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results 381-400 of 659 item(s)  page 20 of 33 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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381. [Bookplate for George Short by R. Silvester] [Bookplate for George Short by R. Silvester] In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806.

382. [Bookplate for Charles Manby by Suffield] [Bookplate for Charles Manby by Suffield] In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto.

383. [Bookplate for Edgell Wyatt-Edgell] [Bookplate for Edgell Wyatt-Edgell] In black ink, this bookplate consists of an escutcheon divided quarterly, and containing an inescutcheon. The first and forth quadrants of the escutcheon are sable (black) with a fess, dancette and argent (silver), three eagles displayed, two over one and or (gold), and chief, or. The second and third quadrants are argent, with a sable chevron containing three roundlets bezant (gold), and cinque foil, two over one and gules (red). The inescutcheon is checky, or and gules, and contains a lion rampant guardant. Atop the escutcheon is a dexter helmet, closed with mantling flowing horizontally from its top. Above the mantling are two further crests. The dexter consists of a demi-lion rampant, embattled in or and sable, on a wreath, holding an inverted arrow in its dexter paw. The sinister crest consists of a demi-lion rampant on a wreath, holding the long stem of a cinque foil, gules, in both its paws. Below the escutcheon is a banner containing the Latin motto.

384. [Bookplate for Frank Marx Etting] [Bookplate for Frank Marx Etting] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a chevron, gules (red). On the chevron are three roundlets, argent. The escutcheon is bordered by mantling, and crested by a dexter cubit arm holding a sword. Impaled on the sword is a boar's head. The boar's head is said to represent unflinching courage and fierceness on the battlefield. In Irish literature, it was symbolic of aggression and savegery, and symbolized the Devil.

385. [Bookplate for William Delmar by B. Warwick and J. Warwick] [Bookplate for William Delmar by B. Warwick and J. Warwick] In black ink, this bookplate consists of an escutcheon, azure (blue), divided by three barrulets dancetty, argent (silver). The escutcheon is charged with two lions passant. The crest is a lion sejant, on a crest wreath, with the lion's dexter forepaw resting upon a fleur-de-lis.

386. [Bookplate for Charles Girdlestone] [Bookplate for Charles Girdlestone] In black ink, this bookplate consists of text surrounded by a floral border. At the top centre of the border is a scallop shell.

387. [Bookplate for Charles Girdlestone] [Bookplate for Charles Girdlestone] In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate.

388. [Bookplate for Rob. S. Atcheson] [Bookplate for Rob. S. Atcheson] In black ink, this bookplate contains a rooster atop a horn, which is itself atop a straight wreath. The rooster is a common heraldic symbol that stands for vigilence. Above the rooster is a banner containing the latin motto.

389. [Bookplate for Henry Flitcroft] [Bookplate for Henry Flitcroft] In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.

390. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.

391. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.

392. [Bookplate for Academy of Medicine] [Bookplate for Academy of Medicine] In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto.

393. [Bookplate Academy of Medicine] [Bookplate Academy of Medicine] In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto.

394. [Bookplate Academy of Medicine] [Bookplate Academy of Medicine] In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto. Below the text, a pre-printed line.

395. [Bookplate for Jas. Beaty] [Bookplate for Jas. Beaty] In black ink. A decorative border with ornamentation in corners surrounds the text.

396. [Bookplate for Montreal Catholic School Commission] [Bookplate for Montreal Catholic School Commission] In black ink. A decorative oval border, inside border contains the name of the institution. An escutcheon, parted per cross. First quarter, azure [blue] with crossed keys. Second quarter, argent [white] with two fleur-de-lis. Third quarter, gules [red] with an open book. Fourth quarter, argent, a saltier, gules, fimbriated, argent. Inescutcheon, argent, a mullet, argent. Leafy mantling above the escutcheon, a banner below.

397. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

398. [Bookplate for James Ross Ballantyne] [Bookplate for James Ross Ballantyne] In black ink. An obelisk or tower with a door in front of and between black mountains.

399. [Bookplate for Louis Berger by Rene de Brem] [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus.

400. [Bookplate for Jeffrey H. Burland] [Bookplate for Jeffrey H. Burland] In black ink. Bank note style design. In the middle is a picture of stacked books with letters on their spines spelling out the word "number," and an open one in front containing the book number in red ink. Below is a picture of an inkwell and quill on a tasseled cloth.
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results 381-400 of 659 item(s)  page 20 of 33 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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