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Description:
41.
[Bookplate for Rob. S. Atcheson]
In black ink, this bookplate contains a rooster atop a horn, which is itself atop a straight wreath. The rooster is a common heraldic symbol that stands for vigilence. Above the rooster is a banner containing the latin motto.
42.
[Bookplate for Edward Andrew Donaldson]
In black ink. An escutcheon divided quarterly ; first and fourth quadrants, or (gold), a double-headed bird displayed, sable (black), above a lymphad showing three dexter flags, gules (red) ; second and third quadrants, gules, fess checky argent (silver) and gules, with two arrows argent. Also, two inescutcheons, or, with a hand gules. One inescutcheon is located in the centre of the escutcheon and the other in the top corner of the dexter chief. A escutcheon has a bordure, indented and azure (blue), with seven belt buckels, one at each corner of the escutcheon. The crest is a closed dexter helm, argent, with mantling. Atop the helm is a bare cubit arm grasping a dagger. There is a lance extending from the top dexter corner of the escutcheon, displaying a banner. The banner encirles a Latin cross and an anchor, and contains the Latin motto. Also, there is a triangle which contains a three-masted ship in the top left hand corner. A border frames the coat of arms and contains a saying in four languages.
43.
[Bookplate for Thomas Jenings]
In black ink. Argent, a chevron, gules (red), three cages two over one. Gryphon, couped, atop straight crest wreath, wings addorsed and elevated, cage hanging from open beak. On the dexter and sinister sides, two figures, nude, outside hands hold flowered mantling, inside hands point to chevron. Below the escutcheon is a banner containing the Latin motto.
44.
[Bookplate]
In black ink. Escutcheon parted per base. Lower field, vert [Green]. Upper, three pine trees, couped, on a field, argent [White or Silver]. Atop the escutcheon, a helmut of a knight or a baronet, on top of which is a straight wreath, on which stands a cock, close. Below the escutcheon is a banner containing the Latin motto.
45.
[Bookplate for Francis Fortescue Knottesford]
In black ink. This bookplate consists of an escutcheon parted per pale. The first pale is parted per quarter. Quarters one and four are azure (blue), a bend engrailed, or (gold), coticed, argent (silver). Quarters two and three are argent, cross engrailed, gules (red), in canton cinquefoil, azure (blue). The second pale is parted per quarter, in quarter one, a barry of eight, argent and vert (green), charged with a gryphon, rampant, segreant. Quarter two is argent, with a chevron, ermine, fimbrated sable (black), with two canons placed two over one around the chevron. Quarter three is argent, with a chevron, sable, charged with a bird displayed. Quarter four is azure charged with a lion rampant. Above the escutcheon is a straight wreath charged with a tyger passant atop a peer helmet. Below the escutcheon is a banner containing text.
46.
[Bookplate for Henry Torre]
In black ink. This bookplate consists of an escutcheon which is slightly askew, being tilted from the central vertical axis of the image. The escutcheon is parted per fess. In dexter chief sable (black), charged with a crescent above and a tower below, a bordure vair. In middle chief, azure (blue), embattled and counter-embattled, argent, with three sable roundlets. Above the partition charged with two stags proper tripping, and below with one stag proper, tripping. In sinister chief, argent, two bars, gules (red), in canton gules, charged with cross Moline, or (gold). In dexter base, barry of six pieces, or and azure, in canton, argent, charged with a chaplet. In middle base, sable (black), lion rampant. In sinister base, argent, sable with three lozenges, gules above, and four below. The rococo vegetative mantling above the escutcheon finishes on either side with a tassel and includes, at its center, a straight wreath charged with a gryphon passant situated atop a peer helmet. Below the escutcheon is a banner containing the originator's Latin motto, with his name printed below.
47.
[Bookplate for Basil Thomas Woodd by Benjamin Warwick]
In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted).
48.
[Bookplate for Peter Cameron]
In black ink. This bookplate consists of escutcheon, barry of seven pieces, argent (silver) and gules (red). The crest, atop a straight wreath, appears as a dexter arm, vambraced, and holding a sword. Below the escutcheon is a banner containing the latin motto.
49.
[Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel]
In brown ink, a sun radiates light over the background of the image from the top left corner. Included in the background is a crescent moon in the top right corner, an hourglass, in the lower left corner, and a compass in the lower right corner. In the foreground is a chaplet encircling a coat of arms. Atop the helm is a bird, possibly a falcon. The helm itself is front facing and grated (no significance in German heraldry). From either side of the helmet flow elaborate sprawls of mantling which curl down to the sides of the escucheon. The escucheon, in gules, (red) represented by lines drawn from chief to the base, is bordered in or (gold). Centered in the shield is a heavily bound book, with what appear to be latches to prevent unworthy eyes from reading its contents. From the top and bottom of the book flow a place marking ribbon.
50.
[Bookplate for Godfrey G. Roundell Greene by W. and A. Mussett - The Heraldic Studio]
In brown ink, escutcheon divided quarterly. The first and fourth quadrants divided per pale, or (gold) and azure (blue), three stags trippant, two over one, all counter changed. The second and third quadrants, or, with a fess, gules (red) between three olive branches, two over one. Atop the escutcheon is a helmet with mantling, below a demi-dragon crest, azure, gorged, argent (silver).
51.
[Bookplate for H. F. McLaughlin by Francis Adams Sc.]
Lion’s head atop crown ; Arms of shield: 1st quarter - the “Dalriadic Royal Lyon” on dotted background, 2nd quarter - hand holding cross, 3rd quarter - galley with oars, 4th quarter - salmon swimming ; Supporters: does standing on either side of shield ; motto underneath ; “HLF” monogram at bottom.
52.
[Bookplate for Gerald E. Hart by Edwin Cox & Co.]
Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.
53.
[Bookplate for M. J. Freie]
Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes.
54.
[Bookplate for Maurie Barrett]
Printed in black ink on beige paper, with a glued back. The image is a version of the crest of the Arms of Canada. It shows a crowned lion atop a larger crown, with mouth open and tongue extended. The lion stands firm with his rear right leg forward as if indicating an intent to pounce. This position, with all four paws on the ground and head turned to face the viewer, is known as statant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.
55.
[Bookplate for Frederick Styles Lyman]
Printed in black ink on white paper. Emblem of a family of birds atop name written in cursive type.
56.
[Bookplate for Frederick Styles Lyman]
Printed in black ink on white paper. Family of birds atop a shield, quartered per cross. Quarters 2 and 3 feature five crosses, and quarters 1 and 4 feature three fish-like creatures. Below, a banner of Latin text.
57.
[Bookplate for Harry E. Jones]
Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.
58.
[Bookplate for Charles Philip Huntington by P. B. W.]
The central image is a family armorial. The image begins with a horse head erased facing to the dexter. A rose sits on its throat and the head sits atop a wreath. The wreath sits atop a helm face open and centred signifying a baron. Below the helm is a shield and mantling sits to either side of the entire image. The shield has a small escutcheon placed in the dexter chief position and the escutcheon bears a gules left hand on a field of argent. Two roses sit on the main argent shield between a gules pile with a horse head erased.
59.
[Bookplate for William Craig]
This bookplate consists of a gules (red) bordered escutcheon with a single bar, azure (blue), on an ermine (white powdered fur with black tufts) background. The bar is charged with three crescents. Atop the shield is a helm, and mantling which surrounds the entire shield. The helm is crested by a curved wreath and knight on horseback, with broken lance. A broken lance represents the celebration of winning a point during a jousting tournament.
60.
[Bookplate for Robert Cochrane Barclay]
This bookplate consists of a gules (red) escutcheon with an argent (silver) chevron. On it are three cross formy, two over one. Atop the shield is a helmet in profile, beaver down, topped by a crest wreath on which is a sword, or possibly a dagger. From the sides of the helmet flows elaborate mantling which curls up towards the sword and down to the base of the shield. Below the shield is a banner containing the Latin motto.
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85
item(s)
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