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Description:
181.
[Bookplate for Thomas Nickleson Jeffery by C. W. Torbett]
The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto.
182.
[Bookplate for Charles Alan Crawley]
The armorial begins with a bird (possibly a crane) facing dexter and armed with a small argent X. It stands on a small upraised mound separated from the top of a healm by a wreath. The helm is closed and also facing to the dexter. It stands above an ermine shield. The shield begins with an ermine chief with a bend across it holding three comets. The dexter chief and sinister chief positions are occupied by marlets. The honor point has two cranes, one at the dexter and one at the sinister points. The fess point is covered with an argent banner with a pair of crosses at the sinister and dexter point and an argent X at the center point. The base of the shield has a crane in the center point. Below the shield is a banner with the latin motto: "ESSE QUAM VIDERI". This translates to mean: "To be rather than to seem."
183.
[Bookseller's Ticket for James Cleghorn]
Textual bookseller ticket contained within double lined border.
184.
[Bookplate for Hermes Circulating Library]
Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.
185.
[Bookplate]
Text is stamped on cream paper in blue ink.
186.
[Bookplate]
Text is stamped on cream paper in blue ink.
187.
[Bookplate for Union des Commis-Marchands]
Text is printed in a numbered list, surrounded by a line border resembling chain.
188.
[Bookseller's Ticket for U. Archambault]
Text and a border printed in black ink on white paper.
189.
[Bookplate for Emil Eerme and A. Lavdovsky by V. Toots]
Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E.
190.
[Bookplate for Hôpital Général d’Ottawa No. 6]
Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.
191.
[Bookplate for Frederick Starr]
Small square woodblock print in four colours. In black, pink, red, and light khaki ink. Bookplate is sectioned into three, with the left and bottom sections with Japanese characters. Primary images featured are three Okame masks.
192.
[Bookplate for William R. Ridell]
Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.
193.
[Bookplate for Stanley Harrod]
Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
194.
[Bookplate for Chs-Ed. Parrot]
Red ink on white paper. Consisting only of text, the owner's name and location are surrounded by a border. Exposure to water has cause the ink to smudge.
195.
[Bookplate for Alfred Hawksworth]
Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate.
196.
[Bookplate for York University]
Red ink of white paper. York University shield at centre. Text at top and bottom. The shield is charged with a leaved tudor rose, and has a chief charged with two lions passant guardant.
197.
[Bookplate for British Association for the Advancement of Science]
Red and black ink on white paper. Coat of arms at top. Quartered shield shows English rose, Scottish thistle, Irish clover and Canadian beaver. Text in a bordered circle around shield. Cursive text below. Contributors include British Association.
198.
[Bookplate for Imperial Order Daughters of the Empire]
Purple ink on white paper. Seal of IODE at top. Text below. Border consists of three fine lines at top and bottom and a single fine line at the sides.
199.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.
200.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in blue with accompanying banners. The shield is topped with a crown and features a red saltire with four different charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark. Beneath the coat of arms is a blank space with a number handwritten in grey ink, followed by the title of the school and a note on the school’s history.
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