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Decorative
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41.
[Bookplate for Gilbert Finlay Girdwood]
Black ink on white paper. Argent and sable with a straight line down the middle. Left hand side is sable and argent per pale charged with three castle towers, two over one. Right hand side is argent, with a chevron engrailed sable. Chevron surrounded by three roundlets sable, two over one. Shield is wrapped in stylized bordure. At the top, is a crest featuring a demi-lion rampant guardant, tail extended holding a tree in its right paw. Lion sits on a crest-wreath. Below is a motto on a stylized banner with decorative ends. The bottom of the bookplate has typed cursive fond followed by serif font.
42.
[Bookplate for Girls’ Reading Room Lending Library]
Black ink on orange paper. Border consists of thin black lines with small, round floral decorations. Inside the border, there are several lines of text. The first is in small, bold, black, serif font. The next line is in large, black, capitalized serf font with decorative first letters for reach word. The next line of text has decorative arrows on either side and is printed in small, black, capitalized sans serif font. The next line is in slightly larger black, capitalized, serif font. Underneath is small, italicized thin black serif font with a dotted line for a handwritten number. There is jagged line separating the above font from a short description of the lending terms, printed in black times new roman font.
43.
[Bookplate for Gladys Reid]
Created with black ink on white paper this pictorial bookplate depicts an animal, possibly a dog, prancing in a field. Surrounding the animal are flowers and leaves. The bookplate is further decorated with decorative borders illustrated with vines.
44.
[Bookplate for Goodwin's Limited]
A decorative border is printed in green ink. Inside at the top left is the Goodwin's script logo "G" on a maple leaf printed in green ink. Text is printed in black ink and three fonts, including the Goodwin's Limited logo script. There is a tear in the bottom right corner and a light "X" drawn across the plate in pencil.
45.
[Bookplate for Harry E. Jones]
Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.
46.
[Bookplate for Henry Augustus Sims]
In red ink on white paper, a border that contains red and black text and black decorative designs. Within the border, in black ink, there is an angled Escutcheon parted per pale. The dexter side is gules (red), containing a chevronel or (gold) with two mullets of six points, pierced, in chief, and one battle axe in base. The sinister side is quartered per cross by a cross argent (silver), with the dexter chief and sinister base quarters in azure (blue) and the sinister chief and dexter base quarters in gules. In each quarter save the sinister base there is a pheon proper. Above the Esctucheon, the mantling is topped by a wreath, from which a lion emerges, holding a battle axe. Below the Escutcheon is a banner bearing the motto, 'Ferio Tego.'.
47.
[Bookplate for High School of Quebec]
Printed in black ink on blue paper, the book plate features a decorative border around the text.
48.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
49.
[Bookplate for Hôpital Général d’Ottawa No. 6]
Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.
50.
[Bookplate for Howard]
Black ink on cream paper. Crest features a lion statant guardant standing on a circular platform wrapped in a pointed ribbon decorated with four diamonds. Shield features sable and argent stripes. There is an argent bend featuring a decorative smaller shield that has several geometric borders with a demi-lion rampant in the center. The shield is charged with six crosses, three on each side of the bend. The crosses peter to a thin point at the bottom and the other parts of the cross divide into miniature cross shapes. The shield has dexter and sinister supporters, both lions rampant. The bases of the lions’ neck are decorated with a star. The lions are standing on a curling ribbon that features the motto, printed in capitalized sans serif font. Below the motto is the name of the bookplate owner printed in stylized gothic sentence-case font. Four squiggly arrows point towards the text from each side.
51.
[Bookplate for J.G. Grieve by William Walker Alexander]
Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.
52.
[Bookplate for James Butler]
In black ink on cream or tan paper, the bookplate consists of a decorative border made of daggers and double daggers. The border has rounded corners. The manuscript addition is in brown ink.
53.
[Bookplate for Jas. Beaty]
In black ink. A decorative border with ornamentation in corners surrounds the text.
54.
[Bookplate for John Charles Alison Heriot by Graham Johnston]
This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling.
55.
[Bookplate for John Charles Alison Heriot by Graham Johnston]
This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a.
56.
[Bookplate for John Charles Alison Heriot]
This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.
57.
[Bookplate for John Charles Alison Heriot]
This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.
58.
[Bookplate for John Jenkins D.D.]
Black ink on white paper. The crest features a white lion passant reguardant with black spots standing on the top portion of a stone castle tower. The tower sits on a crest-wreath. The shield is divided per cross. Around the shield is a curling border with leafy adornments and spirals on the sides. The border is thicker on the left, right, and bottom portion. The border does not cover the entire shield ; there are gaps at the top left and right corners and at the center of the base. The top left and bottom right sections of the shield are identical. They have a black and white striped background and are charged with a white chevron decorated with black dots. They are also charged with three white fleur-de-lis, two over one around the chevron. The top right and bottom left sections of the shield are also identical. They have a white background with black dots and are charged with a black lion rampant reguardant. Below the shield, the motto is printed on a ribbon with leafy ends that match the shield’s decorative border. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed underneath the motto in thin, sentence-case, black, cursive font.
59.
[Bookplate for John Keeling]
This heraldic bookplate consists of a Chippendale-styled escutcheon, sable (black), charged with a lion rampant. The lion holds an inescutcheon, argent (silver), charged with a cross fitchy. The escutcheon is crested by a demi-lion atop a mural coronet, again holding an inescutcheon, argent, charged with a cross fitchy. The escutcheon is bordered by a decorative floral design, and at dexter, a dragon is positioned at the upper half. Flowers are present on the opposite side. Below the escutcheon, but within the floral design, the Latin motto is featured in a banner.
60.
[Bookplate for John William Griffin by Leslie Victor Smith]
Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation.
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41
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60
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101
item(s)
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