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1. [Bookplate for Hill's Lending Library] [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.

2. [Bookplate for J. E. Horvath] [Bookplate for J. E. Horvath] Brown ink on cream paper. Cupboard with an array of ceramic pieces including candle sticks, jugs, bowls and figurines. The text box is centered infront of the cupboard and shield with a tea pot appears on top of the tex box.

3. [Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel] [Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel] In brown ink, a sun radiates light over the background of the image from the top left corner. Included in the background is a crescent moon in the top right corner, an hourglass, in the lower left corner, and a compass in the lower right corner. In the foreground is a chaplet encircling a coat of arms. Atop the helm is a bird, possibly a falcon. The helm itself is front facing and grated (no significance in German heraldry). From either side of the helmet flow elaborate sprawls of mantling which curl down to the sides of the escucheon. The escucheon, in gules, (red) represented by lines drawn from chief to the base, is bordered in or (gold). Centered in the shield is a heavily bound book, with what appear to be latches to prevent unworthy eyes from reading its contents. From the top and bottom of the book flow a place marking ribbon.

4. [Bookplate for Joseph Berreth and Michael B. Kunze] [Bookplate for Joseph Berreth and Michael B. Kunze] In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image.

5. [Bookplate for Canadian School of Missions] [Bookplate for Canadian School of Missions] Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame.

6. [Bookplate for Martha Gold Morgan] [Bookplate for Martha Gold Morgan] In black ink on textured paper. At the top of the bookplate, appears a small image of a lion's head, erased, crowned and charged on a straight wreath. The lion's head, set on a white coin above a scroll with the Morgan motto, is the traditional badge of the clan. Two flowers flank the lion motif and one appears centered below the bottom compartment. These designs are set on a background displaying the silhouette of a tree and wind-blown leaves. Morgan's name is written in large black print on white background.

7. [Bookplate for W. J. Bradley] [Bookplate for W. J. Bradley] In black ink on white paper, the bookplate consists of centered Gothic text in black ink.

8. [Bookplate for James Bell] [Bookplate for James Bell] Centered text in black ink, with three fonts.

9. [Bookplate for James Henry Browning] [Bookplate for James Henry Browning] Centered text with multiple fonts in black ink.

10. [Bookplate for Dunham Methodist Sunday School] [Bookplate for Dunham Methodist Sunday School] Black ink on cream paper. A thin, vine-like border houses the text. No content lies outside of this border. Inside, the name of the school library is centered in the upper portion. A fillable number section is located in the central portion, with the number 216 erased out and the number 56 written to the right of it in blue ink. Beneath this section is a small printed hand icon pointing towards a note instructing the user of the library usage policy. In the portion of this note for the librarian to write the number of days until it’s due is written the number 14 in pencil.

11. [Bookplate for D. Guthrie] [Bookplate for D. Guthrie] The owner’s name, occupation, and city are centered and printed in black ink, surrounded by a decorative scroll and floral border.

12. [Bookplate for Hervé Grignon] [Bookplate for Hervé Grignon] Text centered at the top of the bookplate, printed in black ink, single font, on yellow paper.

13. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

14. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.
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