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results 121-140 of 659 item(s)  page 7 of 33 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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 Image: Title: Description:

121. [Bookplate for Francis Marion Smith by Warren Stannard] [Bookplate for Francis Marion Smith by Warren Stannard] The "crest" is the profile of a blacksmith from the waist up holding with outstretched arms a hammer and tongs is before an anvil. Below the blacksmith is the text Ex Libris on a ribbon. A laurel wreath acts as supporters for the shield. On the shield, a printing press appears on the dexter side ; a cube with human faces and bold letters appears on the sinister chief ; and an anatomical human heart appears on the middle base. At the base of the shield, and behind it, a burst appears.

122. [Bookseller's Ticket for James Cleghorn] [Bookseller's Ticket for James Cleghorn] Textual bookseller ticket contained within double lined border.

123. [Bookplate for Hermes Circulating Library] [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.

124. [Bookplate for Vancouver Medical Association] [Bookplate for Vancouver Medical Association] Text surrounded by a simple double border. Donor information is typewritten.

125. [Bookplate] [Bookplate] Text is stamped on cream paper in blue ink.

126. [Bookplate] [Bookplate] Text is stamped on cream paper in blue ink.

127. [Bookplate for Bibliotheque de la Maison Saint-Joseph] [Bookplate for Bibliotheque de la Maison Saint-Joseph] Text is printed in black ink. The name of the library is prominently displayed above lending information.

128. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

129. [Bookplate for Green Hat Lending Library] [Bookplate for Green Hat Lending Library] Text explaining borrowing terms printed in black ink.

130. [Bookplate for Hervé Grignon] [Bookplate for Hervé Grignon] Text centered at the top of the bookplate, printed in black ink, single font, on yellow paper.

131. [Bookseller's Ticket for U. Archambault] [Bookseller's Ticket for U. Archambault] Text and a border printed in black ink on white paper.

132. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E.

133. [Bookplate for Hôpital Général d'Ottawa No. 6] [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.

134. [Bookplate for T. J. Pugh] [Bookplate for T. J. Pugh] Simple text bookplate.

135. [Bookplate for Harry E. Jones] [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.

136. [Bookplate for William R. Ridell] [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.

137. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

138. [Bookplate for Vancouver Medical Association] [Bookplate for Vancouver Medical Association] Seal in imprinted on cream paper.

139. [Bookseller's Ticket for Battle Bros.] [Bookseller's Ticket for Battle Bros.] Resembling a postage stamp, text and a decorative border in black ink on white paper.

140. [Bookplate for Chs-Ed. Parrot] [Bookplate for Chs-Ed. Parrot] Red ink on white paper. Consisting only of text, the owner's name and location are surrounded by a border. Exposure to water has cause the ink to smudge.
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results 121-140 of 659 item(s)  page 7 of 33 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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