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21.
[Bookplate for Stanley Harrod]
Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
22.
[Bookplate for Stanley Harrod by T. Z.]
Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.
23.
[Bookplate for Stanley Harrod by S. Harrod]
Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.
24.
[Bookplate for S. C. Lunsford by Frits Jacobsen]
The Dominion Building is depicted, which is located in Vancouver, British Columbia, Canada, and provincially designated a heritage building.
25.
[Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald]
Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.
26.
[Bookplate for Richard S. Coxe by O. H. Throop]
This heraldic bookplate consists of an escutcheon, gules (red), quartered per cross with second and third quadrants vert (green). Within each quarter, a roundlet, or (gold). Upon the escutcheon is a crest, cock closed, on top of a wreath. Beneath the escutcheon is a banner, with Latin motto within.
27.
[Bookplate for P. Gagnon]
Black ink on cream paper. Crest features a beaver lying on a crest-wreath. There are maple leaf branches extending from both sides of the beaver. The beaver is surrounded by a half-circle border with the motto in black, capitalized sans-serif font written across the arc. The shield is divided per fess, with the top half being further divided per pale and the upper left hand portion is divided into three horizontal sections. The topmost left hand section is argent with sable dots charged with two fleurs-de-lis. The middle left hand section is argent with sable stripes charged with a lion passant. The bottom left hand section is argent with sable dots charged with three maple leaves connected at the stem. The upper right hand side is argent charged with two pieces of equipment, one atop the other, and a pair of scissors below. The equipment has a small curved bottom with two long, curving handles on top with a spike pointing through the lower end of the handles. Below the top half is a thin black banner with white capitalized sans-serif text. Below the banner is an image of a natural forest and coastal landscape with a ship with two tall masts in the water. On the coast, there are people, possible colonizers, interacting. A large cross has been erected on the coast on the right hand side of the image. The dexter supporter and sinister supporter are moose standing a curling ribbon with text in capitalized black sans-serif font.
28.
[Bookplate for Military Institute of Vancouver]
Black ink on white paper. Thin border surrounds text. Arms and monogram of Military Institute at centre. Name of donor typed at bottom. Corrected typo in name.
29.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font.
30.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.
31.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.
32.
[Bookplate for John Darby]
This heraldic bookplate consists of an escutcheon, azure (blue), with a chevron, argent (silver), with the lower part a fillet. Upon the escutcheon are three sheaves of wheat (possibly corn, garbe), two over one . A military medal is at centre chief, with the word "NILE" immediately below. Within the chevron, an anchor each at dexter and sinister, with a naval crown at centre. Above the escutcheon is a crest of a sheaf of wheat (or possibly corn, garbe) and an anchor, upon a straight wreath. Below the escutcheon is a banner, with Latin motto within.
33.
[Bookplate for James Stevenson by H. Wilson]
A Latin phrase is written on a banner at the top of the plate. Beneath it is a hand ascending from a heraldic silk wreath, holding a crown of leaves. While illustrated in a pictorial style, the image is reminiscent of the heraldic image of a dexter hand couped at the wrist, holding a crown of laurel or bay leaves.
34.
[Bookplate for James G. J. Penderel Brodhurst by M. Soane]
This highly detailed bookplate contains an escutcheon quartered per cross, with a label (symbolizing an heir, first son) at the precise middle chief. The first and fourth quarters are argent (silver) with fretty of twelve pieces, embattled. The second and third quarters are argent, with a tree proper and a fess, argent with sable (black) fillet, containing three royal crowns. Upon the escutcheon rests a large coronet, resembling that of an earl. Above the coronet are two straight crest wreaths. On the dexter wreath is a nested swan, wings displayed argent and elevated, with fretty of twelve pieces, sable and embattled. On the belly of the swan is an argent mullet. On the sinister wreath are a crossed sceptre and sword. Above them is a royal crown. In between and on either side of the wreath symbols are what appear to be leaves. Above the wreath symbols is a banner containing the Latin motto. The escutcheon is accompanied by two supporters. The dexter supporter is a dragon with an argent mullet on its chest, while the sinister supporter is a griffin, also with a mullet on its chest. Below the escutcheon and the supporters is an additional banner.
35.
[Bookplate for Henry Flitcroft]
In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.
36.
[Bookplate for George Herbert Wailes]
This bookplate consists of a combination of heraldic and pictorial elements. At the centre, is an ovular frame containing an image of a nude woman in a crouching position, and holding a flower pot in her open hands. From the pot, stands a single flower. Above the frame is a small escutcheon, argent (silver), charged with a crane. The crest is a dexter helm, itself topped by a straight wreath, and a horseman's spur and strap, accompanied on either side by a pair of wings erect. Behind the crest is a banner containing the Latin motto.
37.
[Bookplate for George Grote]
This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements.
38.
[Bookplate for Felix Carbray]
This bookplate consists of a an ornamental escutcheon, ermine (white powdered fur with black tufts), charged with a lion rampant, gules (red). The crest consists of a dexter helm, topped by a curved wreath and dexter cubit arm holding a sword. From either side of the crest extends elaborate mantling which flows down to the base of the shield where a banner is located, containing the Irish motto: "DIA A'S CEART." Translates to "God's Right" (as in His right to rule).
39.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
40.
[Bookplate for Edgell Wyatt-Edgell]
In black ink, this bookplate consists of an escutcheon divided quarterly, and containing an inescutcheon. The first and forth quadrants of the escutcheon are sable (black) with a fess, dancette and argent (silver), three eagles displayed, two over one and or (gold), and chief, or. The second and third quadrants are argent, with a sable chevron containing three roundlets bezant (gold), and cinque foil, two over one and gules (red). The inescutcheon is checky, or and gules, and contains a lion rampant guardant. Atop the escutcheon is a dexter helmet, closed with mantling flowing horizontally from its top. Above the mantling are two further crests. The dexter consists of a demi-lion rampant, embattled in or and sable, on a wreath, holding an inverted arrow in its dexter paw. The sinister crest consists of a demi-lion rampant on a wreath, holding the long stem of a cinque foil, gules, in both its paws. Below the escutcheon is a banner containing the Latin motto.
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