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1. [Bookplate for Stanley C. Bagg] [Bookplate for Stanley C. Bagg] This bookplate consists of black gothic text surrounded by an elaborate border, all printed on yellow paper.

2. [Bookplate for Octavius Wigram by Suffield] [Bookplate for Octavius Wigram by Suffield] In black ink. Argent, a pallet, gules, charged with three escallops, one over two divided by a chevronnel, engrailed, countercharged, gules (red). A chief, argent (silver), a ship representing an English vessel of war of the 16th century, with four masts, sails furled proper, and a flag, azure (blue), sitting on the water. Above the escutcheon is a straight crest wreath on which is a mount supporting a hand in armour, in fess, couped at the wrist proper, charged with an escallop and holding a fleur-de-lis erect. Below the escutcheon is a banner containing the Latin motto.

3. [Bookplate for Peter Courchesne] [Bookplate for Peter Courchesne] The small image on this bookplate is located to the right and is merely a small opened book with, what looks like, a antiquarian writing on it.

4. [Bookplate for S. C. Lunsford by Frits Jacobsen] [Bookplate for S. C. Lunsford by Frits Jacobsen] The Dominion Building is depicted, which is located in Vancouver, British Columbia, Canada, and provincially designated a heritage building.

5. [Bookplate for David Stewart Erskine] [Bookplate for David Stewart Erskine] This bookplate consists of an escutcheon, quartered per cross, and contains an inescutcheon. The first quarter, azure (blue), contains three garbe, two over one. The second quarter is itself quartered per cross, first and fourth quarters, azure with an or (gold) riband and six cross crosslets fitchy sable (black) ; the second and third quarters are argent (silver), with a pale, sable. The third quarter of the escutcheon is also itself quartered per cross, first and fourth quarters, or, with a fess in checky (alternate squares of metal and fur), argent and azure ; the second and third quarters are azure, containing three garbe, two over one. The fourth quarter, argent, with six bars, gemelles (doubles), contains a lion rampant, sable and proper. The inescutcheon, gules (red) contains an eagle, displayed and proper, and a ray of sun issuing out of the dexter corner. Atop the escutcheon is the coronet of an earl, topped by a grated helmet (peer), dexter. Upon the helmet is a curved crest wreath and a dexter cubit arm holding a club. From either side of the crest flows elaborate mantling. The escutcheon is accompanied by two supporters. The dexter supporter is an ostrich, while the sinister supporter is a griffin. Below the escutcheon and the supporters is a banner containing the English motto.

6. [Bookplate for James Phinney Baxter] [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."

7. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling.

8. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a.

9. [Bookplate for John Charles Alison Heriot] [Bookplate for John Charles Alison Heriot] This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.

10. [Bookplate for John Charles Alison Heriot] [Bookplate for John Charles Alison Heriot] This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.

11. [Bookbinder's Tickets for Joseph Fortier] [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.

12. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.
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