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results 201-215 of 215 item(s)  page 11 of 11 : ( <<  11  >> ) :: previous : next
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201. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

202. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

203. [Bookplate for Alfred B. Wiener by Antioch Bookplate Company] [Bookplate for Alfred B. Wiener by Antioch Bookplate Company] This bookplate is printed in black ink in an art deco style with Broadway font (c. 1928) for the owner's name. It shows a man in formal wear reading a book.

204. [Bookplate for C. H. McLean] [Bookplate for C. H. McLean] This bookplate's design depicts a study room and large hearth framed by flora and architectural elements.

205. [Bookplate for F. H. Herrington by L. C. D.] [Bookplate for F. H. Herrington by L. C. D.] This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.

206. [Bookplate for Winfred Overholser] [Bookplate for Winfred Overholser] This bookplate's design is a pictoral scene of a tall ship at sea, with gales of wind blowing at the sails and water. Bookplate text at base. In black ink.

207. [Bookplate for Edward J. C. Atterbury] [Bookplate for Edward J. C. Atterbury] This heraldic bookplate consists of an escutcheon divided per fess. The chief is in vair, a fur tinture, and the base is divided paly, or (gold) and sable (black).The escutcheon is bordered by an elaborate frame and is topped by a straight crest wreath and a chaplet (an ancient ornament for the head, given to knights for acts of courtesy). Both sides of the escutcheon are adoned with mantling and a banner, containing the latin motto, hangs along its base.

208. [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] This heraldic bookplate consists of an escutcheon, argent (silver), charged with a talbot passant, gules (red), and a mullet above at centre chief. The escutcheon is supported by a wolf, rampant clutching swords at dexter and sinister. The escutcheon is set within a garter-like setting, from which various military medals hang. Above the escutcheon is a viscount coronet, sans the cap, with a grated helmet at three-quarters, further delineating the rank of viscount. Upon the helmet rests a ducal coronet, which is charged with a wolf's head. Behind the wolf is a small banner with first Latin motto within (the family motto of Wolseley of Wolseley, Co. Stafford, Barts.), and below the supporters and escutcheon is a second banner, with second Latin motto within (the family motto of Wolseley of Mount Wolseley, Co. Carlow, Barts.), along with a larger banner with bookplate owner's name and title. Elaborate mantling radiates from the helmet, and the entire bookplate is encased in a ribbed border.

209. [Bookplate for John Darby] [Bookplate for John Darby] This heraldic bookplate consists of an escutcheon, azure (blue), with a chevron, argent (silver), with the lower part a fillet. Upon the escutcheon are three sheaves of wheat (possibly corn, garbe), two over one . A military medal is at centre chief, with the word "NILE" immediately below. Within the chevron, an anchor each at dexter and sinister, with a naval crown at centre. Above the escutcheon is a crest of a sheaf of wheat (or possibly corn, garbe) and an anchor, upon a straight wreath. Below the escutcheon is a banner, with Latin motto within.

210. [Bookplate for Dunbar of Westfield by C. Norton] [Bookplate for Dunbar of Westfield by C. Norton] This heraldic bookplate consists of an escutcheon, divided per cross, the upper half gules (red) and or (gold), the lower half or and gules. Each quarter consists of a border ; quarter 1 and 4 are bordered with argent (silver) and heraldic roses, and charged with a lion rampant. Quarters 2 and 3 have a narrow border decorated by trefoil, charged with three round figures apiece. The escutcheon is supported by two lions rampant at dexter and sinister. Above the escutcheon is a steel helmet, placed three-quartered (indicating esquire status). Above the helmet is a crest of a dexter arm proper (bare) upon a wreath. From the helmet flows elaborate mantling. Above the crest are two crowns with the Latin motto above. Below the escutcheon and supporters is a banner with an additonal Latin motto within.

211. [Bookplate for Edward Loveden] [Bookplate for Edward Loveden] This heraldic bookplate consists of an escutcheon, gules (red), with a bend, cottised vert (green) and sable (black). The escutcheon is charged with four sinister hands, roughly at centre chief, sinister, dexter, and centre base. Above the escutcheon is a straight wreath charged with a heraldic tiger, sejant (sitting position).

212. [Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.] [Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.] This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].

213. [Bookbinder's Ticket for C. Ashford] [Bookbinder's Ticket for C. Ashford] Three bookbinder's tickets ; one black ink on blue paper and two black ink on green paper.

214. [Bookseller's Ticket for C. Ashford] [Bookseller's Ticket for C. Ashford] Two bookseller's tickets ; one black ink on pink paper and one blue ink on white paper.

215. [Bookplate for Louis C. de V Carrier] [Bookplate for Louis C. de V Carrier] Two lines of plain text with a dotted line under the last line.
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