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	Search results for Bookplates    Refine your search Creator 5 () 4 () 4 () 4 () 3 () Show more... results 141-160 of 188 item(s)  page 8 of 10 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 141. [Bookplate for Nanticoke Public Library] Bookplate format is text within a solid border. 142. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border. 143. [Bookplate for P. I. P. Sherburne by Elvey] This bookplate, in black ink, consists of an escutcheon divided quarterly. The first and fourth quadrants, vert (green), are charged with an eagle, displayed. The second and third quadrants, argent (silver), are charged with a lion, rampant. Above the escutcheon is a straight crest wreath, topped by a unicorn's head, horned and couped. Below the escutcheon is a banner containing the French motto. 144. [Bookplate for Paramount Sweets and Tea Room by F. A. C.] Created in black ink on white paper. The text is surrounded by a border composed of a two lines, one of which is straight while the other has fluted decorations. Three lines composed of little squares separate the business's name and contact information from the list of library regulations. These regulations are followed by a final decorative line. 145. [Bookplate for Park Lending Library] Created in black ink on white paper. A simple border with a braided pattern frames the text. 146. [Bookplate for Ralph H. Kilby] Black ink on white paper. The crest features a circle with a border with black outlines and horizontal black lines. Inside the border there is a crown. The crown as three leafy designs at the top and the band is decorated with different jewels. The crest sits upon a crest-wreath. The shield has a border comprised of curling sections with ornate decorations on the ends. The shield is charged at the top with three black circles with white centers ; smaller versions of the black border featured in the crest. Below the circles are three horizontal black stripes. In the center of the top stripe is a white circle with black dots. Underneath the shield, the motto is printed on a curling ribbon in capitalized, sans serif black font. The bookplate owner’s name is printed in large, cursive, sentence case black font. 147. [Bookplate for Richard S. Coxe by O. H. Throop] This heraldic bookplate consists of an escutcheon, gules (red), quartered per cross with second and third quadrants vert (green). Within each quarter, a roundlet, or (gold). Upon the escutcheon is a crest, cock closed, on top of a wreath. Beneath the escutcheon is a banner, with Latin motto within. 148. [Bookplate for Robert Butts by B. Cole] This elaborate chippendale bookplate consists of an escutcheon, parted per pale. First, the dexter side, azure (blue) and charged with three etoile, two over one, and a chevron, or (gold) with three lozenges, gules (red). Second, the sinister side, azure, is charged with three talbots' heads two over one, erased, and a bar, or, with three cross pattee, argent (silver). The shield is crested by a curved wreath and a unicorn's head, muzzled. The escutcheon is surrounded by a mass of asymmetrical wave-like mantling and flora. 149. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery. 150. [Bookplate for Robert Smart] An armorial bookplate printed in black ink on white paper. A bird displayed, wings inverted, couped with thistle in beak, with a crest wreath, argent and vert (silver and green). Beneath that is a shield, party per pale, erminois and argent. The dexter side, erminois, per chevron azure (blue) with three chess rooks, gules (red). The dexter side, argent, per fess, gules, with two diamonds, sable (black). 151. [Bookplate for Ruth Delia Lyman] Black ink on cream paper. A demi-bull sites atop a crest-wreath. The bull has its top legs up and a curling tail, as well as two horns. The motto is printed below the crest-wreath on a curling ribbon in capitalized, black, sans serif font. Below this image, two lines of text is printed in large, capitalized, black, sans serif font. 152. [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects. 153. [Bookplate for S. C. Lunsford by Frits Jacobsen] The Dominion Building is depicted, which is located in Vancouver, British Columbia, Canada, and provincially designated a heritage building. 154. [Bookplate for Sir Casimir Stanislaus Gzowski] The coat of arms consists of a shield charged with an upright rake on a gold field, topped with a helmet and feathers. The ribbon under the shield contains the owner’s name. 155. [Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel] In black ink: Sable, an argent eagle displayed, an argent bordure engrailed ; at the precise middle chief, the inesceutcheon of a baronet (argent, a hand gules) ; surmounted by a wreath of argent and sable, the crest a demi-globe or hemisphere ['semi-terrestrial globe of the northern hemisphere'], an eagle rousant, wings displayed and elevated ; motto on a ribbon below the shield. The bottom right corner of the bookplate was torn away and has been replaced with a light paper. 156. [Bookplate for Sir Robert Peel] In black ink. Armorial bookplate. Argent (silver) three sheaves of as many arrows proper, banded gules (red). On a chief azure (blue) a bee volant, or (gold). Crest of a demi-lion rampant argent, gorged with a collar azure, charged with three bezants, holding between the paw a shuttle, or. Below the escutcheon is a banner containing the Latin motto. 157. [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font. 158. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 159. [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons. 160. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. select all : clear all : add to favorites results 141-160 of 188 item(s)  page 8 of 10 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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