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results 1-20 of 132 item(s)  page 1 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next
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1. [Bookplate for James Bryce Allan] [Bookplate for James Bryce Allan] In black ink. Escutcheon parted per bend, dancetty. Bordure, azure [blue]. Above field, argent [white] and ermine, a stag, gules [red], erased, antlers, or [gold], and an annulet, or. Below field, gules, a crescent. Helm has mantling around a tilting helmet on top of which is a curved crest wreath with a dog, erased. Below the escutcheon is a banner containing the Latin motto.

2. [Bookplate for Eliab Harvey] [Bookplate for Eliab Harvey] In black ink, an oval escutcheon, or (gold), with a dancette chief, sable (black), containing three crescents, argent (silver). The crest is a dexter hand couped at the wrist and erected, floating above is an inverted crescent, argent. The Latin motto is found encircling the escutcheon on the bordure, argent. A wreath made of two laurel branches encapsulates the escutcheon. A banner, containing the German motto, is wrapped around the base of the wreath with the Badge of a Companion of the Order of the Bath hanging between it.

3. [Bookplate for Stanley C. Bagg] [Bookplate for Stanley C. Bagg] This bookplate consists of black gothic text surrounded by an elaborate border, all printed on yellow paper.

4. [Bookplate for Edward Hilton Chaloner by Rust Craft Publishers] [Bookplate for Edward Hilton Chaloner by Rust Craft Publishers] A thin border surrounds the text ; the top of the border is in the shape of a bookshelf with curved backing. Depicted on it are several books, with one open in the middle. A candle sits in front of the open book. At the bottom left and right corners of the border are images of the globe. The bottom line of the border contains oak leaves and acorns in the centre. The creator of the bookplate is listed as Rust Craft, Boston U. S. A.

5. [Bookplate for D. Girouard] [Bookplate for D. Girouard] Black ink on cream paper. Crest features right arm bent at elbow holding the top half of a spear on crest-wreath. Shield has sable and argent stripes, charged with three two-pointed flags two speckled sable on argent flags over one argent flag facing left. The top two flags are speckled, sable on argent, and the bottom flag is argent. Below the shield, the motto is printed in capital letters on ribbon with curling ends. Name typewritten in cursive sentence font.

6. [Bookplate for W.H. Smith & Son] [Bookplate for W.H. Smith & Son] Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.

7. [Bookplate for James Hatch] [Bookplate for James Hatch] In black ink, an escutcheon, gules (red), charged with two lions passant guardant, with their hind legs couped. Over the lions at the fess point is an inescutcheon parted per pale, ermine (white powdered fur with black tufts) and ermines (field sable fur, powdering argent), a chevron sable (black) and argent (silver) with four lozenges ermine and ermines, between three fleur-de-lis argent, two over one. The crest is a lion cabossed on a straight wreath. Below the escutcheon is a banner containing the Latin motto.

8. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

9. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.

10. [Bookplate for W. J. M. Jones] [Bookplate for W. J. M. Jones] The book plate owner's name and city are printed in black ink on cream paper in one script-style font.

11. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

12. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

13. [Bookplate for Hôpital Général d'Ottawa No. 6] [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.

14. [Bookplate for Holland House] [Bookplate for Holland House] In black ink , a chapeau crimson (red), lined with ermine (white powdered fur with black tufts), a fox sejant, or (gold), floating above is a coronet of a baron.

15. [Bookplate for George T. Turner by H. L. Peckmore] [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials.

16. [Bookplate for Laurence A. Waldron by Waller] [Bookplate for Laurence A. Waldron by Waller] In red ink. This bookplate displays a classical theme. A neoclassical urn, draped with a laurel garland serves as the back-drop for the escutcheon. The escutcheon, argent (silver), is charged with three bull's heads caboshed, situated two over one. Above the escutcheon is a straight wreath, charged with a heraldic tyger sejant. This component is encircled by the originator's Latin motto. The urn is set upon a pedestal with an oval background, framed by a garland. At the base, between the oval background and laurel garland frame, appears the name and location of the creator.

17. [Bookplate for John Eardley Wilmot] [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one.

18. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

19. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

20. [Bookplate for John Caton Thompson] [Bookplate for John Caton Thompson] In black ink on white paper, this bookplate consists of a shield parted per pale, baron and femme, three coats ; first, or, a bordure, argent, a lion rampant ; second, parted per fess, sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two ; in base (same as second) sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two. Above a straight wreath, the crest of a lion rampant, ducally gorged. Below the shield, laurel sprigs. At the bottom of the ex libris appears the name 'John Caton Thompson.'.
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