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CONTENTdm Collection
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Brown
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Description:
21.
[Bookplate for Commercial and Technical High School]
This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.
22.
[Bookplate for Commercial High School]
This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.
23.
[Bookplate for Cornelia Anthony and Michael B. Kunze]
Brown ink on tan paper. Double border and garland frame two reading cherubs acting as bookends. Illegible artist signature at bottom right.
24.
[Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath]
In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx.
25.
[Bookplate for Dorothy C. Heney by Clifford H. Brown]
Black ink on buff paper. The image depicts a young girl holding hands with a book, pushing open the gates of Fairy Land, toward a castle in the background. Plate lines are visible around the bookplate image. It is signed by the illustrator. Pictorial.
26.
[Bookplate for Dorothy C. Heney by Clifford H. Brown]
Black ink on buff paper. The image depicts a young girl holding hands with a book, and both pushing open the gates of Fairy Land, toward a castle in the background. Pictorial.
27.
[Bookplate for Dorothy Maclaren Hepton by William Walker Alexander]
Brown ink on cream paper. A plain border with a thin brown outline on the outside and thick brown outline on the inside. The image in the center of the bookplate is surrounded by a decorative background. The background has brown dots overlaid with thin white leaves on a stem. The stems curl around the left and right sides of the image. The image in the center is surrounded by a border comprised of three petaled leaves. At the top, bottom, left, and right of the border are two crossed strips covering the leaves. A dark inner border separates the decorative leaves from the center image. The image itself depicts two women sitting in an ancient Grecian scene. There is a building with arches in the left background. Next to the building, right behind the women is a large, shaded column. The foregrounded woman is sitting on a platform. Behind her is a small bowl of flowers. The same flowers decorate her dark hair in a floral crown. She is wearing a flowing white dress with a jewelry band around her right arm, which is holding onto her knees. At her feet is a lyre perched against another ledge. Behind the lyre is a dark, three-legged vessel with smoke pouring from it. There are some bushes behind the vessel and a plain horizon with a dark landscape and a pale sky. To the left of the vessel is a woman either standing or on her knees ; her legs are blocked from view by the sitting woman. The woman is playing a wind instrument, potentially an aulos. Her hair is in a half bun and half down. The ribbons in her hair are also flowing behind her head. Curling ribbons extend from below the image’s bottom border. A thicker ribbon rolls out below the ribbon. The bookplate owner’s name is printed in capitalized, serif font. Each word in the owner’s name is printed on its own line, with each line becoming increasingly indented. Two daisy flowers on stems are printed to the left of the last word in the owner’s name.
28.
[Bookplate for Dunbar Browne Jr.]
A floral, somewhat art nouveau style border surrounding the text.
29.
[Bookplate for Dunbar Browne]
A floral, somewhat art nouveau style border surrounding the text.
30.
[Bookplate for Dundas Public Library]
Black ink on brown paper. A border made up of pommy crosses houses the name of the library and its borrowing policies. The title of the library is printed in Germanic text, and beneath it is a double-lined, horizontal divider. In the bottom half of the plate is printed the borrowing policy.
31.
[Bookplate for Edmond Bohy]
This bookplate features brown ink on thick, coated paper. The image is of a man, mouth open, wearing a feathered fedora and a shirt with a broad collar [perhaps a jester collar] within a border consisting of dots and lines.
32.
[Bookplate for Edward Brown Lees and Dorothy Livesey Lees]
Bookplate design is circular, with an escutcheon divided per pale. Primary charges are a lion rampant and falcons. Above the shield is an esquire helmet and a straight wreath charged with another falcon. Circular banner surrounding escutcheon contains bookplate owner's names.
33.
[Bookplate for Elsie V. Heney by Clifford H. Brown]
Black ink on buff paper. The image, in silhouette, depicts a child reading at the window next to a vase of flowers. The text appears under the image. Pictorial.
34.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Lee]
Abstract brown image on an agua-green background. Image includes a musical instrument (possibly a double bass), a human figure, a book, and a picture frame.
35.
[Bookplate for Emily Ogden Wheeler]
Printed in brown ink on white or cream paper the bookplate consists of a border of four thin branches bearing leaves and buds. Wrapped around the top and bottom branches are banners bearing the quotation 'DREAMS BOOKS ARE EACH A WORLD AND BOOKS / WE KNOW ARE A SUB-STANTIAL WORLD.' In the center of the border appears the name of the owner.
36.
[Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel]
In brown ink, a sun radiates light over the background of the image from the top left corner. Included in the background is a crescent moon in the top right corner, an hourglass, in the lower left corner, and a compass in the lower right corner. In the foreground is a chaplet encircling a coat of arms. Atop the helm is a bird, possibly a falcon. The helm itself is front facing and grated (no significance in German heraldry). From either side of the helmet flow elaborate sprawls of mantling which curl down to the sides of the escucheon. The escucheon, in gules, (red) represented by lines drawn from chief to the base, is bordered in or (gold). Centered in the shield is a heavily bound book, with what appear to be latches to prevent unworthy eyes from reading its contents. From the top and bottom of the book flow a place marking ribbon.
37.
[Bookplate for F. H. Herrington by L. C. D.]
This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.
38.
[Bookplate for Frederic Lumb Wanklyn]
In brown ink on white paper, a flying duck within a darkened circle is at the centre of the bookplate. It appears to be affixed to a post, on top of which there is a sign that reads 'Ex Libris F.L. Wanklyn.' The post is standing in a marsh.
39.
[Bookplate for Genta and Frederick Starr by Katori Eikichi]
Bookplate consists of an image of a rooster with Japanese characters above. In two shades of brown ink.
40.
[Bookplate for George T. Irving]
Printed in brown ink, the bookplate depicts a rigged wooden ship, with full sails, on water. A bird soars into the foreground. “Ex Libris” half-circles the image, while a literary quote from Emily Dickinson, and the bookplate owner’s name, are printed below.
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