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results 221-234 of 234 item(s)  page 12 of 12 : ( <<  11  12  >> ) :: previous : next
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221. [Bookplate for Charles Theodore Hart] [Bookplate for Charles Theodore Hart] Black ink on cream paper. Crest features the head of a stag in profile on a crest-wreath. The shield is pointed at the top left, top right, and bottom corners. The bottom of the shield curves to a central point. The shield is argent with a sable chevron charged with two stars on the top left and top right sides. The stars are white with black shading and a black circle in the center. Below the chevron the shield is charged with a springing stag. Below the shield the motto is printed on a ribbon in capitalized, serif font. Underneath the motto is the bookplate owner’s name in curling, italicized font.

222. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font.

223. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.

224. [Bookplate for John William Griffin by Leslie Victor Smith] [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation.

225. [Bookplate for Imperial Cotton Co. by R&M] [Bookplate for Imperial Cotton Co. by R&M] Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co.

226. [Bookplate for Jenkins] [Bookplate for Jenkins] Black ink on cream paper. The crest features a furry lion passant reguardant standing atop a castle tower. The castle tower is above a crest-wreath. Elaborate, curling, feathery black and white mantling extends from the top of the shield and expands out along the sides. The shield is divided per pale. The left section has a white background with black dots and is charged with a black lion rampant reguardant. The right section of the shield is charged with a bird perched on a tree branch growing out of the ground. There is no background except for the branch and ground that is lighter on top and darker at the bottom. The motto is printed on a curling ribbon below the shield. There is shading on the ends of the ribbon. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in a more stylized, paler, capitalized, black serif font underneath the motto.

227. [Bookplate for L. Emile Grothé by Aimé Dufesne] [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.

228. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.

229. [Bookplate for Alton Goldbloom] [Bookplate for Alton Goldbloom] Black and gold ink on cream paper. Art deco stylized capitalized font printed a top an image of a baby emerging from the torso up out of a gold, three-petal flower. Black stripes of alternating thick and thin width appear behind the baby. The vertical stem of the flower has a gold centre and two leaves, one on each side of the stem, that are half black and half gold. The stem expands in width at the base and capitalized font is written in the non-printed space at the black base. Black ink capitalized font is written below.

230. [Bookplate for Theodore A. Jackson by Franklin Bittner] [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.

231. [Bookplate for Alfred P. S. Dubord] [Bookplate for Alfred P. S. Dubord] A simple border surrounds the text. In the year “1856” the six is clearly written in black ink. A dashed line separates the first two lines of text from the last line of text.

232. [Bookplate for Frederick Styles Lyman] [Bookplate for Frederick Styles Lyman] Printed in black ink on white paper. Family of birds atop a shield, quartered per cross. Quarters 2 and 3 feature five crosses, and quarters 1 and 4 feature three fish-like creatures. Below, a banner of Latin text.

233. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.

234. [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.
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