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	Search results for 7).    Refine your search Creator 47 () 19 () 11 () 8 () 5 () 5 () 5 () 5 () 5 () 4 () results 61-80 of 1231 item(s)  page 4 of 62 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 61. [Bookplate for George J. Campbell] This bookplate consists of an escutcheon bearing the arms of the ancient Scottish family Campbell, presented as a Gyronny of eight, or (gold) and sable (black). The escutcheon is bordered in gules (red) with 7 escallopes. The escutcheon contains a canton, also Gyronny of eight, gules and ermine (white powdered fur with black tufts). The crest, atop a curved wreath, is an eagles head, erased. Over the shield is a banner containing the Latin motto. Below the shield are two oak branches tied together by a ribbon. 62. [Bookplate for Charles Girdlestone] In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate. 63. [Bookplate for Charles Girdlestone] In black ink, this bookplate consists of text surrounded by a floral border. At the top centre of the border is a scallop shell. 64. [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner. 65. [Bookplate for John Lechmere] This heraldic bookplate consists of an escutcheon, gules (red), with a fess, or (gold). Above the fess at dexter and sinister chief, the escutcheon is charged with two birds, possibly pelicans, wings addorsed and inverted. Above the escutcheon is a ducal crown without a cap, which is charged with the same bird, wings addorsed and inverted. Below the escutcheon is a banner, with Latin motto inside. 66. [Bookplate for Albert Prince by Dempsey and Carroll] This heraldic bookplate consists of an escutcheon, divided per cross, with quarters one and four also divided per cross. Within quarters one and four, the sub-quarters one and four are gules (red), charged with three lions passant guardant (for England). Sub-quarter two is or (gold), with a tressure-flory-counter -flory, charged with a lion rampant (for Scotland). Subquarter three is azure (blue), charged with a harp decorated with harpy figure features, stringed (for Ireland). The entire escutcheon is charged with a bar dovetailed, or a label, a cadency mark indicating being the eldest son (during his father's lifetime). Quarters two and three have a barry of ten, or and sable (black), with a bend in the shape of a ducal crown (without the cap). Surrounding the escutcheon is a garter, with first French motto within. Above the escutcheon is a royal crown. Supporting the escutcheon at dexter is a lion guardant, charged with a label. At sinister is a unicorn rampant, also charged with a label, as well as a royal crown without the cap as a collar. Below the escutcheon is a ribbon, with second German motto within. The entire achievement is surrounded by very fine lines, giving the impression of shadow. 67. [Bookplate for Thomas Taylor by James Cole] In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto. 68. [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name. 69. [Bookplate for Marcus Brown Westhead] In black ink on white paper, this bookplate consists of a shield quartered. First and fourth quarter, argent, two barrulets dancette sable, between three Saracens' heads couped at the shoulders proper, wreathed round the temples, of the first and second. Second and third quarter, azure, on a fesse argent, between three martlets in chief, and the Roman fasces erect surmounting two swords in saltire, and encircled by a chaplet in base or, three chess-rooks sable. Center inescutcheon, party per chevron or and azure, in chief a mullet of six points lies between two crosses pattée of the last, and in base the front elevation of a chapel argent, the whole being charged with a crescent for difference. First crest, on a wreath of the colors, within a fetterlock or, a Saracen's head couped proper, wreathed round the temples argent and sable. Second crest, on a wreath of the colours, a demi-eagle displayed with two heads azure, charged on the breast with the fasces, swords, and chaplet, as in the arms. The escutcheon is surrounded by mantling and below a banner bears the motto 'ORA ET LABORA.'. 70. [Bookseller's Tickets for Charles-Odilon Beauchemin] 1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field. 2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field. 3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text. 4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text. 5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book. 6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center. 7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image. 71. [Bookseller's Tickets for Zephirin Chapeleau] 1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text. 2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text. 3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 72. [Bookbinder's Tickets for Zephirin Chapeleau and J.M. Lamothe] 1) In black ink on gray paper, the bookbinder's ticket consists of a black decorative border surrounding black text. 2) In black ink on yellow paper, the bookbinder's ticket consists of a black decorative border surrounding black text. 73. [Bookplate for Joseph-Olivier Archambault] In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text. 74. [Bookplate for Francois-Xavier Bosse Mgr.] In black ink, a decorative border surrounding the text. 75. [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number. 2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text. 76. [Bookplate for C. J. S. Bacon] In black ink on white or cream paper, the bookplate consists of a decorative border surrounding black text. 77. [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text. 78. [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text. 79. [Bookplate for James Henry Browning] Centered text with multiple fonts in black ink. 80. [Bookplate for Dundas Mechanics’ Institute] Black ink on grey paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten. select all : clear all : add to favorites results 61-80 of 1231 item(s)  page 4 of 62 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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