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results 1-20 of 25 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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1. [Bookplate for Sir Casimir Stanislaus Gzowski] [Bookplate for Sir Casimir Stanislaus Gzowski] The coat of arms consists of a shield charged with an upright rake on a gold field, topped with a helmet and feathers. The ribbon under the shield contains the owner’s name.

2. [Bookplate for Coburn Haskell by E. Cox & Co] [Bookplate for Coburn Haskell by E. Cox & Co] Black ink on cream paper. The coat of arms features a shield of vair represented in six rows of black and silver. The depiction includes mantling. A helmet tops the shield and at the crest is a fruit tree. Below is a scroll with motto. The publisher information is inscribed under the shield.

3. [Bookplate for George R. Alexander] [Bookplate for George R. Alexander] This heraldic bookplate consists of an or (gold) escutcheon with a galley at its centre. A galley is an ancient vessel propelled by oars, and is frequently used in the heraldry of naval officers. Also on the escutcheon are three cross crosslets fitchy sable -- one in dexter chief, one in sinister chief, and one in precise middle base. Atop the escutcheon is a half-visored helm in profile. Within the helm, one can see what appears to be the face of a cat. The helm is topped by a crest wreath and a horse's head, proper, couped and gules (red). From the helm flows extensive or and gules mantling. Below the escutcheon is a banner containing the latin motto.

4. [Bookplate for Charles Bathurst] [Bookplate for Charles Bathurst] This bookplate consists of an escutcheon divided per pale. The dexter side, sable (black), contains two bars, ermine (design representing white powdered fur with black tufts). At the centre of the top bar there is a crescent, or (gold), within a mullet, gules (red). On the top third of the sable background are three cross formy, or. The sinister side is itself divided per pale, ermine and ermines (design representing black fur powdered with argent [silver]). It contains three fleurs-de-lis all counter-changed, two over one, and contains a chevron charged with five lozenges, ermine and ermines all counter-changed. Atop the shield, but not resting on it, is a straight crest wreath and an arm embowed, with fist clenched holding a spiked club. The arm is charged with a crescent, or , within a mullet, gules.

5. [Bookplate for Jeffrey H. Burland] [Bookplate for Jeffrey H. Burland] In black ink. Bank note style design. In the middle is a picture of stacked books with letters on their spines spelling out the word "number," and an open one in front containing the book number in red ink. Below is a picture of an inkwell and quill on a tasseled cloth.

6. [Bookplate for Geo. Campbell] [Bookplate for Geo. Campbell] In black ink. Escutcheon parted per cross. First and fourth quarters, gyrony of eight pieces, argent [white] and sable [black]. Second and third quarters, argent, a ship with three oars, furled sails, and two flags, gules [red]. Supporters, lioncels combatant. Above the escutcheon is a marquess coronet. The crest consists of a straight crest wreath and a boar, couped close.

7. [Bookplate for Myrtle Bryce by Stanley Harrod] [Bookplate for Myrtle Bryce by Stanley Harrod] In black ink. The Gothic letters "B" and "M" serve as a border for a picture of a man holding a book. "MYRTLE BRYCE" is boxed below.

8. [Bookplate for Charles Felix Aylwin] [Bookplate for Charles Felix Aylwin] In black ink. Escutcheon parted per fess, barry nebuly of three, argent [white] and gules [red]. Three lions, rampant, sable [black], two over one. Above the escutcheon is mantling, on which sits a curved crest wreath and a paw, erased, sable, within a Mural crown proper. Below the escutcheon is a banner containing the French motto.

9. [Bookplate for Thomas Aylwin] [Bookplate for Thomas Aylwin] In black ink. Escutcheon parted per fess, barry nebuly of three, argent [white] and gules [red]. Three lions, rampant, sable [black], two over one. Above the escutcheon is mantling, on which sits a curved crest wreath and a paw, erased, sable, within a Mural crown proper. Below the escutcheon is a banner containing the French motto.

10. [Bookplate for Ziba Gallagher by Herbert Ecclestone] [Bookplate for Ziba Gallagher by Herbert Ecclestone] In brown ink. Bookplate's design is an image of a armoured knight mounted on a horse. Knight is carrying a banner in a wooded area. Background design is of a town or dwellings at a distance. Bookplate text contained within banner at base of design.

11. [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.

12. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

13. [Bookplate for L. M. Stauffer by Stanley Harrod] [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

14. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

15. [Bookplate for Andrew Allan] [Bookplate for Andrew Allan] In black ink on red paper, this bookplate features an ornate border surrounding text in the center.

16. [Bookplate for Ruth Goodell by Alexander Scott Carter] [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.

17. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

18. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

19. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

20. [Bookplate for Hugel] [Bookplate for Hugel] Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.
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