sans serif capitalized black font, and then one final line of italicized text with a dotted line.
9.
[Bookplate for Ernest Fawcett by British Columbia Department of Education]
Executed in black ink, this pre-printed textual bookplate is framed by a triple-lined border. The dotted lines have been filled in by hand in what was originally black ink but which is now green where the ink bled into the paper.
10.
[Bookplate for Saul Globus]
This bookplate features an airplane circling around an abstract structure against a dark sky.
11.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
12.
[Bookplate for Montreal Catholic School Commission]
The bookplate is surrounded by a stylized block border with a design within it. At the top, the school board crest is printed above the words 'Commission des Ecoles Catholiques de Montreal'. The body of the bookplate is comprised of a printed form with space for a student's name, reason for the award, grade, school, date and year to be filled in by hand.
13.
[Bookplate for J.G. Grieve by William Walker Alexander]
Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.
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