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Description:
1.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
2.
[Bookbinder's Tickets for Joseph Fortier]
1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.
3.
[Bookplate for Marguerite H. Powter by Clare Victor Dwiggins]
Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.
4.
[Bookplate for W. Gordon Mills]
In black ink on cream paper. This image depicts a nighttime scene with a single star in the sky and two evergreen trees silhouetted in front of a lake and mountains. Superimposed upon this landscape, a lyre sits next to a scroll which reads "Sonata Apassionata" (sic) and has notes from the score. The initial "M" is in the lower right hand corner as a possible signature.
5.
[Bookplate for Benjamin Gott]
In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed.
6.
[Bookplate for Collège de Saint-Laurent]
In black ink on white paper, at the top of this bookplate one finds a banner bearing the text “BIBLIOTHÈQUE DU COLLÈGE DE SAINT-LAURENT” [French: Library of Saint-Laurent College], below which sits the coat of arms of Quebec. The coat of arms consists of a shield or escutcheon Or (gold) on a fess Gules (red) between two fleurs de lis in chief Azure (blue), and a sprig of three leaves of maple slipped Vert (green) in base, a lion passant guardant Or (gold). A banner below the escutcheon bears the motto “JE ME SOUVIENS” [French: I Remember]. On either side of the coat of arms of Quebec are shining five-point stars. Below the coat of arms of Quebec on the left is the coat of arms of the Congregation of the Holy Cross. The coat of arms consists of a shield or escutcheon Azure (blue), charged with a Latin cross, Or (gold), surmounted by two anchors, saltier, Argent (silver). A banner below the escutcheon bears the motto “SPES UNICA” [Latin: Our Only Hope]. To the right of the coat of arms of the Congregation of the Holy Cross appear the words “EX LIBRIS.” Further to the right is a third coat of arms, likely the coat of arms of the Collège de Saint-Laurent. The coat of arms consists of a shield or escutcheon party per fess, first party per pale Azure (blue), charged with a Latin cross, Or (gold), surmounted by two anchors, saltier, Argent (silver) ; Gules (red), charged with a feather quill, Argent (silver) ; second Azure (blue), a pale Or (gold). A banner dividing the shield per fess bares the acronym “C. S. L.” A banner below the escutcheon bears the motto of the Collège de Saint-Laurent: “PALMA DE CRUCE” [Latin: Victory by the Cross]. Below the three coats of arms appears a beaver facing left below which rests two crossed branches of sugar maple tied with a ribbon. At the bottom of the bookplate appear the words “MONTRÉAL, CANADA.”.
7.
[Bookplate for Karl Hermann and Michael B. Kunze]
In black ink on white coated paper, an image of a farmer's field. A farmer strolls away from the observer spreading seed from a side-bag. In the distance is what appears to be a town and a church steeple which is framed by radiating sunlight. In the sky above is a bird, possibly a dove. To the right of the field is a road lined with narrow trees and farmhouse situated at the base of a hill, on which possibly sits a castle. In the foreground is a piece of farming equipment and foliage frames the german expression "Und Erliches fiel aut ein gutes Land". The entire image is framed by a shaded border, rounded at the top.
8.
[Bookplate for John Leveson Gower]
This heraldic bookplate consists of a escutcheon, divided per cross or quarterly. Quarters one and four are argent (silver) with bars, gules (red) and charged with a cross patonce, sable (black). Quarters two and three are azure (blue) charged with leaves, two over one. The escutcheon is charged with an inescutcheon, argent, charged with a human hand, gules, at centre, which is a symbol of knighthood or baronet. Upon the escutcheon is a grated helmet positioned three-quartered, indicating peer (duke, baron, marquess, earl) status. Upon the helmet is a crest of a mountain lion or wolf, upon a straight wreath. The escutcheon is surrounded by elaborate mantling, and beneath the escutcheon is the bookplate text within an embellished border.
9.
[Bookplate for John Caton Thompson]
In black ink on white paper, this bookplate consists of a shield parted per pale, baron and femme, three coats ; first, or, a bordure, argent, a lion rampant ; second, parted per fess, sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two ; in base (same as second) sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two. Above a straight wreath, the crest of a lion rampant, ducally gorged. Below the shield, laurel sprigs. At the bottom of the ex libris appears the name 'John Caton Thompson.'.
10.
[Bookplate for Francois-Xavier Bosse Mgr.]
In black ink, a decorative border surrounding the text.
11.
[Bookplate for Dunbar Browne]
A floral, somewhat art nouveau style border surrounding the text.
12.
[Bookplate for Union des Commis-Marchands]
Text is printed in a numbered list, surrounded by a line border resembling chain.
13.
[Bookplate for Hill’s Library]
Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.
14.
[Bookplate by Eiichi Hirose]
The central image is a view from overtop of a grey can sitting on a blue and white chequered background. The can has an inner and an outer ring with 8 red and green strawberries sitting at the centre of the can.
15.
[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]
This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].
16.
[Bookplate for W.H. Smith & Son]
Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.
17.
[Bookplate for Vancouver School of Theology Centre for the History of Biblical Interpretation]
Blue ink on white paper. Pink text in rubber stamp ink.
18.
[Bookplate for Bessie Ruth and J. E. Horvath]
Black ink on tan paper. The illustration in this bookplate is divided in to 9 parts framed with flowers and other decoration. The central section contains the text, with two columns on the top and a monogram and date at the bottom. In the remaining 8 sections putti are depicted playing a variety of musical instruments.
19.
[Bookplate for Maurie Barrett]
Printed in black ink on white paper, with a peel and stick feature. The image is a version of the crest of the Arms of Canada. It shows a crowned lion standing on a wreath, with mouth open and tongue extended. The lion holds aloft the maple leaf and looks out from his frame which is surrounded by more maple leaves in a double frame. The lion's position, with the dexter forepaw raised and head turned to face the viewer, is known as passant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.
20.
[Bookplate for Mudie's Select Library]
Black ink on yellow paper. Text surrounded by narrow, double, hexagonal border. Top has been slightly cut off.
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